As you know, we’ve long been supporters of Grape St., the band fronted by Curtis O’Mara of Harlem. We love them so much we put out their first LP, A Date With You. But, like all good things, they must come to an end, which is why the band is moving up to release their next LP with the folks over at Burger Records. If you’ve watched the band live, you’ve probably heard “Wallpaper;” it’s been a huge staple in their live sets. They’re going to be taking that live set to the West Coast in a few weeks, bringing with them a tour only cassette with the below tune; it’ll also be featured on their next LP, which is slated for a release later in the year. Come on, this tune’s just so good. Jam it loud.
I’ve written previously about my minor infatuation with She Keeps Bees, the duo currently residing in Brooklyn. They’re crafting this really minimal pop music, using light instrumental touches built to accentuate the vocals of Jessica Larrabee. On their most recent single, “Radiance,” her performance has this classical smokiness to it; it feels like it belongs in another era entirely, yet somehow the music still comes off as relevant in the current landscape. Future Gods Records will be releasing the group’s album, Eight Houses, on September 16th, so stay tuned if you like what you’re hearing.
There’s been a rise in oddball pop bands coming out in the last year or so, or at least being brought further into the foray. I’ve grown quite obsessed, as I deem most of these acts as rather important, especially after listening to this new tune from Green Gerry. There’s a quality of California nostalgia here, which makes sense as that’s the current residence of the group, but I love the way the guitar seems to work against the grain of the track, though clearly it also works in unison; it gives the song a swagger that definitely endears itself to me. Who knows what’s coming next for the act, but for now, I’m enjoying what’s coming my way.
My first experience with Neighborhood Brats was that one-off 7″ they did with Dirtnap Records last year, so it’s been a short wee bit since I’ve heard from the group. But, I just got their new album in the mail, so I’m bummed I must have missed this driving new tune. It’s a pretty straight shooting number; there’s not any frills, just pure substance. The lyrics offer up a “fuck the kids, fuck the new,” giving us a glimpse at that bratty attitude from which the group derives their name. You can catch their new LP on September 29th by way of Deranged Records; it’s titled Recovery.
There’s just something about this band that exudes good times. Earlier in the month I tossed out “Tame,” the first single from the new History of Apple Pie record, but this new one kicks off with even more of a shake to it. There’s a shimmy for listeners, induced by the progression of the chords, while singer Samantha Min coos gently in your ears. But, there’s a nice explosion of pop when you get to the chorus, which is a nice little touch I wasn’t expecting on this track. I feel like you can also hear them channeling Lush a bit, but I guess we’ll all know better when we pick up their new LP, Feel Something, which is out on September 29th via Marshall Teller (no relation to Jacks Teller).
This is the version of Austin’s Alex Napping that I like the most. There’s still depth to the craftsmanship of the track, and the vocals are, as always, performed well. But, my love for this number comes from the guitar tones; they’re light-hearted in their angular movement. The rolling drums that fade out with the vocal after the 3 minute mark are also a nice touch…it’s definitely a strong way to finish off the tune. You can grab their record This Is Not a Bedroom from our friends over at Punctum Records on September 23rd.
Sure. I went back to teaching this week, so technically, yes, I’m stuck on school. But for this purpose, I’m talking about the delightful Swedish quartet, School (not to be confused with the School). There’s just something super enchanting about the bounce kicked off by the snare work in conjunction with those surf-style guitar licks; or, maybe I’m also stuck on singer Alice’s wonderful voice. Regardless, this is a band I’m rather excited about at the moment, which probably isn’t that great a feat considering I’m a sucker for a nice melody. You can also check a cool little performance video the band tossed out for this single HERE.
The last time we heard from Prince Rupert’s Drops the band were dropping in with some classical spins on modern psychedelia. But, it seems as if they’ve taken those tendencies and moved in a more rock specific direction. Don’t be alarmed, there’s still a great bit of fuzz spinning out of your speakers, including a nice blistering solo. That being said, the group opens the track in a manner that might possibly lend itself towards a greater accessibility. Personally, I dig the delivery of the vocals; it’s almost playful within the grand sphere of the track. Look for their second LP, Climbing Light, via Beyond Beyond is Beyond on November 11th.
There’s some experiment going on within the Buke and Gase camp, and while I don’t completely understand the process of it all, I know that it’s led to this interesting new tune. Apparently they’ve challenged themselves to creative improv marathons, then fleshing out recordings as they learn new instruments; it would seem that pushing themselves fit them well. This song has a pulse to it that pulls you into the track, not to mention the distinctive qualities of Arone. No word on whether this tune will appear later in their recording career or they just wanted to toss you out of a taste of their continued progression, but here’s the tune nonetheless.
We’ve already featured several of the new tracks from the next Spray Paint LP, Clean Blood, Regular Acid, so why not get you hip to yet another. On this song, there’s a lot of reason to see the band as one of those outfits that only play by their own rules…the guitars take on varying tonal qualities, the gang call-and-response vocals come at you from a distant, and there’s this bending chord that swells within the tune. It kind of reminds me of Liars when they were young and didn’t give a fuck, which is perfect, as I don’t think these care about anything other than making great rock n’ roll on their own terms…albeit really great/interesting terms. You can grab their new album from Monofonus Press on September 23d.