I suppose a label’s reliability is the theme of today, with another one of my favorite Aussie labels, Tenth Court, sharing the latest from their forthcoming release. The trio that makes up Introduction formed in 2019 to escape the mundane male musical landscape. Here, both video and song take you into another realm; in a faint way, it reminds me of Tan Cologne, sort of creating this mysterious cinematic planet we get to briefly inhabit. Listening through on repeat, you kind of feel like you’re suspended in the air, floating while these minimal little beats warp in and out of your ear. It’s been a minute since I’ve heard a group embrace simplicity so successfully; their EP will be out on June 19th.
I’m a really big fan of off-kilter punk of the pop sort, which is exactly what Sydney’s Sachet are offering on their latest single. The way they write their choruses sort of forces you to sort of lose your balance; you’re intoxicated and hooked, but you can’t find your feet beneath you. Still, one of the more endearing qualities from the group is their bubblegum choruses, as if they know you need to wash your ears of those discordant twanging guitars they’ve been brandishing. It’s simultaneously rough and saccharine, which is the perfect way for us to move into Thursday. Look for the band’s Net LP on April 30th via Tenth Court!
Wondering what’s hot in that hip Melbourne scene? Right now it seems like it’d be good to place your bets on Mystery Guest. The group offer up this super low-key club vibe, using the first 1.5 minutes to seduce you with this deep bubbling pulse working beneath smoothed melodic vocal notes. You get an energetic uptick afterwards, with the song taking on a shimmering sparkle with tribal rhythms and keyboard stabs. It’s not exactly a club bang, which is perhaps why I’m drawn to it; it feels a little more nuanced and carefully crafted, drawing out the emotional release rather than beating you over the head with it. This tune will be out on the duo’s debut LP, Octagon City, which drops March 6th via Tenth Court.
When one ship sinks, sometimes a new ship sets sail, as is the case of Lani and Sam, who have embarked upon a new ocean voyage with Sachet…whilst their old band, Day Ravies lays at the bottom of the sea. Our first listen to the band’s new album has the group slicing up angular guitars licks like they’re going out of fashion. Lani’s vocals, however, offer this heavy dosage of pop sensibility, churning it into higher octaves to further the band’s lofty goals of hook-laden post-punk. They turn the song’s direction towards scuzzier pop methods around the 1:30 mark, only to circle back to wrap the tune up. This jam will appear on Nets, which drops in September courtesy of Tenth Court.
Already a fan of Wireheads, I got turned towards this Rex Wonderful and the Silk Sheets tune via RSTB (which should be daily reading). It starts off a fuzzy plodding jaunt, steady drumming propelling the song. Immediately, vocals are presented with an air of indifference, thrown flippantly through your speakers…maybe even with a bit of disdain. While the groove is the centric force behind the soon, I’m drawn to the way the guitar work jangles in and out of the track, giving a slight bit of discordant noise to the tune. This jam will appear on the new Ego Death tape that drops this week via Tenth Court.
The name Mope City alone suggests the down-trodden, and I bet the band doesn’t mind that one bit. In the guitar sounds, you have a sort of laid-back grunge to it, though dropped in tone so that it seems to merely crawl through your speakers. You’ll find the vocals steady and solemn, with little intonation…that’s until the Amaya lends her voice to the track. It’s that slight little touch that elevates the tune into the realm of pop sensibility. This song will appear on the Aussie act’s News From Home, which will drop this October via Tenth Court.
Nylex is an act I know very little about; they first popped on my radar via Tenth Court‘s 2018 sampler compilation. Recently we’ve been given a few more details, with a release date of the group’s self-titled cassette dropping next Friday. It’s fairly dark in presentation, and not too far off from ATH favorites Wax Idols. Angular guitars swirl around this brooding bass line, in your favorite post-punk fashion. The vocals hang in the air with a hint of difference, until they hit the chorus where they spin dreamy magic in your ears.
The Ancients first came to my attention when they released Night Bus via Chapter Music back in 2013. Today news has made it overseas that the band will release a brand new LP, this time on Tenth Court. There’s a slightly new line-up since the last record, though it still is centered around Jon Michell. In regards to the song, it’s precisely what I love about the band, casually plodding along with these airy guitar chords and delectable melodies floating in and out. They take the liberty to playfully jam out as they wrap up the song’s last minute, filling in every inch of space with layered instrumentation. Prepare to be charmed on February 23rd when they release Frozen Aisle.
For the 8 or so people who read this blog on the regular, you’ll likely be aware of my affection for all things Oceanic, primarily New Zealand and Australia. So, with year end lists in mind, I thought I’d offer up my personal takes on the best tunes to come out of the area in 2017. There’s no particular order, just my sixteen favorites of the year.
There’s even a fun little playlist at the bottom for you to enjoy!
Not too long ago I ran a Wireheads tune that was infectious and gritty, illustrating that the cool knows know bounds in Australia. Now we’re back with a new hit from the band, though this time they take more of a arty post-rock vibe. This tune’s more like a vocal barrage with the musical accompaniment jangling in almost as an afterthought. Blasts of squalling chords jump through in the aftermath of vocal delivery, and you’ve got your ears pinned back waiting for what’s next. What’s next? The band release Lightning Ears on October 20th via Tenth Court.