The majority of the world might not recognize the name of Sebastien Grainger, but most of you know who he is, and I’m sure some of you saw him play. Grainger is the former drummer for Death From Above 1979, that dueling barrage of blips and banging that burst onto the scene a few years back. Dude’s on his own now; the question is can he deliver like he used to do when he stood atop his stool breaking our ears and his drums?
Upon first listen, you will immediately discover that Sebastien has long ago departed from the intensity he once carried into our bedrooms. “Love Can Be So Mean,” the opening track, is about as deliberate a step into the pop spectrum of things we could expect him to go; he goes there unexpectedly, but he still brings a punch or two with him.
For some you might hear a touch of his past in a good amount of these songs, as the guitars usually carry a large amount of fuzz with them, much like that horse we’re beating into the ground. Another similarity in transitions is the vocal quality built into these songs; the vocals never sound very clear, coming off muddled in the mix. It’s not horrible, especially since he attaches a lot more melody this go round, but you can still see the shadow of his past looming just over his shoulder.
“I’m All Rage Live 05” is Sebastien doing Wolf Parade, which is okay since they both hail from north of the border, but the most disheartening thing about this song is that Sebastien holds back during the chorus; he has every opportunity to let loose like we know he can, but he holds back instead. It gives a less angst-ridden approach to the song, but most would love to see him belt it out. And it’s clear he has plenty of angst to let out, as evidenced by songs such as “I Hate My Friends.”
There are steps in all sorts of directions here, which makes this album a little unfocused. There are some allusions to 80s power ballads mixed with shadows from his past wrapped around various other late-nineties influences (see Saddle Creek Records, the label releasing this album). You’ll even find more direct approaches to ballads and harmonies, but you won’t find focus. When he’s on, the record has amazing moments worth playing again and again; when he’s not, you just hope he can rein it all in for the next go round. Really, you just want him to let loose completely. A record without the evident inhibtions from this record could just prove brilliant.
Have a listen to latest single “By Cover of Night” below:[audio:http://austintownhall.com/wp-content/uploads/2008/10/03-by-cover-of-night-fire-fight.mp3]
Download: Sebastian Grangier – By Cover of Night [MP3]