Already a fan of Wireheads, I got turned towards this Rex Wonderful and the Silk Sheets tune via RSTB (which should be daily reading). It starts off a fuzzy plodding jaunt, steady drumming propelling the song. Immediately, vocals are presented with an air of indifference, thrown flippantly through your speakers…maybe even with a bit of disdain. While the groove is the centric force behind the soon, I’m drawn to the way the guitar work jangles in and out of the track, giving a slight bit of discordant noise to the tune. This jam will appear on the new Ego Death tape that drops this week via Tenth Court.
The name Mope City alone suggests the down-trodden, and I bet the band doesn’t mind that one bit. In the guitar sounds, you have a sort of laid-back grunge to it, though dropped in tone so that it seems to merely crawl through your speakers. You’ll find the vocals steady and solemn, with little intonation…that’s until the Amaya lends her voice to the track. It’s that slight little touch that elevates the tune into the realm of pop sensibility. This song will appear on the Aussie act’s News From Home, which will drop this October via Tenth Court.
Nylex is an act I know very little about; they first popped on my radar via Tenth Court‘s 2018 sampler compilation. Recently we’ve been given a few more details, with a release date of the group’s self-titled cassette dropping next Friday. It’s fairly dark in presentation, and not too far off from ATH favorites Wax Idols. Angular guitars swirl around this brooding bass line, in your favorite post-punk fashion. The vocals hang in the air with a hint of difference, until they hit the chorus where they spin dreamy magic in your ears.
The Ancients first came to my attention when they released Night Bus via Chapter Music back in 2013. Today news has made it overseas that the band will release a brand new LP, this time on Tenth Court. There’s a slightly new line-up since the last record, though it still is centered around Jon Michell. In regards to the song, it’s precisely what I love about the band, casually plodding along with these airy guitar chords and delectable melodies floating in and out. They take the liberty to playfully jam out as they wrap up the song’s last minute, filling in every inch of space with layered instrumentation. Prepare to be charmed on February 23rd when they release Frozen Aisle.
For the 8 or so people who read this blog on the regular, you’ll likely be aware of my affection for all things Oceanic, primarily New Zealand and Australia. So, with year end lists in mind, I thought I’d offer up my personal takes on the best tunes to come out of the area in 2017. There’s no particular order, just my sixteen favorites of the year.
There’s even a fun little playlist at the bottom for you to enjoy!
Not too long ago I ran a Wireheads tune that was infectious and gritty, illustrating that the cool knows know bounds in Australia. Now we’re back with a new hit from the band, though this time they take more of a arty post-rock vibe. This tune’s more like a vocal barrage with the musical accompaniment jangling in almost as an afterthought. Blasts of squalling chords jump through in the aftermath of vocal delivery, and you’ve got your ears pinned back waiting for what’s next. What’s next? The band release Lightning Ears on October 20th via Tenth Court.
Initially I was digging this new track from Wireheads because of the way the guitars kicked in right off the bat. They had that scuzzy vibe, though rooted in classic rock n’ roll. Still, the Aussie drawl of the vocals really grabbed me, at times indifferent, yet infectious, especially when the female vocal accompaniment joins in to support. The band will be releasing their fourth LP, Lightning Ears, via Tenth Court; it might just be the energetic rocker that breaks through to your listening rotation.
There are some artists who march to their own drum, and Orlando furious is one such act. Typically they work with samples and iPad apps to craft beat driven vibes, though this new tune is built around the backbone of an acoustic guitar sample, looped in with a warbling affect that may be disoriented. It’s a warped trip through the wonderful world of outsider pop, and the accompanying video only guarantees that status for OF, willing to craft music on terms they define. Tenth Court will be releasing Named Feelings, the new LP featuring “Rage” in early 2018, so stay tuned for more. Buy/stream the tune HERE.
I’m always locked in on what’s happening in the Australia neck of the woods, and Wireheadshave popped up previously, though their next LP is promised to be their best work to date (it was recorded by Calvin Johnson). There’s something about the way the guitar is strummed in the front of the mix, while a echo-y drum pounds in rhythm to moving piano lines. If you’re listening closely, you can definitely hear the lineage of Aussie poetic delivery…makes me fawn nostalgically. They’ll be releasing Lightning Ears on October 20th via Tenth Court…but sample this gem in anticipation of another great Oceanic pop release.
Just recently we were alerted to the first Small World Experience LP in a really really long time! Today we’ve got a great video from one of the album’s standout tunes, “Daily Grind.” The song itself recalls those days of no bullshit guitar pop, the sort where folks turned the mundane into the endearing (TV Personalities come to mind for some reason). That fits the video’s image too, offering a casual day in the life of our protagonist-songwriter. Soft Knocks has been released unto the world via Tenth Court/The Business, begging for you to discover its secret joys.