As previously mentioned, I’d caught the Jesus and Mary Chain a handful of times since their return a few years back, but I had yet to catch them in an intimate indoor setting, such as Emos. Some brief thoughts below.
Last Friday night we welcomed Protomartyr to Barracuda for a night of dark post-punk tunes. Coming up on a decade of existence, Protomartyr have become a staple of the genre, the current dark state of the world giving them the perfect backdrop for their brooding tunes. On their latest effort, Relatives in Descent, they took the post-punk to a greater height, giving audiences moments of aggression followed by great cathartic release. These new tracks played well in the live setting– read on for some brief thoughts on how the evening unfolded.
When did Pinegrove become so huge?
David Sackllah posed the question to Twitter (@dsackllah) on the eve of the band’s sold out show at Austin’s Barracuda. Sackllah goes on recalling a time not so long ago when a Pinegrove performance seemed like an under-attended and perhaps under-appreciated experience. Back then, turnouts hovered around thirty people. That was a year ago. Maybe he’s exaggerating the crowd’s smallness, but the visual goes a long way in driving the point home; Pinegrove is now suddenly huge, or at least hugely important to a lot of people.
Hit the jump for more.
Whenever the opportunity arises to catch local instrumentalists, Balmorhea as the 6-piece live incarnation of Rob Lowe and Michael Muller’s cathartic project, we at Austin Town Hall jump all over it. Friday night’s album release party at the fantastic Stateside at the Paramount Theater stage for the band’s enthralling sixth LP, Clear Language was no exception. Follow the jump for more on the show. Read more
I’m sure if you’ve ever read our site, you know how much I was looking forward to the Radio Dept blowing into Austin on a crisp evening. My anticipation was pretty high, and for the most part, the band was successful in their delivery to a grateful crowd.
Photoguy Comment: During their set, fans would randomly raise their hands in an effort to catch the music. I love that feeling. It happened a lot. It also rained just after their set was done. That was cool.
Thoughts and B.Gray photos follow.
Wednesday night, we sweated our way though the early set time to catch two artists that have been making headlines in the indie rock world lately: Big Thief and Kevin Morby. It was a quick evening, but a good one nonetheless, and you can read my brief thoughts on both acts after the jump.
I met up with Brian, our photographer just after 8 on Tuesday night, a little anxious and a little weary. Low, since the late 90s has been a consistent part of my listening experience, not to mention one that I’ve often had trouble explaining my fandom. But, if anything, I left the venue that night with an expression of gratitude, to the band and the many fans that filled the Parish; it was one of those musical encounters few will understand…but those that do will cherish.
Tuesday night had me forsaking all other responsibilities to hit up this early show at The Sidewinder— I just couldn’t resist the chance to check out this bill of both local and touring bands. Read on after the jump for some thoughts on the chilly evening of folksy tunes and indie rock.
Even with the busy week that led up to Fun Fun Fun Fest, we’re always excited to catch one of our favorite acts like Wax Idols. It’s even more important when said artist is coming into town to promote a new record…in this case American Tragic. Check out below for thoughts and comments.
With the weather warming up a bit, we decided it was best to attend the Helio Sequence with 3/4 of the ATH team in attendance; you’ve got to have strength in numbers in case you get dehydrated. The band blew into town fresh on the heels of their latest, self-titled, album. They brought along Portland’s Lost Lander as openers, and treated us to a set of hits and new favorites.
Read on for more thoughts and plenty of bgray pics…