Looking around at various spots, and it looks like this show this evening over at Cheer Ups is the best place to maximize your good times/good music. For starters, Talkies are celebrating their Tape Release tonight, so you should go on over and support a local band. But, if you’re not one to support local music, at least cheer on all the bands, as Nothing Song has gotten together a pretty solid bill; you’ve got Tres Oui, Talkies (of course), Springtime and the Changes, and the Hermits. All of these are reason alone to venture out, but I’ll throw in a hit or two below to further entice you. Doors are at 9!
Either you missed the big Austin Town Hall vs. Side One Track One party, or perhaps you were there and want to relive it. Check out the gallery after the break that features faces, bands, instruments, lights, beverages, scenes and moods from the day and night at Hotel Vegas. Highlights for me were Glaze, Nite, El Lago, BLXPLTN, Tres Oui, Daphne Tunes and Marmalakes. Find these bands during SxSW. You’ll be happy if you do.
Today’s the day you’ve all been waiting for, the announcement of our annual AustinTownHall vs Side One Track One SXSW party. We’re throwing down at Hotel Vegas/Volstead again, and we’ve booked a pretty solid lineup of acts. We’ve got some bands with huge buzz like Caroline Says or Why Bonnie, a handful of ATH Records artists…and we even got in a few out of town acts like Nite and El Lago. Best news of all? It’s absolutely free, so all you have to do is come on over and just enjoy yourselves…there’s something for everybody. Show kicks off at 2 PM and lasts all day and night. Plus, we love you, so you don’t even have to RSVP! Check out the event page, and plan ahead, you’ll be here all day!
You know we’re going to back up our friends in Tres Oui, especially since I’m completely in love with the album. We’ve already shared tracks “Seance” and “Red Wine and Dry Ice,” which have gone over well with the masses, but there’s even more to be served up on Poised to Flourish. A few months ago, I was talking to Nate from the band about my favorite track; I told him it was “Song 4 U,” but have since changed to “Shy.” You see, that’s the great thing about this LP; there really isn’t a single bad song on it. Grab it from Shrimper on Friday.
Obviously we’re big Tres Oui fans, and we’ve been fortunate enough to get several spins through their forthcoming LP, Poised to Flourish. Today, the band dropped one of the album’s standout tracks, “Red Wine and Dry Ice.” My favorite bit about this song centers on the track’s chorus; Nate delivers a lightning quick mini-verse, ending with the song’s title. But, just as “dry ice” comes through your speakers your met with a rush of distorted guitars as Nate takes on more of a croon. It’s a special moment, both on the record, and in the band’s live performance. You can pre-order their LP from Shrimper Records right HERE.
Free Week is great. The concept of having people fill venues so bartenders and stage crews have a little cash in their pockets is totally a get-behind theme. Now, my epic level of cynicism that creeps in from time to time means that I will give the evil eye to anyone mad about one-in-one-out at a venue. These bands are playing all over town, all year long and sometimes opening for a touring band you would think is too expensive to go see. #value Let’s go, Austin, spend that twelve bucks.
My Free Week rant is over. Let’s get on to some notables and photos. A. Sinclair is a constant fave for rock and or roll. Abram Shook lends credibility to any music catalog. That performance had two-thirds of Feverbones; they are wicked excited for the new record, naturally so are we. Tres Oui‘s invisible bass player had a killer set (#sarcasm). Space-sparse of Soft Healer was a reset. I got to see The Infinites at Beerland as a full band. I do miss a little of the DIY nature of looping to fill sounds, but the layered gazy post punk sounded really rad with guitars filling the room. Fave thing of the time I spent Red Rivering.
Peep the gallery. I spent time taking photos of friends and the people that make Free Week go. I even used a flash. Crazy right?
I love y’all.
Those of you that pay any heed to the indie media cred will surely be aware that Frankie Rose released the most excellent Cage Tropical earlier this year via Slumberland; heralded P4K gave it a 7.7! It’s probably her most complete release to date, and she’s bringing it to the live stage tonight at Barracuda. But, even better for you is that opening the night will be our own Tres Oui, who are currently wrapping up a new LP for Shrimper, so you’re bound to hear a whole slew of new gems on stage tonight…plus Steven has some new pedals to show you. In the middle of the set is Suburban Living, so you really can’t go wrong by being in attendance. Doors are at 8!
I am finally getting around to sharing some pics from our little party the other night at Hole in the Wall. I used to go there quite a bit way back in the day. I went on a few dates with a girl whose family lived there. I dared not go back for a decade after breaking up, just in case.
HitW also made for a great test of some new hardware. I have gone mirrorless with Sony. It is a brave new world.
From time to time we like to put together little rock n’ roll shows, and boy do we have an incredible one for you tomorrow night at Hole in the Wall. It just happens to feature some ATH Records bands breaking down the doors and throwing some great pop music in your faces. Blushing is one of our favorite new acts in town, so hopefully you’ve caught on to their dreamy stylings. Tres Oui, well, those guys are great…this is jangling Prefab Sprout at its best. Oh, and you didn’t hear Growl all over your local radio in April? Well, come see them! Doors are at 9..we’ll see you there!
It has been a big year for Scott Hansen. He started the Tycho project as an aside to his graphic design (check it out at ISO50.com). The live shows have featured projections of his art as an element of the performance. To the credit of that graphic design, I sometimes “see” the design language when spacing out listening to the records. The latest album, Epoch, was Grammy-nominated for Best Dance/Electronic Album. That had to be a rad feeling, and a bit odd given how much of the record is not electronic or dance. The Austin show was the end of the tour, so we were treated with an extended set of lesser played songs after an intermission following the normal show.