Creating a Top 50 Albums list is never easy. You have to battle with what you think the world believes, and what you truly believe in your heart, to be solid jams. We have even more trouble because we have to three writers, all who have different ideas, and we have to make those ideas fit into a neat box. Well, we got it done, and honestly, our criteria was based on two things: how great we thought the album was, artistically speaking, and how long we listened to it without getting bored. That’s it. It’s fool proof; you might not like it, but it’s our list, so here it is… Read more
We had the incredible opportunity this week to speak with solo songwriter J. Tillman about his musical endeavors. Mr. Tillman talks about his new solo record Year in the Kingdom and his work with indie powerhouse Fleet Foxes. This interview should serve as a nice preview to the J. Tillman show coming up on Friday at Mohawk. Follow the jump for full interview.
Since 2004 J. Tillman, born Joshua Tillman, has been consistently releasing quiet, understated records on various labels in the Pacific Northwest. These records, while all solid releases, always followed the same template: hush vocals, gently picked guitars, mournful lyrics. With the release of Year in the Kingdom something has clicked with Tillman’s formula.
Maybe it has been his tenure as drummer in the Fleet Foxes these past couple of years that has lead to this beautiful and full sounding record or maybe it has just come with age. On Year in the Kingdom we hear a road-weary Tillman lamenting on the human condition, we are met with songs of repentance and rejoice. This is a simple record: mostly just acoustic guitars, a banjo here and there, light percussive elements, and Tillman’s voice, prominent in the mix. Initially having the vocals so high in the mix turned me off to the release, and I retreated back to 2007’s Cancer and Delirium, which is quieter and more restrained, but the title track on Year in the Kingdom kept pulling me back, and I’m glad it did. On repeated listens you realize that why the vocals are so high in the mix is, perhaps, because Tillman is confident in what he has to say and doesn’t wish to hide it in flowery instrumentation.
From the theme of repentance in ‘Year in the Kingdom’ to lines that would make King Solomon blush on ‘Earthly Bodies’ to the redemptive crescendo of ‘There is No Good In Me’, we have been given one of the most fully realized records that I have heard in years. Robin Pecknold better thank his lucky stars that he has someone of this caliber backing him, because, frankly, J. Tillman is doing just fine on his own.[audio: http://austintownhall.com/wp-content/uploads/2009/09/J-Tillman-Though-I-Have-Wronged-You.mp3]
Download: J Tillman – Though I Have Wronged You [MP3]