Eggy Share HAL 9000

I’ve been pretty high on Eggy during their release cycle for the forthcoming Bravo!, so we continue our support by giving you a little nod towards their latest single from the LP…the last before the record drops on Friday! This one’s got a little nod to Kubrick, and you can almost feel the famous AI machine in the sort of hobbling synth work that bobs and weaves into the song’s foreground. All that said, this lot are great at building in extemporaneous textures, layering in vocals and a snappy drum beat that gives the song more depth as Hal exclaims “pop culture’s killing me!” Spoilsport Records release the full LP this Friday!

Quality Used Cards Share Ripoff Merchant

Francis Tait has worked in various outfits around Melbourne, but it sounds as if his debut solo record under the moniker of Quality Used Cars might be the one that sort of breaks out into the open. Musical, the song definitely fits into the vibe of the Aussie casual pop, steady and careful, pensive and powerful; you’d be forgiven, too, if you thought you’d heard it before, as the sound has grown increasingly familiar around the world. But, an area that allows Tait to forge his own ground is his vocal delivery. He ends up sounding an awful lot like he’s delivering a sermon about the trials of an employee at his father’s record store…oddly reminds me a bit of Courtney Barnett’s distinctive delivery. Good Days/Bad Days will be out next February via Spoilsport Records.

Eggy Release Absentia Single off Bravo

A few weeks ago I encouraged you to dip your toes in the waters of Eggy with their single “Johnny Whoop,” but now they’re here with a more skittish little jingle that should be right up your alley, particularly if you’re a fan of all things Melbourne. It’s got that sort of swaggering gallop that you’d expect as background music to some sort of satanic dance (I was thinking Midsommar here); it sort of leaps and lands, spastically throws this way and that with angular guitar notes cutting in and out of your speakers. It’s that brand of post-punk that begs you to balance the see-saw between exuberance and anxiety…and I mean that as a compliment! And then it stops. Look for Bravo! on Spoilsport Records on November 13th.

Eggy Share Johnny Whoop and Announce Bravo

We all know by now that Melbourne is a hot bed of incredible tunes, but now Eggy are ready to make their mark with their debut LP, Bravo! They’ve got this sound that seems like its part grungy psychedelia, but then it sort of has this proto pop feel. It’s like they’ve taken the exploratory nature and jammed it up with a bunch of jittery pop nuggets, particularly the way the vocals fall in the chorus. There’s just this unmistakable cool to it, this undefined bad-assery that just makes you want to throw your credit-card down and pick it up. I’m pretty sure that’s a smart idea based on this single alone. Bravo drops on November 13th via Spoilsport Records.

Jarrow Shares Sauce Song and Flowerbed

I’m always trying to figure out what’s going on in the Melbourne scene, and luckily I got an email that turned me onto Jarrow, which is the solo work of Dan Oke. He’s got a self-titled album slated for May release via Spoilsport Records, so why not toss out two tracks from said release. On “Sauce Song” we find Dan fairly synth driven, which isn’t always my cup of tea, but there’s something familiar in the chorus; it definitely sounds like everything that swirls around the pop indie scene. I liked the experimental flare that drew the song to a close. “Flowerbed” seems to burst brightly from the get-go; I like the way the vocals sort of jump high up, only to casually come down to Earth. Oke has these little vocal inflections here too that pack the punch, raising the tune above mere mimicry in the scene.

Aussie Pop from The Great Divides

When you drop names like the Sea Urchins and the Clean in your reference points, I promise you I’m going to listen (and I’ll be pissed if you’re lying!). So this is where I get to meet the Great Divides, the newest Australian export with an EP on the way shortly. In this tune, the band’s classic jangling sounds get balanced out by the heavy throb of the bass work; they mix in the trade of male and female vocals like only the best pop purveyors can. Seriously, I’m super into this song right now and just want you all to listen to it with me! This track appears on the group’s new Face the World, Again EP, which is being handled graciously by Spoilsport Records…out Friday!