Show Preview: Mountain Goats @ Emos (12.5)

Date Wednesday, December 5th
Location Emos
Doors 9:00 PM
Tickets $18 from Emos


In search for your favorite hyper-literate performer? Well, you can find John Darnielle and his band, The Mountain Goats, at Emos on Wednesday night.  John and friends just released Transcendental Youth via his current label, Merge Records.  While the band can probably be considered to have sort of a cult following, I personally feel that Darnielle is an underrated lyricist (more to my liking than a certain Mr. Meloy).  Accompanying the group as openers will be Matthew E. White, which, according to the stuff I’ve listened to, should be quite an extravagant affair.  This is one of those shows that might have fallen off people’s radars, but if you miss out on it, you’re going to have to hear from your friends how incredible the evening was. 

[audio:https://austintownhall.com/wp-content/uploads/2012/07/03-The-Mountain-Goats-Transcendental-Youth-Cry-for-Judas.mp3]

Download:The Mountain Goats – Cry for Judas [MP3]

The Mountain Goats – Transcendental Youth

Rating: ★★★½☆

I can’t tell you how many albums I actually own by The Mountain Goats, the moniker of songwriter John Darnielle; I can say that its quite a few, including some early collections of demos. All I can say about Transcendental Youth, however, is that it’s a record that sounds more complete than anything he’s done to date, featuring careful musical accompaniment that wasn’t always present before.

Our newest affair with The Mountain Goats begins with a heavy-strummed track, “Ana aka Spent Gladiator 1.”  It’s a track that uses John’s traditional lyrical fare, encouraging his protagonist to push on despite various trials.  What I personally enjoyed here is the song’s heavy-handed approach, as if it’s more of a rock tune than the intimate numbers Darnielle’s composed for years. Interestingly, it fits thematically with “Spent Gladiator 2,” which deals with the same idea of fighting for survival in the world.  But, this tune is more of a softer track, made more beautiful by a sparingly used piano.

While the songs on Transcendental Youth largely deal with man’s struggle to face the challenges of life, the music goes back and forth between the intimate songs and more powerful numbers.  “Lakeside View Apartment Suite” revolves around a solid piano backbone, providing the feeling of solitude one would get if they were to play the role of the lead in this track.  There’s additional fleshing out of the song too, with drums joining in to give an extra bit of bounce to the song.  Still, the high points on the record go even further in depth with their additional accompaniment.

“Cry for Judas” uses a combination of The Mountain Goats traditional guitar strumming, rolling drum beat and a full horn section.  It’s one of the fullest songs I’ve heard from Darnielle and company, illustrating that while he has a penchant for the intimate touch, he’s continually growing his sound after all these years.  It also gives an emphatic boost to the record’s pacing, much like “The Diaz Brothers” does. Here, the pounding piano and handclap addition, along with some incredibly inspired drumming, gives the whole feel of Transcendental Youth more spirit that what I’ve seen before. Even when dealing with tracks about such lonesome figures, the bright-side of life is alluded to in both the album’s title and the spirit of the songs within.

For all intents and purposes, this is very much a typical Mountain Goats record.  It’s typified by Darnielles unique voice, both as a lyricist and vocalist, but the album is strengthened by full sound, featuring horns and more active drumming.  In doing so, it’s taken what is always a very intimate listening experience and given it a facelift, leaving you with a Transcendental Youth that is both personal and affecting.  Already a fan of the group, I’ve enjoyed this record immensely, and I’m curious to see where Darnielle takes himself next.

[audio:https://austintownhall.com/wp-content/uploads/2012/07/03-The-Mountain-Goats-Transcendental-Youth-Cry-for-Judas.mp3]

Download:The Mountain Goats – Cry for Judas [MP3]

The Mountain Goats – All Eternals Deck

Rating: ★★★★☆

For years, The Mountain Goats have been wooing you with their cryptic and lyrical masterpiece songs that are poetry set to various tunes. You’ve fallen in love with their endlessly complex yet simple bank of songs that just keeps on getting bigger. So I’ll save you the introduction to a band that has already made itself a staple in a whole lot of hearts, and I’ll get to the review.

Much of this review and the perception of All Eternals Deck is determined by your current state of affairs with this band. If you like the Mountain Goats already, then this album will be just another reaffirmation of your love for them. If you don’t like the Mountain Goats already, this should be a step in the right direction towards your newfound affection towards them. If you hate them already, stop reading this.

As I’ve mentioned, this album is just another great addition to the overwhelmingly large catalog of songs that this group has already produced. From the first song “Damn These Vampires” begins with the familiar half spoken-half sang vocals of John Darnielle, who never fails to impress me with his delivery. A brilliant voice he has not, Darnielle still manages to convey the raw emotion that is needed for poetry. Despite the title, the first song comes off as an empathetic and encouraging tune for an unknown protagonist. As the tale is spun, you feel encompassed in the lyrics of this band and it’s as if you have been transported into the world of fiction of the Mountain Goats; a place where you will remain for the duration of this album.

Like a great novel, the songs that make up this release all wrap you in their cloak of deception at first, but after some thought, the words begin to make sense and add up to something that cherishable. Early tracks like “Age of Kings” draw you into their cryptic world, with dramatic strings chipping away at the underlying belly of the song. Other works like “High Hawk Season,” incorporate “ohs,” “ahhs,” and harmonies in the chorus from a juxtaposed deep voice that takes some of the nasal from Darnielle. The songs work together to lead you to areas that you never thought a song could, potentially becoming a new favorite work of fiction.

Overall, it’s a really well written work from this group. It warrants many listens trying to decipher just what those words mean. More importantly, what they mean to you as the humble listener.

[audio:https://austintownhall.com/wp-content/uploads/2011/01/The_Mountain_Goats_-_Damn_These_Vampires.mp3]

Download: The Mountain Goats – Damn These Vampires

New Music from The Mountain Goats

John Darnielle is one of my absolute favorites.  I enjoyed his barefooted performance at ACL, and I own even the most obscure pieces of his back catalog.  Come on, the guy writes exceptional lyrics, sometimes dark and murderous, other times pensive–what’s not to like?  His newest album, All Eternals Deck, will be hitting the streets via Merge Records on March 29th.  Luckily, Stereogum gave us all a nice little sample of the piano-laden ballad, which never really seems to busrt forth in regards to volume, as his previous album did.  The best thing for me will be trying to sit down and decipher just what John and The Mountain Goats really mean when they say “Damn These Vampires,” not to mention the rest of the album.

[audio:https://austintownhall.com/wp-content/uploads/2011/01/The_Mountain_Goats_-_Damn_These_Vampires.mp3]

Download: The Mountain Goats – Damn These Vampires [MP3]

The Extra Lens – Undercard

Rating: ★★★½☆

Now that John Darnielle has signed up The Mountain Goats to be part of the Merge Records roster, it seems only fair that he give the label a little sampling of his magic.  Instead of throwing a 7″ or a single out, he collaborated with longtime friend, Franlkin Bruno, to complete only the second full-length, Undercard,  by the duo known as The Extra Lens.  Frankly, Franklin’s participation doesn’t go too far to stretch the sound of the typical Darnielle work, but its his subtle touches here and there that give a bit more depth to the normal acoustic strumming of old JD.

If you travel the path of a normal MG release, you’ll find that “Adultry” isn’t far off from that place, except the slightest noise in the background, that of a nicely distorted guitar chopping its way through the melodic strumming of Darnielle.  It’s a shortened number, but what would come off as a short-penned song, now holds a new layer.  It’s these ever so subtle touches that alter the work throughout Undercard. “Cruiserweights” just uses the most basic piano tinkering off in the far horizon of the track, and even using that doesn’t really alter our perception of The Extra Lens as being yet another venue for Darnielle’s songs.  Basically, they’re the same old same old, only much much prettier.

You’re probably reading this, thinking that its just some boring re-hash of Mountain Goats material, but what it truly is, is just a man adding those finishing touches to his usual maseterpieces.  John Darnielle has to be one of the finer craftsmen of song, and instead of leaving those magnificent pieces raw, he’s opted to use his friend Franklin to finish everything off, add a little gloss, and give it a hint of sheen.

You know, the world really needs more songs like these, especially if they’re given the Criterion treatment by Bruno.  “Some Other Way” originates as a general unrequited love song, but an organ touch here, a far off strum in the background shifts it all, providing the song with the same sense of yearning that is created by the narrator’s words.  There’s even somewhat of a Western feel, almost as if a cowboy has lost his herd, and aches to get them back.  Such things are welcome in the great catalogue of JD.  And you’ll find odd pieces to fall in love with as well, much like “In Germany Before the War,” which employs nothing more than a whispering John, a down-trodden piano line, and perhaps a bit of accordion.  It’s a heavy emotion created, perhaps meant to accompany such a heavy-themed song.

You’ll find that Undercard, though beautiful in its entirety, really doesn’t venture too far off the beaten path of The Mountain Goats.  But, that being said, does it really hurt you to have more polished beauty from Darnielle, especially when he’s got Bruno paying keen attention to the most important details?  The answer to that question is probably no, so you should probably do what’s right, and go get your hands on the new Extra Lens record.

[audio:https://austintownhall.com/wp-content/uploads/2010/08/The-Extra-Lens-Only-Existing-Footage.mp3]

Download: The Extra Lens – Only Existing Footage [MP3]

ACL Wrap-Up: The Top Ten Acts

Well, we’ve finally recovered, and we hope your sunburn is peeling and your liver is resting quietly in a tub of water.  After a long weekend, filled with good memories, tunes and pretty much anything else we needed, we got down to the nitty-gritty. That’s right folks, after careful collaboration, and tireless hours of discussion, we bring you our Top Ten Acts of Austin City Limits 2010.

New Tunes from Mountain Goats

mountainI’m not sure how many songs John D. has under The Mountain Goats moniker, but I’m always thirsty for more.  His witty lyrics and gentle guitar strumming never cease to please.  He’s got a new album coming out titled The Life of the World to Come on 4AD on October 6th.  Apparently all the songs have biblical references, but he swears it’s not some newfound devotion.  Here’s the new track.

[audio:https://austintownhall.com/wp-content/uploads/2009/07/02-genesis-3_23-1.mp3]

Download: Mountain Goats – Genesis 3:23 [MP3]