Dummy Share Final Weapon Video

I think my favorite thing this year is going to be reading all the glowing Dummy reviews and see exactly where people name drop an influence here or there. I’m sure they’re likely to get some ESG, some Stereolab, maybe even some Peel Dream Magazine (if you’re going more recent), but I really wanna see what everyone drops; I need new stuff to listen to; I’m not trying to be a jerk. I honestly don’t even think it matters, as the band seem to kind of operate like some mad lunch lady, stirring a pot of everything left in the kitchen pantry and churning out something incredible. This latest single flirts with these propulsive notes that kind of seem dance-floor ready, yet there’s this layer of left-field psychedelic experimentation that kind of holds everything in one unique spot…all the while, the vocals here feel like they’re trying to bewitch me, seducing me with this calm amidst these vibrant sounds. That’s the wonderful thing about the band, they seem to be kind of formulating their sound as they go, so it constantly seems to evolve, and that bodes well for all of Mandatory Enjoyment, out October 22 via Trouble in Mind.

Dummy Announce Mandatory Enjoyment

We’ve been anxiously awaiting new music from Dummy, knowing they’d signed on with Trouble in Mind after two wildly successful EPs. Our first listen to Mandatory Enjoyment is beyond my expectations, so label me blown away or whatever you need to say here. There’s this synthetic hum that shoves the song forward, bleeding in with the jangling guitar riffs underneath and the dueling harmonies. But, where the immediacy could just get dialed in to an easy close, they opt to go the other route, bringing you a big blast of discordant noise to seal the song’s end. Dummy release Mandatory Enjoyment on October 22nd.

 

Smoke Bellow Announce Open For Business

It seems like the year’s been packed full of acts brandishing their own interpretation of what indie rock is/was, so you’ve got to look to your favorite labels to see where its going, like with the latest from Trouble in Mind. Today the label announces the release of a new LP from Smoke Bellow, and while pieces of the sound collage are definitely familiar, the presentation feels fairly unique, albeit one in line with current trends. It’s almost what one would call no-punk or no-pop; it’s got that sort of arty presentation, with stabbing guitar lines, rhythmic pulse and a kind of off-beat nature about it…sort of reminds me of one of my ATX faves, Deep Time. Don’t be confused, there’s still delectable pop bits in here, just tossed out in a fashion that’s not as easy to consume, but ultimately as rewarding. Open for Business drops on September 17th.

Melenas Cover Grauzone with Osa Polar

Friday’s are perfect days to get your weekend attitude on, and what better way than to listen to one of the ATH faves Melenas (not to be confused with Melons) cover the 80s hit from Swiss outfit Grauzone, “Eisbaer.” They’ve retitled the tune, giving the bear a female perspective, one that prefers living in the isolation of the Arctic where intruders aren’t allowed. The mood between the cover and the original is definitely similar, though I feel like there’s more warmth in the Melenas version; the industrial sterility of the original seems to have been given a nice softening of the textures. If this isn’t getting you ready to dance yourself into Friday night, then I don’t know what will. This tune’s brought to us courtesy of Trouble in Mind Records.

The Tubs Announce Names EP

While the Tubs will most likely draw you in due to their association (and participation for that matter) in the now defunct Joanna Gruesome, don’t line up thinking you’ll get some brand of rehash for your time! Instead, they’re looking back on the great sounds that have informed so many of us: the obscurity of mid-80s guitar pop. Right up front you have those guitar licks, chopping up the song with sharp notes and ringing jangles, all bobbing along the tops of a steady rhythmic pulse. You can hear a love for Felt in the way the vocals have this softness, contrasted pleasantly against the anxiousness of the song’s push. Even more fitting is that the band find themselves a home on Trouble in Mind Records for the release of their Names EP, which will drop this July!

Mountain Movers Announce World What World

The first single from the new Mountain Movers drops in with these crunchy riffs, hinting on psychedelia, though tethered to folk roots. As it moves on, the song unfolds, offering a heavy pop sensibility, the sort we probably wished we heard from our modern folk brethren. For me, it totally reminds me of that moment in the bus in Almost Famous where everyone is singing “Tiny Dancer”; the riffs kind of ring out, allowing everyone to join in on their own time, settling into the chorus as one; it’s one of those moments that just makes everyone feel good to be together with this tune blasting really loud. Of course, here you get an incendiary little solo, cuz this ain’t no Elton John tune. World What World is the title of their new LP, and it drops on June 18th via Trouble in Mind Records.

Nightshift Share Piece Together

As the year goes on, I’m finding that I’m really stuck on bands pushing the boundaries of my boring ass expectations. Glasgow’s Nightshift continue to impress, as they kind of manipulate sounds that resonate with my tastes, yet still sound incredibly refreshing. On their latest single, there’s this rolling drum, akin to any number of like-minded acts, but when placed as the backbone of the vocal chant, it becomes meditative, almost primal in nature. You could easily find some spirituality just using the vocals and the drums…if you were looking for that. But, because they don’t seem ready to just rest with a decent time, they have this incredible guitar bit that seemingly matches the beating of the drum, though with some tonal changes. Mostly, I’m taken by the fact that this is the band’s 3rd single from their forthcoming Zoe LP, and not a one of them sound similar. Does this mean we can have an actual full album listening experience on our hands? Find out on February 26th when its drops via Trouble in Mind Records.

Nightshift Share Power Cut Video

If ever anything was going to save us from drab Mac Demarco cover bands, I hope to God that its Nightshift. They’re crafting this brilliant blend of post rock and pop music, almost creating this musical seance that hypnotizes as it pushes you forward. It very much begins by offering you this sort of no-wave meets indiepop groove, slinking about with this tribal rhythm and Eothen Stern’s vocals haunting the song like a mysterious ghost. As it moves, guitar lines seem to walk up and down this imaginary staircase, building layer upon layer, blanketing listener in this dense wash of pop sensibility. Plus, they’re not afraid to freakout a little, as you see in the song’s back half…all pointing to a band making up the rules as they go forward. If you want to get “off the grids” then you’ll want to be on board when the band drop Zoe on February 26th via Trouble in Mind.

Nightshift Announce New Album, Zoe

Glasgow’s always been a hot bed for the shapes that came after punk, and Nightshift is certainly no exception. After releasing their debut earlier this year, the band have signed on to release their follow-up, Zoe, with our favorite Trouble in Mind Records. You’re not going to find the group throwing out dancing rhythm sections or fast paced riffs, and in fact, its the absence of such moments that makes this single so intriguing. The song seems to slither, swirling through your inner ear as Eothen Stearn leads us through this intoxicating seance…occasionally throwing out a slight little pop bone with just a faint melody hanging in the air. If you dig, its out February 26th!

David Nance Shares My Love, the Dark and I

On his fifth proper album, songwriter David Nance went back and reworked the songs from Staunch Honey a handful of times to get the sound just perfect. From what we’ve read, he’s sort of peeled back the expansive sound we found on his last outing, Peaced and Slightly Puverized. But, if you thought dialing things back meant he couldn’t still deliver a powerful statement, you need to listen to his latest single. Fuzz rattles the speakers, riffs echo in the distance and his voice sounds like he’s got one last incredible performance to give; it’s as passionate as we’ve heard him. Beneath it all are the careful nuanced guitar chords, snaking beneath the suffocating heaviness blasting out the front of the mix. Friday’s are for jams, and this definitely fits into that category. Look for Staunch Honey on November 13th via Trouble in Mind Records.

 

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