Well, it’s all going to be new music from Half Forward Line, as the group is a brand new project from members of So Cow and Oh Boland. This tune kicks off with cutting guitar chords, pushing toward power-pop stardom, enhanced by a bubbling bass line working under the mix. On the vocals, they seem to have more melody than what one would expect (thinking of past projects), which actually makes the track all the more endearing. It’s guitar pop of the best sort, and there’s eleven other gems waiting for you if you grab their debut, The Back of Mass, over at Jigsaw Records.
When thinking about So Cow, I can’t really think of another band around that’s been able to release four albums, improving upon each release and always staying true to the sound. It’s all owed to songwriter Brian Kelly, who has decided to play all the instruments on the latest LP, Lisa Marie Airplane Tour. You can hear the history of Irish/British songwriting, personal, playful and with a little bit of ramshackle rock n’ roll; I always feel like its a better produced Television Personalities. This brand new album (the fifth full length!) will be released by Jigsaw Records on September 15th, and we’ve got this exciting new preview below for your soon-to-be happy ears.
We’ve posted a bit lately on Irish act, So Cow, but in case you missed those blurbs, and still haven’t heard of this group, here’s the scoop. They started out back in 2005 as the solo project of front man Brian Kelly, and then evolved into a three-piece outfit that’s put out four LP’s up to date. Back in July the band signed with Goner Records to put out The Long Con, which makes for their fifth full-length record of DIY guitar and lyric-central indie rock.
They begin the album right off with their funky, off-kilter rock with a single “Barry Richardson,” which kicks in immediately with electric guitar that squalls and around the vocals and drums. This, along with the vocals from Kelly gives out a very meandering-post-punk vibe, but then the song manifests itself into a different animal for the chorus. Here, we see a switch to the straightforward chorus as the group joins him to repeat the title characters name. This switch is interesting because it creates a fairly large distinction between the off-kilter opening to the song and the more direct and harsh sound of the chorus. So Cow traverses this fine line for the majority of the album, constantly switching between the quirky and straightforward.
Another track that really draws on this concept is “Guess Who’s Dead,” which has a drum beat that’s all serious business, while the guitar juts out at angles at the end of lines to begin. Again, the chorus gives out a more direct notion of indie-post-punk with the grit of a tinge of metal on the guitar. All the while, Kelly’s lyrics are the very opposite of serious, discussing the going-ons of people around town; the balance here is what’s so intriguing about the sound that So Cow is all about.
My biggest qualm, albeit still fairly small, with The Long Con is that it seems to stretch on just a few songs too long. If you look at each individual song, track-by-track, you can see that this band really pulls off some interesting takes on indie-rock via their style, but it is difficult for a collection as long as this to hold your steady attention for the duration of a forty five minute long album. The last song kind of fizzles out when it comes to the energy of the record, leaving you on a slightly flat note; it makes you question the organization of the album and the incorporation of some of the tracks.
That being said, The Long Con, minus a few minutes, is a quirky and enticing album. Fans of the band will enjoy the twang of not only the lyricism that Kelly brings to the table, but also of the more direct pieces of rock-n-roll.
I can’t wait for the new LP from So Cow, so I’m sorry that in my slew of madness I missed the latest single from the Irish act. It was all over the net last week, illustrating a calmer sign of the band. While the song’s not rushing through with the band’s typical brash attitude, it’s nice to see them tossing some new spins on their style for their forthcoming LP, The Long Con. You’ll be able to hear the entire LP this September via Goner Records; it sounds like it might just be the record that brings them hordes of fans. If not, at least I’ll have another bad ass record from the band to add to my collection.
I’m so stoked for the Irish lads in So Cow; I’ve been listening to the group for several years, and they never seemed to quite make headway in the US…until news came yesterday that they’d signed with Goner Records. Their new single has this jerky guitar line that moves in and out of the tune, pumping the distortion during the chorus. They’ve always been catchy, but they walk this fine line of power-pop cum garage rock; it’s all illustrated in this single. Their album, The Long Con, will be released on September 16th, but if you’re liking what you hear, check out Meaningless Friendly, my personal favorite.
Ah, the Irish are making their way! When I first heard about this new song from Squarehead I immediately jumped out of my chair. I’ve been jamming to these guys for a long time; I’ve also been jamming to So Cow for forever. Why does this matter? The two have teamed up to make a ten song split LP titled Out of Season–it comes out on November 13th via Inflated Records. The Squarehead track is definitely the heavier the two, as that’s just their style, but assure you that the record will have some more melodic moments from So Cow. Either way, all ten tracks are pretty much guaranteed to be kick ass, so get ready.[audio:http://austintownhall.com/wp-content/uploads/2012/10/06-More-Quickly.mp3]
Download:Squarehead – More Quickly [MP3]