While people reading the press release for Flat Worms will gravitate towards “members of Thee Oh Sees, Ty Segall,” the reason I caught onto this was that it features Will of Dream Boys. It’s always interesting to see how people that can play wonderful jangling pop songs can turn on a knife’s edge with some pummeling punk, like Flat Worms. It sort of sounds a little bit like a murkier version of the Spits, in my eyes, so that gets an additional nod in my book. The new project will release the Red Hot Sand 7″ on April 29th via Volar.
Honduras are just a short week away from unleashing their Gathering Rust EP, not to mention a tour that will lead them through most of the US, including SXSW. Long have we championed the band, and we’re not stopping with this new crunchy jam. It’s got a lot of that garage feel that makes a band like Thee Oh Sees so enchanting; it just builds tension on the back of heavy riffs. Don’t let that mellow moment near the 2 minute mark set you off, as the band close out in emphatic style.
It’s been a hot minute since we last heard from The Intelligence, the band that always shifts and changes sounds between albums, whilst always sounding every bit like themselves. They’ve just returned with this new single, and while there’s about 20 seconds of goofing around in the studio, as soon as the bass line begins to groove, you’re caught in the perfect mix of a steady rocker. They even bring in part-time Thee Oh See, Brigid, to add a nice vocal contrast to the tune. Probably one of the bands I feel are the most underrated, so I look forward to their new effort, Vintage Future, which hits on September 25th via In the Red.
After adding in some layers of synthesizer to their last effort, Pagan Hiss, the Hussy have stripped it all down, just focusing on guitar work with varying percussive and string elements added for texture. The group’s first single from Galore has that psych bounce that’s been popularized by group’s like Thee Oh Sees; they do seem to play these songs with a heavier hand than most, which gives them that dosage of differentiation. They’ve got a huge tour lined up for the early summer months, including Austin dates at Cheer Ups and the Yellowjacket. Look for the release on Southpaw Records on June 30th.
With SXSW this year there was lots of hubbub about fewer bands and less corporate entities flooding the streets, but despite all that, I still managed to have myself a good old time. I’ve got some thoughts and awards to hand out, and these are strictly my experience, as we tried at ATH to split up and cover as much as we possibly could. You can read on, if you’ve got the time, to see what I had to say. Read more
As we’ve lamented lately (including this week) the hiatus of Thee Oh Sees, it looks like John Dwyer isn’t even stopping to think about it. That should completely be expected, considering the fact that his old band worked at a seemingly break-neck speed. But, what I didn’t entirely expect from Dwyer was this new synth-laden track under his new moniker, Damaged Bug. It’s similar to the work of Mike Sniper of Blank Dogs (where has he gone) in so far as it’s a largely electronic sound wrapped around a rock n’ roll attitude. Dwyer’s got a synth project and a label? He’s definitely the new Sniper. John’s record will be titled Hubba Bubba, and it will be released on February 25th via his label, Castleface.
Here it is. I know you’ll hate it; I know you’ll disagree, but that’s not the point in making an arbitrary list. We here at ATH worked really hard to fit in the tastes of the four of us, and when we decided upon our Top 50, it really boied down to simple math. What albums did we love when they came out? Do we still enjoy spinning those records months later? If they’re in the Top 50, then the asnwer is probably yes. I mean, our Top 2 records came out in January, and still play a vital part in my weekly listening. There’s no disclaimer here. We are who we are, we like what we like, and we hope that’s okay with you. If not, drop us a line and let us know where we went wrong.
One of the my favorite things about listening to psych rock, at least as it stands today, is the way the lyrics are sometimes delivered–sort of brought to you by angst ridden Halloween heroes. That’s the feeling I get when I listen to this new tune from Wooden Indian Burial Ground, who I’ve recently taken a liking to. Musically, they sound similar to the jams that Thee Oh Sees might toss out in a live setting, using cutting guitar solos and screaming walls of feedback. This is definitely more forceful than a lot of the psych fare out there, which might be just the reason I’m digging it so much. They’re debut self-titled album is out October 30th via Mon Amie.[audio:http://austintownhall.com/wp-content/uploads/2012/09/Sparklerella.mp3]
Download:Wooden Indian Burial Ground – Sparklerella [MP3]
You’ve probably seen this headline on our site many, many times before, but we’re always more than happy to spend our night watching two of our favorite bands, Ty Segall and Thee Oh Sees. A couple of great local opening acts added an extra touch of class to the night.
Read on for photos and reflections.
|Date||Saturday, September 15th|
|Location||La Zona Rosa|
|Tickets||$15 @ La Zona Rosa|
This is by and large the show of the week. Sure, Thee Oh Sees and Ty Segall have both made their way through town several times in the last few months, but I don’t think a single person that’s caught these two acts will tell you they wouldn’t willingly see the band over and over again. Plus, the new record from Thee Oh Sees, Putrifiers II, is pretty killer, so hopefully we’ll get some new jams live in their set, not to mention Ty guests on it, so he’ll probably guest on stage. And if you need another reason, check out locals Gal Pals and Fleshlights rocking things out in true Austin fashion. Looks like I just gave you plans for Saturday night.
Download:Thee Oh Sees – I Need Seed [MP3]