Austin City Limits Festival has decided to hold on to the momentum established last year making some bold choices for artists from top to bottom. Guns and Roses are the truly random selection that will be either a spectacle or a spectacle; I’m hoping for the best, but the random thing would be seeing “Live Or Let Die” two years in a row with fireworks. Other artists we will be locked in on – The Cure, Idles, Tame Impala, Thom Yorke Tomorrow’s Modern Boxes, The Raconteurs, FIDLAR, Cherry Glazerr, Men I Trust and randoms.
I am sure there will be more developments as we get closer. Wristbands on sale at 12pm CT. Let’s get weird.
Hey y’all. Float Fest is coming up this summer and we’ll have some coverage, but first, we need to remind you that pricing goes up at midnight. If you are on the fence, get in now. Camping is a thing and Amazon sells air-conditioned tents. Take advantage of tubing and then revel in Tame Impala, Modest Mouse, Snoop, White Denim, RTJ, A Giant Dog and many more.
Man, I can only use the word dig so many times in reference to The Dig, but I definitely am enjoying their new single. It’s this shiny bit of indie pop drenched in a playful rhythm and a nice soothing vocal throughout the various verses. There’s this really subtle melodic wash grooving in it too, jumping out with an even larger hook during the chorus to grab the listener. You liked that last Tame Impala LP? You’ll probably find a nice home here. Look for the band’s debut, Bloodshot Tokyo, in February of next year via Roll Call Records.
Photo by Eric Pamies
While each day’s slated program of Primavera Sound 2016 was filled with great bands from all over the world, Thursday, the first day of the festival at Parc del Forum, was for me, the busiest of them all. Thursday had me bouncing around from stage to stage, and hustling to make the most of my time while keeping the headliners in the back of my mind. Read on after the jump to hear what were the best parts of day one and see some pictures.
The arena of psychedelic rock has been changing since it’s rebirth into mainstream consciousness. Since then we’ve seen acts like Tame Impala and others putting a different, pop-centric spin on things; the Vryll Society doesn’t look to be too far off. However, they seem to employ a stronger simplicity, keeping the krautrock bass line in one place as the band works behind it, shooting off guitar chords here and there to add texture to the track. It’s a new single, officially being released on March 11th…we can only hope they’ve got more new work (and an album) on the way.
So, let’s start with the photo portion of our ACL coverage. I have a confession; I sold my soul to take photos of the Foo Fighters. Yes, I signed a release. If the Foo people read this, please try to keep up to your end of the bargain and leave the watermark for ATH and send a little credit our way “as allowed”. I’ll probably never check if you guys use my pics, but be nice.
The Friday edition of photos starts with Avers and ends with the Foos, Son Little, Royal Blood, London Souls, Albert Hammond Jr., Billy Idol, Run The Jewels and Tame Impala in between.
Click through and gaze…
What’s up, nerds?
Late last week, Austin Psych Fest announced the schedule for this year’s Levitation Festival. I love it. Even if you have a conflict, you will have an opportunity to meander in the fringes and bolster you festival band count. If you don’t want to meander, you’ll have nice breaks between bands to allow for extra-curricular activities like, ya know, eating and drinking and not dehydrating and shrivelling. It is not a sprint, it is a marathon.
Can’t wait to be miserably tired when The FLaming Lips take the stage on Sunday at 11:45pm…
Click here to start planning your weekend.
A few weeks ago Nicole tossed out a track from Au.Ra, who specialize in a spacier version of the Australian psych sound that’s been popularized by the likes of Tame Impala. But, while they hold true to that sound, the duo’s delivery has a special approach that uses the negative space, filling it with smooth washes of electronic flourishes. There’s a relaxation to it, which allows the music to move in a quieter direction that I think you’ll appreciate. It’s just another reason to keep Jane’s Lament on your radar as we move towards the March 3rd release date.
Sunflower Bean is a fairly new act if one was to go by the information passed our way, but I’m already interested to see what direction they’re heading. This single has two souls, though they both seem to be haunted by different directions. You’ll get the female fronted post-rock, with this entrancing yelp at the end of the syllables. Then they switch it into more of a psychedelic realm, with a different twist on the music; these moments have more of a brooding fuzz to them, rather than the emphatic yelping of it’s counterpart. It’ll be interesting to see what comes next; there’s lots of room for them to grow.
I am not going to lie: Saturday was my least favorite day of ACL. Aside from Parquet courts and The Cure (interestingly the first and last bands I saw on Saturday), no one really blew me away and the line-up was meh. But Sunday. Oh it was perfect.
Click through to see my highlights from the first Sunday of ACL.