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Every once in awhile, you come across a record that fits into your life perfectly, filling the empty emotional space, revitalizing your spirit. Just one listen to Gold Leaves is all it takes to find that The Ornament seeps into your soul, establishing itself as an album that meets all your musical needs.
“The Silver Lining” is one of those perfect pop songs, carefully constructed for the maximum benefit of listeners. It’s a gentle number, similar to the recent work of Camera Obscura (in construction at least). But, what makes the track stand out is Carl Olsen’s voice. It waivers somewhere between Ward and Banhart, touching every emotional chord for those with a hankering for all things sad-bastard. While there’s a bit of solemnity to the opener, “The Ornament” provides a bit of brightness with just the slightest change in pacing. You’ll find that same careful arrangement with every bit of accompaniment propelling the song’s essence. It’s not a track to be taken lightly, echoing in your memory long after the song has skipped onto the next.
“Endless Dope” opens a new chapter for Gold Leaves. While other tracks have featured lush arrangement, this track seems more sparse in those regards, though elements still remain. But, Olsen’s vocals play the main role here, drawing you into his poetic verse, as opposed to letting you get washed away with waves of pop brilliance. Similarly, “Cruel & Kind” refuses to rely upon the maximum arrangements, carefully meandering through your mind. Inside this track you’ll find yourself getting lost, but in a manner that only the best of music can accomplish; it’s simplicity lets you drift in and out of consciousness, always drawn back by the inherent melody built within the tune.
Even when The Ornament doesn’t draw itself out with meandering tracks, a great deal can still be accomplished. For instance, “Hard Feelings” is one of the shortest songs on the record, but in a short span you’ll find trickling guitar lines, string pieces swirling in the background, and Olsen at the center of it all. Eventually, it crashes spectacularly in the middle, switching things up just slightly. There’s a denseness to this number, as it seems filled to the brim, but in writing in that fashion, Gold Leaves still leaves room for the melody and the emotion to find its way to your inner ear.
If you haven’t found room in your day for this collection, then you need to put down everything immediately. The Ornament is the kind of album that begs to be listened to, begs to be played over again and again. After one listen, you’ll end up clearing your schedule, finding yourself lost inside the depth and emotional pull of everything Carl Olsen has managed to put together for this outing. Not a note goes wasted, and that in and of itself, is something to praise–but this record is so much more. So stop reading this now, and drift away with Gold Leaves.
[audio:https://austintownhall.com/wp-content/uploads/2011/07/Gold-Leaves-Cruel-And-Kind.mp3]
Download: Gold Leaves – Cruel/Kind [MP3]
Do you ever just find one of those songs that immediately takes you over? For some reason (because it’s good), the simple trickling piano of Pony did precisely that, and has since been absorbed to the max. It’s all the work of songwriter Audrey, and she just released her album I Forgot to Turn You On. It’s a very simplistic record, full of brief ballads and haunting melodies; sometimes it’s the simplest things that make the greatest impact on us.
