In what seems like Christmas all over, the last several days have given me new music from Rosie Tucker…and now Flying Fish Cove. At Moonset was one of the great indiepop gems of last year, followed quickly by the En Garde EP, so being back at it again only means we’ve got more great music for our ears. A buzzy entry and light churning jangle open the scene with Dena’s voice soon joining; it rises up and down on the natural melody of the tune, warming you with its pop sensibility. Perhaps my favorite part of the tune comes in the middle where it’s just sparkling electronic notes and the strum of the guitar…a special moment for sure. The band pair this new single with a cover of Heavenly‘s “Shallow” off the excellent Heavnly vs Satan LP (1991), which you can find below the video.
It’s seems strange to me that we cover so much music from Canada, yet our closest neighbor (here in Texas at least) gets minimal coverage. But, thanks to Devil in the Woods returning, I’ve been turned on to some great tunes, like this new single from Mexico City’s MUUK. It’s an instrumental number that works with sort of four distinct movements. At first, you get sort of a lost radio message, something that seems to hiss at you from the past. Then the song drops in, guitars sharpening themselves over ambient noises, building on the pulse of electronics. We venture into a soft respite with a meandering guitar chord sort of skittering about while the percussive element and soundbites intoxicate the listener. It all crashes down emphatically with the heavier hand coming in the song’s final quarter, releasing all the song’s earlier tension in one final closing moment.
If you pay attention to this little blog here, you would have heard me raving about Rosie Tucker‘s Never Not Never Not Never Not, so a new song in 2019 is very much welcome. This new track is a perfect pop experiment in brevity; it feels like it packs your average song into a quick 1:38. It opens up with a seemingly muted guitar and Rosie Tucker delivering their vocals, almost hopping on syllables between the various riffs. Then the song the song erupts on the line “you don’t even eat me out,” bursting forth with the insatiable pop nugget that was visible throughout last year’s LP; it’s these simple little hooks that always keep me coming back to their songs time and time again. No word yet on a new LP, but this is the second new single we’ve heard, so let’s hope they’ve got something big on the horizon.
Sometimes I think to myself that they just don’t ever make pop music like they used to, and then I’m hit with a song like this new one from Honey Cutt. The song jangles in all the right spots, with spot on bounce provided by the rhythm section. I love how there are two guitar lines, seemingly giving you two different approaches…one jangling and giving energy, while the other seems far more intent on wandering off, much like the song’s theme. It doesn’t hurt that Kaley Honeycutt has the most mesmerizing voice, the sort that sets indiepop hearts a flutter, sort of rising and falling in between notes. This is going to be one hell of a debut LP; Coasting is out March 13th via Kanine Records.
Admittedly, Pintandwefall were not on my radar at all until this year when they announced their new album with our friends over at the Finnish label Soliti Music. But, since then I’ve fallen head over heels for the band’s sound; I can’t help but think they’d be huge if the US/UK press caught on to them. This track opens in more of a brooding fashion, carefully moving before taking on heavier tones, though always employing great melody in the vocals. For me, the biggest success in this song, however, is the bits between the verses…space-y pop vibes galore. I promise you that you’re going to love Your Stories Baby, out next week!
Aside from the fact that I can’t stop giggling at the title of the new LP from Australia’s Girlatones, I’m totally sold on the opening single they’ve shared with the record announcement. It’s this soft bit of pop, crafted beautifully on the back of a piano, touched up with some light percussion and delicate little arrangements; I loved the crisp guitar notes at the 3 minute mark. Honestly, it kind of reminds me of the slow-core stylings of maybe Bedhead, though spun through a different set of influences; the song sort of builds and builds, peaking as the song draws to a close. Horn if You’re Honky will be out on March 20th via Meritorio and Lost and Lonesome.
Sometimes I feel like I’m a one-man Holy hype machine, but I definitely don’t care. This fresh single from the forthcoming LP is so stunning; I can’t quit playing it. I rush back each time to figure out why it is that I love it, only to find that I can’t pigeonhole or identify much, other than I’m just really taken by the song. It’s so open and intimate at the beginning; it’s almost like an artists baring their soul (as it should be), then it slinks into this electronic-laden dreamy pop number. There’s no words here, just go listen. Ryder is out on February 28th via PNKSLM.
It’s been almost 5 years since we last heard from Other Lives, but today they’re back with the announcement of For Their Love. While they’ve been away for a minute, they’re clearly every bit as interested in the detailed craftsmanship of song as ever; this video alone features an array of instruments and textures used to build a huge sweeping movement. This song in particular never seems to peak, hanging the chorus just on the edge of restraint…a tip either way and the song wouldn’t come off nearly as perfect as it does here. It’s good to hear from this lot; they’ll be releasing For Their Love on April 24th via ATO Records.
With the vinyl release of the Lucksmiths Naturaliste last month, it had me wondering, who is best suited to fill that void in my life? Seems like Dropkick are the perfect band to fill that void, especially with what we’ve heard from the forthcoming The Scenic Route. This new single is filled with understated jangle, just playfully crafting a warm melody that perfectly aligns with the delivery of the vocal lines. I love the vocal in the chorus; it feels like its sweeping down from above to carry you away in this blanket of blissful harmony. The new LP will be out on February 7th via Bobo Integral.
We’ve been writing about Dead Stars almost as long as we’ve been running this site, which says more about the band than it does about us. Today, they share a brand new single with fresh news of a new LP on the February horizon. In true Dead Stars fashion, it’s just a huge guitar pop rocker, balancing heavy riffs with the melodic nature of the band’s vocals; they’ve always sort of walked this tightrope between reimagined grunge and power-pop, in the best way possible. They’re just one of those bands that makes you want to turn the volume way up and hit the road with nothing but the wind at your back. Never Not Here will be out on February 21st.