Catchy Pop from The Late Great

lategreatImagine turning on your speakers and finding yourself a gritty little pop gem. Now, press play and that’s what you’re going to get when you listen to the new jam from The Late Great. At first, I thought it was a modern riff on The Concretes, filling my speakers with the sultry vocals from Sarah Lane while the band pounds away rhythmically behind her. Tap your toes, let your hair down and join in the joyousness present on this latest single. This here track is on the band’s debut album, Easy, so let yourself go.

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Taken by Trees – East of Eden

eastRating: ★★☆☆☆

Vicotria Bergsman has long been the chanteuse of my dreams.  First, she warmed-me over with her sultry vocals during her tenure in The Concretes, and later, she kept me going with Taken by Trees. Now, she is releasing her second album under the latter, this one titled East of Eden.  Much will be made of her venture East, which like most Europeans gone East, has had a profound influence on her music.

Whilst many will no doubt link the sounds of this album to India, thanks to the unnecessary success of Slumdog Millionaire, Victoria went elsewhere for her muse: Pakistan. “To Lose Someone” is such a song, as it carries the ornate horns of such cultures to accompany Bergsman’s voice.  Even the percussion resembles the spirit of a simpler life. And while the wooden horn/flute/whatever dances in the background, the song closes with syllabic chanting that probably means little for listeners.

One of the best songs on the album, and easily one that you will find the most commercial is titled “My Boys.”  Why does it seems familiar you ask?  Well, it’s a cover of “My Girls” by Animal Collective. The melodies are precisely the same as the original, and in fact, the song completely mimes AC’s version, aside from a few lyric changes, and the obvious use of real instruments.  It’s interesting that this is the most accessible song, as it’s not one Victoria can call her own.

As a concept piece, it’s a great idea,  mixing her powerful vocals with an entirely different arrangement musically, but it has more failures than successes due to this.  “Watch the Waves” is a song that is full of flourishes from the travels to the East, but using non-pop-centric instruments strips Bergsman of her vocal prowess, and renders her somewhat dismissable for the greater part of the song, let alone, the album as a whole.

She goes too far at times, especially including “Wapas Karna” in the project, which is merely a number that is full of chanting, and little else.  If we wanted to listen to world music, there are surely better places to find such tunes (no offense Victoria).  It even seems as if she spent more work on developing a sound that stayed true to its roots, rather than create an album of her own songs, backed by the newer sonic discoveries.

In the end, the highlights of East of Eden are few and far between.  Taken by Trees has perhaps been taken to far East and away from the blissful harmonies that we associate with its lead singer Victoria Bergsman, leaving a concept album with limited range in its wake.

[audio:https://austintownhall.com/wp-content/uploads/2009/08/taken-by-trees-watch-the-waves.mp3]

Download: Taken by Treese – Watch the Waves [MP3]

Liechtenstein – Survival Strategies in a Modern World

liechtensteinerRating: ★★★☆☆

Liechtenstein is another band revisiting the musical stylings of the past, and while they claim to take their style from the early 80s, the band seems to owe a lot more to the the days of Motown.  An all girl group with such sweet voices surely can’t stand without looking back into the history of American R&B.  Still, with all debts to the past aside, Survival Strategies in a Modern World succeeds on various levels.

In order to really appreciate this album yourself, you have to realize that the band isn’t holding onto any pretensions; they aren’t claiming to be breaking any new musical ground.  Fun. This is really all the band is aiming to do.  Every piece of this album glistens with droplets of fun and earnestness. Such an attitude carries the album really far for most listeners, when they could have otherwise failed.

Another advantage of the album is it’s brevity.  Before the sugary sounds can wear away the enamel on your teeth, the album is finished.  Not a song goes beyond the 3.5 minute mark, and only nine songs create this work of revisionist art. Sure, you may be looking for more bang for your buck, but you won’t be displeased by this album; it doesn’t give you that chance.

Musically, just imagine listening to the first Concretes record on vinyl, only you decide that you want to speed up the RPMs so that it sounds like the Chipmunks, but instead it sounds precisely like Liechtenstein. Bass lines bubble throughout the album, shaking the speakers.  California guitar chords work together, jangling along the basic skeletal remains of each song.  Stir in some multiple part female harmonies and you have every bit of music you will hear on this album. Each song contains one, if not all, of these elements, with the only song that differs being the closer ‘The End,” only for its odd usage of acoustic guitar. It still kind of jangles.

Listening to this album, you’ll find that there is nothing particular that really jumps out at you.  This isn’t dismissing the band, for the tunes are all quite enjoyable, as you should have gathered, it merely portrays the band in an honest light, just as the band has portrayed themselves.  Their sincerity in creating these tunes surely comes across upon the first listen, which is precisely why you find yourself falling in love with this album, even as you question its merit.  Just give it a chance; thanks to its brevity you have the time!

[audio:https://austintownhall.com/wp-content/uploads/2009/06/01-all-at-once.mp3]

Download: Liechtenstein – All At Once [MP3]