Austin Town Hall

The folk soundings of Laura Gibson are marked by a variety of sounds. While the words simple yet elegant seem fitting to describe such an artist, I think intricate and raw also have their place in the description of La Grande. However, through all of this soft and roughness, Gibson’s sugary vocals remain constant, serving as the syrup to run between the sounds. In its folk genre, this album seems to go a lot of places and somehow stay in one place.

Strewn through La Grande are various instances of gentle serenity, which seems to be the bigger of the two paths that this album takes. You have moments of subtle beauty apart from the obvious pretty voice of Gibson of herself and the accompanying, soft acoustic guitar. On the second song, “Milk-Heavy, Pollen-Eyed,” these subtleties culminate to produce a solid, slow moving gem; the quiet xylophone, Gibson’s meek voice meandering through the song, the bare minimum percussive elements make the track feel a little sleepy, and yet ever enjoyable. Another instance of this chill folksy combination is on the later track, “Crow/Swallow” in which Gibson croons simply over some guitar plucking, which makes for a calming listen.

On the rowdier side of things are songs like opener and title track “La Grande,” on which the emphasized percussion reminds me a bit of The Dodos; the very base of the song is the constant, stomper of a beat. Of course, Gibson’s vocals prove a start contrast to the deep drums that resound deeply towards the end of the song, giving it that edge to avoid the song turning into a mess of beats and dulcet tones. Another song that rides the rowdier waves in a stronger percussive sense is my personal favorite, “Skin, Warming Skin.” On this track, you’ll find the build to a climax that is lacking in places elsewhere on the album. Gibson’s voice contrasts with the likes of drawn out guitar sound and eerie backing “oohs.” It’s easily the most interesting song on here.

Overall, this album isn’t entirely overwhelming, but it will present you with moments that can overwhelm you. Sure, you will have some instances in which you are even underwhelmed a tad, but the music is presented in many forms and Gibson leaves it up to you to discern your favorite—the simple combination of honeyed vocals and guitar plucking explored in a slightly new light in some instances and shining in the same glow in others.

The Dodos are a long way from where they were musically in 2008. What started as a duo of percussive madness faded to a more reigned in, and slightly boring effort, on Time to Die. With such a distinct and limited amount of sound producible with only a few members in a band, it seems like the only direction that The Dodos could go with No Color is backwards.

This revert to their old style of barely controlled chaos starts from the beginning with “Black Night,” but it isn’t exactly as rough as songs like “Fools.” Logan Kroeber starts things off with his furious drumming as always, and you can feel that this sound will build up to something great when Meric Long steps in with his strong, yet tinted with a tiny shred of whine, vocals. This song starts the album out right; a step back from too much production, but not a setback in the quality of the song. They continue this walk down percussive and rhythmic lane for the first three songs, which takes up a large chunk of this simple nine-track album, which is definitely something that I wanted to see.

On “Sleep,” the presence of Neko Case is especially apparent; her simple role in background vocals alters the very nature of the song. She takes what would have been just an ordinary song from this group and adds the icing on the cake, if you will, making something already desirable and good into something grand. While I wouldn’t think that I would enjoy the song with a lot of instruments from this group, it works surprisingly well. Normally what seems most effective for The Dodos is simplicity, but on this pretty little number the layers of instruments, a bit more depth to the vocals with the addition of Neko, and the overall contrast in complexity makes this a sure standout track.

A little later comes “When Will You Go,” which feels more like a pop tune than that of their traditional tunes at first—the drums feel far away, while the guitar is precise and tight. There isn’t the general feeling of about to spin out of control, or that climactic ferocity, but it’s an interesting spin for the group. Yes, the drums and guitars kick up toward the end, but it’s still a good knock at a solid poppier sounding tune, if that’s where they were trying to go.

After “Don’t Stop,” rounds out No Color with some intricate drums and then a final resounding beat, you feel pretty satisfied. There are certainly some weak places here and there, but for the most part, The Dodos have managed to entertain once again with their zestful rambunctiousness.

A couple of EPs and a full-length under their belt sees Miniature Tigers returning to the fold, offering up another gem of an indie pop record for the masses.  Fortress has the band coming off confident as ever, backed by popular demand and praise from the blogosphere, not to mention classic print media like Rolling Stone.

A little bit of tinkering with percussive elements brings the listener’s ear closer on the album’s first track “Mansion of Misery,” just before the drums bounce in, along with Charlie Brand’s vocal presence.  It climaxes with a crashing bit of cymbals, right before piano and rising vocals carry us into the end.  It’s a formula indicative of where the band lives, switching things up to meet their fancy.   They employ it again on “Rock n Roll Mountain Troll,” going in three different directions in just over a minute, but the chorus is where you’ll grab the most pleasure from this track, not that there’s a bad spot in it.

Single “Gold Skull” has the benefit of working with Neon Indian, though you have to admit that a producer can only do so much, you know, if the song isn’t actually there.  Electronic blips raise the bar on the band’s pop elements, giving it a bit more of a pulse.  Warm melodies come in and out of the song, putting this group on a competitive level with every other band out there.  However, this song just has a certain something that rises above the rest, making it a favorite for many lists come the end of the year. From here they go right into another grand number, “Bullfighter Jacket.”  Aside from the somewhat annoying “yayayayaya” throughout the song, there’s this ridiculously glorious drum work that accompanies every harmony created by the band.  It’s like a more elaborate version of the Dodos, working with better melodies and higher pitches.

But, you should know that this isn’t all about pop goodness and sweeping melodies.  Miniature Tigers have a bit more to offer you here.  You can take “Dark Tiger” and the fragility in Brand’s vocal display, and you’re in some different world entirely, as if you’ve gotten lost in a world of lollipops and gumdrops, finding yourself reflecting in a bit of solemnity.  Sure, there are some light touches of multiple harmonies within this track, but for the most part, it’s lightly picked guitar and a fragile lead singer.

In the end, Fortress is exactly what you wanted it to be; it’s an album with crafty melodies in the pop spectrum, but leaning to the left of the main vein in American music culture.  Listening to this album, it seems to have the same craftiness of Grizzly Bear, using delicate touches here and there to build the sonic element within the tracks, but at the same time, Miniature Tigers are a lot more accessible in the long run.  This is an enjoyable listen, giving you a sense of positive emotions listen after listen.  Definitely a good place to find yourself as summer winds down, and you need a little revitalization.

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Download: Miniature Tigers – Gold Skull [MP3]

We all set out to brave a warm evening in Austin, looking forward to catching the greatness that is the New Pornographers.  Accompanying the band on this summer night was Imaad Wasif and The Dodos.  While we were excited to see all the bands, it was clear that everyone’s anticipation was geared towards the Canadian outfit.  Follow the jump for more.

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Creating a Top 50 Albums list is never easy.  You have to battle with what you think the world believes, and what you truly believe in your heart, to be solid jams.  We have even more trouble because we have to three writers, all who have different ideas, and we have to make those ideas fit into a neat box.  Well, we got it done, and honestly, our criteria was based on two things: how great we thought the album was, artistically speaking, and how long we listened to it without getting bored.  That’s it. It’s fool proof; you might not like it, but it’s our list, so here it is… Read More

Our ACL coverage continues the week after ACL with an interview with up and coming buzz band The Dodos.  We were big fans of their set during the weekend, so we were excited to have some time to speak with Logan Kroeber before their show.  Follow the jump to read full interview with The Dodos.
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Since you’ve already been introduced to the Dodos in the ACL Spotlight, I won’t waste any time with the bands history.  Time to Die is the bands second full length (both released on Frenchkiss Records), and initially it shared a lot of similarities with it’s predecessor, 2008’s Vister, but on repeated listens the familiarity wanes into something completely different.

On their debut the Dodos existed as a two piece and, per my experience, two piece bands tend to have a certain something that sets them apart from larger groups. Some would say it’s sloppiness, and I would I agree that there is a looser sound when it is coming from such a small outfit, but I would also argue that, in a two man band, there exists an earnestness that sometimes eludes bands with 3+ members.  When listening to Visiter you are listening to band trying to fill the space with their modest instruments and voices.  It was spectacular and exciting.

With Time to Die the Dodos have expanded to a three piece, filling out their sound with an extra percussionist.  This extra member doesn’t detract from my enjoyment of the band, but I would be lying if I said it didn’t change the bands sound.  Gone is the frenetic pace, guitarist/vocalist, Meric Long and drummer Logan Kroeber are no longer scrambling to fill out the space.  They have let themselves relax and in that relaxation came a fuller, more realized sound.  On tracks like ‘Small Deaths’, ‘Fables’, and ‘Acorn Factory’ we find a more mature Dodos, content on letting their songs unfold naturally rather than rushing them.  ‘Troll Nacht’ showcases the newest member, Keaton Snyder on the xylophone, and is probably one of the most well rounded tracks on Time to Die.

I am excited about what the Dodos will do in the future, and if Time to Die is any indication this is a band we should all be excited about.  Check them out at the LiveStrong Stage at ACL on Sunday, October 4^th at 12:30 p.m.

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Download: The Dodos – Troll Nacht [MP3]

We’ve long been fans of The Dodos as evidenced by their spot in our 2008 top album’s post, so we are of course excited about their forthcoming album.  Apparently the band has had some trouble with the album leaking online, so they went on and made it available to stream in full from their website.  Time to Die will be available digitally on July 28th and physical copies are in stores September 15th via French Kiss Records.  We’ve also got first single from the album, “Fables” below.

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Download: The Dodos – Fables [MP3]