Finnish outfit New Silver Girl have a new album on the horizon for October, and today we’re happy to share with you the latest single. This tune has a bit of a glam glitz to it, and not just because of the video attire; it also has this slight vocal hiccup that recalls some of Bowie’s best vocal inflections. But, there’s something polished and glossy about the tune, perhaps due to producer Gordon Raphael, who also worked with the Strokes and Hinds. He knows his way around taking the gritty details and turning them into rock n’ roll gems; this is another such occasion. Look for the album to drop in late October via Finland’s best, Soliti Music.
I’m going to go out on a limb here and make the claim that New Silver Girl will be releasing some fairly important music; it should say enough that the band’s new song was produced by Gordon Raphael (The Strokes, Hinds). Then, you have this artful video shot in 16mm film starring legendary porn star Nina Hartley; the cinematography alone is special. But, ultimately, if the song’s no good, none of it matters…though the song is pretty great in this case. It moves between soft and loud, with the loud moments jetting off like something Thurston Moore would have been part of, except spun through a more modern cool. A start such as this can only mean greatness is to come; keep up to date with Soliti Music as we await news on the band’s debut LP.
We’re now several years into our fandom of Finland’s The New Tigers, and I can say that Do Xao might contain some of the best song’s the group has written to date. According to the band, this batch of songs came out of the band’s continued evolution and willingness to try any sound that they fit; they never try to stretch themselves into any particular genre. That being said, I think you’ll find that futuristic pop is a decent pigeonhole, in so far as this is what I want my pop music to sound like. They employ these dreamy elements throughout the entire LP, but there’s a very clean guitar sound that plays a prominent role as well, so you find the band balancing their influences and tastes to craft something wholly their own. I thought my favorite song was “Earth Dog,” but in the end, or today, I’m settling on “Nothing But Draining,” in case you need a starting point. Regardless, if you’re willing to try something new, you’ll be rewarded if you sit back and play the entirety of this LP; it drops Friday via Soliti Music.
Finnish act The Duplo! haven’t really released much since 2002, but this week they’ve popped back into our lives with news of a brand new EP titled The Duplo! Is Rock N’ Roll. We’ve got to keep in mind that the group’s heyday was way back in the late 90s, and you can surely hear those sounds throughout this track. It opens with a slightly gentle plod with vocals, guitars and minimal percussion while the video pans over a frozen landscape. Suddenly, distortion pedals are pressed, cymbals crash and the beast is unleashed; it’s quite a juxtaposed sound, but very much welcome in a landscape that occasionally goes mundane. Look for the new EP via Soliti Music later this year.
I’m always going to write about The New Tigers; the band have been pretty brilliant with their releases up to now. And with the announcement of Do Xao, it seems like the group’s star is ascending. Synth stabs set the immediate tone here, setting the tone for the way the vocals rise and fall in pure pop fashion. It’s like every syllable lands perfectly on a precise melody that makes them as infectious as anything you’ll hear this week. Combine the above with the almost dreamy slink of the track, and you’ve got your favorite tune of the day ready for repeated listens. The new LP will be out on April 20th via Soliti.
A few tunes from Finland’s Puunhalaaja have appeared on our pages previously, but now we’re bringing you the stream of the group’s new LP, Kari. Now, for listeners in the States, the foreign tongue might be a barrier, but please give yourself a few minutes, even just the first tune. That first track starts off subtley, careful guitar strums and a nice soft vocal. Then there’s a sudden bright burst of guitar pop, albeit for a short instant before returning. It’s the classic quietloudquiet formula that many indie rock fans find vital, and it’s employed consistently throughout the whole of Kari. The band even give in to their rocking desires with the album’s title track a quick jaunt through noisy pop. Go on, adventure off with this wondrous record, and if you’re inclined, pick it up from the band’s label, Soliti…available today!
Cats of Transnistria have graced the ATH pages several times in the past few months, as we anxiously awaited the release of the group’s new effort, Opium. Luckily, we’re fortunate enough to share the stream of the album before it’s release this Friday via Soliti Music. But, one must be forewarned, as you’re likely to find yourself lost in the folds of this wondrous creation. The group has always had this haunting depth…a sort of out-of-body craftsmanship that seductively brings you under its spell; you’ll want to fully immerse yourself in this listen. Take a track like “Trees,” which is a 7 minute opus; the band exhibit a great deal of patience, barely making a sound before the 3 minute mark. They’re stretching the boundaries of pop music, carefully plotting each note and change of tone…aided on this effort by the presence of violinist Sanna Komi. While I find the entirety of the record stunning, I’ve found “Feeding” to be my favorite; the discordant opening crested perfectly into an angelic vocal appearance from Henna Emilia. Lose yourself in this listen, and look for the album on Friday.
I listen to more music that I should, and among it all, at the moment, nothing is quite as special as Cats of Transnistria. A wash of atmospherics open this number before strings and curling guitar lines add an ominous tone. That works perfectly to contrast with the angelic vocal performance that floats dreamily atop the sonic landscape crafted by the group. Then the group moves you in an entirely different direction, almost as if you’ve entered some forbidden forest with them before those strings come back to suck you into the realm. You’re not going to find another act operating so beautifully; look for their new album Opium to hit on February 2nd via Soliti.
We’re all about to head off into the holiday quiet with our own personal listening stations and Spotify playlists, but before we all break until the new year, we wanted to drop this brand new track from Helsinki’s Puunhalaaja, who’ve we spotlighted before. What’s of immediate importance on this new recording is that Sebastian Forss has fleshed out his one-man band to include three new members. The move expands the band’s sound, as one would expect, but while the sound is fleshed out, it very much carries the spirit of the first album. You’ll hear a striking focus on the acoustic guitar, layered with strings, percussion and touches of the atmospheric…all leaving plenty of room for the beautiful vocals of Forss. Look for a new LP in 2018 from Soliti, and for now, warm yourself with this tune.
The beautiful haunting of Cats of Transnistria is set to overwhelm you today with the new video for “Candy Man.” The opening moments of the song are dominated by the deepened tones of string arrangements, sprinkled with atmospheric flourishes behind. It’s actually a sparse track, even when the angelic vocals twist and turn inside the track, allowing the audience to extract their own emotions from the song. A dark wash on the video only reinforces the solemnity offered by the Finnish trio, and we expect nothing more than an enduring classic when the band release Opium early next year via their label, Soliti.