Sweet Talk Record Release Tonight @ Beerland

sweettalkYou want to get down with some rock n’ roll? Then you better take yourself out to Beerland tonight! All you fans of the heavier/faster side of Austin’s rock scene will surely find yourselves rocking to the killer new tunes from Austin’s Sweet Talk. The band has just released their record, Pickup Lines, and you really need to go get your hands on it.  It’s a blend of crunchy punk rock, filled with hooks and call-and-response anthems.  But, why I love those dudes, you will also get to see some of the incredible camaraderie by Austin’s rock scene, with openers Bad Sports (techinically Ft. Worth/Austin), Fleshlights and Burnt Skull. We’ve mentioned all those bands before, and you have no reason not go go out and just enjoy our cities best acts.  Here’s one of the many hits from the new Sweet Talk record!

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New Jam from The Black Angels

blackangelsproofs-63481-Edit-239This new jam from Austin’s The Black Angels has been floating around just a little bit, but we’re just now getting a chance to post the tune for you.  Interestingly, there’s a slight change in the sound, almost having a more direct approach to the dark-tinged rock element, as opposed to their hazier past.  Clearly the band has something going, and I can only wish that rock n’ roll like this could break through to the masses.  On April 2nd the group will release their new record, Indigo Meadow, which is sure to be a new fan favorite.

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Being There – Breaking Away

beingthereRating: ★★★☆☆

It wasn’t too long ago that Being There released their debut record, but several spins into Breaking Away and you’ll see the growth in the London four piece.  The guitar playing is tighter, and the recording maximizes the pop sensibility of the group.  If you’re in need of a good pop rock record, then your best bet for 2013 is to begin here.

“Allen Ginsberg” gently begins things, with nothing more than the quieted vocal and a gliding guitar track.  While it’s the first track on the album, it’s also one of those that dictates the sincerity of the group.  But, they’re not eager to lay down an album’s worth of mellow pop tunes, jumping immediately into “Back to the Future.”  For me, the drumming wins out on this track, providing the backbone for the guitars to dig their way into your auditory heart.  Slight bits of twang during the chorus serve to bring the melody back into focus.

While I definitely appreciate the presence of upbeat numbers on Breaking Away, there’s a soft spot for the mellower tunes, like “Infinity.” The ringing guitars accompanied by acoustic strumming are reminiscent of some of my favorite tracks by The Lucksmiths, so it’s easy to see why I gravitate towards such moments.  Perhaps their brightest moments though come when they combine both elements, such as Being There does on the six-minute killer, “Silent Runner.”  You’ll hear a jingling tambourine steadying the track, with a nice melody warmly sung atop it all, but they play with the tension levels too.  There are bits of atmospheric guitar noise that swells midway through, making it more than just an average pop ballad.

Hints of a modern indie pop-gaze influence appear in songs like “Tomorrow” or “The Radio,” but I suggest you hold up to one of the more special songs that awaits near the end.  “17” is perhaps the hidden gem that many people with attention disorders might skip, due to its late presence.  I like the tonal changes in the mix for the vocals, but I also appreciate the steady pacing of the drums that work together with cascading guitar chords.  It’s a special moment that I’ve continuously played outside of my review purposes.

All in all, Being There have done an exceptional job of upping the ante from their first effort.  Sure, there are some derivative pieces here, but the overall feeling of the record more than makes up for that.  There’s enough mixture in the placement of songs to dictate repeated pleasure for listens all the way through, yet there’s also stand-out tracks that you can include in your mixes for friends.  Breaking Away is your chance to enjoy the simple pleasure of good pop music, and hopefully go on and share it with the world.

[audio:https://austintownhall.com/wp-content/uploads/2012/11/The-Radio.mp3]

Download:Being There – The Radio [MP3]

 

New Music from Slumbook

495304221-1One of the little labels that I have a great deal of respect for is Dufflecoat Records, a small-time label out of the UK.  Now, they might not release tons of stuff, but they release really great dreamy pop tunes that always find their way into my daily rotation.  Their newest signing looks to be Slumbook,  a group originally formed in the Philippines.  As of right now, there’s not tons of information out there on the group, but you can’t ignore a great song can you? No info on the release date as of yet, just sit back and enjoy.  I’ll keep you posted on the rest as it comes.

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Fun Pop from The ACBs

1159Where the hell has this been?  I got this track off the upcoming album from The ACBs; I’ve had it on repeat ever since that point.  There’s little bits of trading off between male and female vocals, but the hooks are simply irresistible. If you turn this tune up really loud, you’re going to find yourself pressing play over and over again, and that’s not a bad thing.  You’re allowed to let yourself go from time to time, and it looks like this KC acts are poised to help you with just that. Their new album Little Leaves will be out on High Dive Records on March 5th, so get ready to enjoy yourself.

[audio:https://austintownhall.com/wp-content/uploads/2013/01/12-Record-Store.mp3]

Download:The ACBs – Record Store [MP3]

New Tunes from Dead Gaze

1726I didn’t really know much about Dead Gaze when I got the press release, but then again, I guess I did.  Cole Furlow, the man behind the moniker, has been rubbing elbows with the likes of Dent May and Bass Drum of Death, not to mention releasing tons of hard to find 7″ and other various rarities. Luckily for us, Palmist is going to release a compilation of all that material on May 21st as a self-titled compilation.  I have a feeling that you’re all going to enjoy the music here, as it’s readily accessible, yet artfully crafted.  Probably my favorite jam of the day.

[audio:https://austintownhall.com/wp-content/uploads/2013/01/IFoundtheEnding.mp3]

Download:Dead Gaze – I Found the Ending [MP3]

More Sprawling Pop from Au.Ra

tumblr_inline_mh5cpcBBBR1qbkaszLast year, our virtual friends over Art Is Hard Records are doing something new with their limited releases this year, a Postcard Club.  One of their first releases of the year is going to be a band that I’ve already discussed before: Au.Ra. They’re creating these pop soundscapes that meld bits of melody and ambient noise–it’s done expertly, so I can’t get enough of them.  You can read more about the Postcard Club, as well as get your hands on this limited release single over at the label’s site.

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Feel Good Rock N’ Roll fro Fatal Jamz

774186331-1There’s a bit of 80s cheese in this release from Fatal Jamz, but if you get over yourself, you’re going to find yourself happily pumping your fists to this tune, and the rest that reside on Vol. 1. The songs on this release are simple, yet they’re filled with delightful pop moments that you can’t wait to sink your teeth into as each note reaches your ears.  Honestly, it reminds me of Free Energy, except it sounds better, and not quite as revisionist. If you dig what you here, you can sink your teeth into an entire album’s worth of top-tapping, fist-pumping (not bumping) good times. Have fun folks!

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Lost Animal – Ex Tropical

600x571-cRating: ★★★½☆

It’s hard to imagine a musician creating an entire album geared around what he, or she, can accomplish on a keyboard, but that’s precisely what Jarrod Quarrell aimed to do with his Lost Animal project.  Don’t you worry your little head, the songs within Ex Tropical are anything but basic keyboard tunes; they’re soulful ballads dabbling in sonic exploration.

The introductory track from Lost Animal is aptly titled “Intro – Beat Goes On,” giving notice that despite the confines of primarily using a keyboard to craft tunes, there’s a huge deal of soul lurking on the entirety of the collection.  Quarrell’s voice has a hint of gruffness, which provides a darker texture to the otherwise pop-laden hooks of this opener.  You’ll see that haunted soul completely take over on the following tune “Say No to Thugs,” which really seems like a less-orchestrated Spiritualized.  While it may be stripped down, Jarrod’s vocals really seek to evoke that last drop of emotion from the depths of your inner being.

It’s hard to escape the dark feeling that comes with Ex Tropical, and that’s aside from the obvious reference to a move away from sunlight in the title.  When you come to a song like “Dark Litter” there are definite sonic flourishes that add to the song, but the overall simplicity is what really allows you immerse yourself in what Lost Animal is trying to accomplish.  If you stripped it all down to a simple keyboard line, it’d still be a solemn number.  That being said, you can still find yourself some more playful moments popping in and out.

Just after what’s the darkest moment, for my ears, you get the playful striding beat of “Cold Cut Nature.”  It’s placed perfectly in the collection, giving you a more light-hearted vibe that originates with that bobbing beat.  You’ll even find Quarrell playing with his vocal approach by mixing up the tones throughout this tune.  It’s comparable to the driving beat that hides behind “Lose Your Baby,” even though the subject matter isn’t necessarily the most uplifting.  Such is the nature of the work on this record; it goes wherever it wants to go.  But, for my two cents, you should not pass go without listening to “Old Lovers.”  It’s hard to explain what’s more strikingly beautiful: the keyboard work, guttural emotion or the soft touches of backing vocals.  Whatever it is, this is surely a special song.

Honestly, Ex Tropical might not be a record for an everyday listen, but it’s an album that everybody needs to listen to at some point in time.  Jarrod Quarrell has found himself in the work he’s created for Lost Animal, leaving listeners with the perfect balance between barroom soul and pop balladry.  You’re not likely to find much else out there quite as unique as this, making this a hidden gem for those who choose to invest their time in the perfect listening experience.

[audio:https://austintownhall.com/wp-content/uploads/2012/11/LostAnimal_SayNoToThugs.mp3]

Download: Lost Animal – Say No To Thugs [MP3]

Pop Rocking with Warm Soda

warmsoda666.144307I loved what Bare Wires were doing musically, so when I heard that Matthew Melton had a new outfit, I had to get on it.  Boy was I pleased when I heard this rad single from Warm Soda.  It’s got power-pop guitar chords, but there’s also a nice bit of sheen to the track, making it catchy enough to play on and on and on.  The group has just released their debut LP, Someone For You, on limited edition splattered vinyl.  It went pretty quick, so they’ll be releasing it again on Castle Face Records at the end of March.

[audio:https://austintownhall.com/wp-content/uploads/2013/01/reaction-1.mp3]

Download:Warm Soda – Reaction [MP3]

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