Cozy Slippers Share Will You Disappear Video

Last summer, Cozy Slippers released a delightful 7″ for one of our favorite labels, KUS; we raved about it at the time…and I included it in my year-end indiepop wrap-up. Today, we get another chance to celebrate that release, with the band sharing a video for the B-Side “Will You Disappear?” The video was shot on phone cameras by the band in November as the group toured through the UK. You get a little bit of their journey, bringing you closer to the band, but also some live footage spliced in too! So go on, go on tour with Cozy Slippers and enjoy this little pop tune. Still a few copies of the 7″ that you can grab HERE.

Great Ballad from Aaron Beckum

Perhaps the best part about doing what we do here at ATH is stumbling into something randomly and being just blown away. I reckon this wasn’t completely random, as Aaron Beckum‘s forthcoming EP is going to be on Devil in the Woods…though I had no idea who Aaron was when I pressed play. Songs from a Triangle Room was recorded with Jason Lytle of Grandaddy, but it sounds like it could have been performed by that one friend you’ve got who actually knows how to handle an acoustic guitar in all its glory. I love the way Beckum’s notes seem to be emphasized in between heavy strums; you can also hear some light piano touches that really shine brilliantly in the song’s far off distance.

Xetas Share the Objector

Just in case you haven’t heeded my previous warning, you’re going to want to get to know Xetas this year, if they’re not already on your rock n’ roll radar. They’ve got a new video from their forthcoming The Cypher, and I’m freaking in love with this jam. It opens interestingly, with these jagged chords kind of building this nervous tension; it’s juxtaposed by the calm delivery of Kana’s voice, which quickly turns into an explosive howl as the band meets for the chorus. I think my favorite moment comes around the 2:03 mark with the line “have you ever watched the mountain range, change.” The full album is out next Friday via 12XU.

Accessory Shares Eyes for Berlin

Accessory is the solo project of Jason Balla, who typically is found playing in Dehd, but they’re working on their sophomore LP, so Jason opted to go and record some work on his own. This tune’s got a heavy feel, primarily through the tones of Jason’s voice. That said, the thematic element of finding that “the world can be beautiful and good” shines right through the track; you can even hear it ever so slightly in Balla’s voice as the song begins to progress. No word on whether the project has long term goals, but as a fan of Dehd, and the band’s label Fire Talk, felt like it was my duty to share this with you!

Bouncing Pop Rocker from CLIFFFS

It feels early in the week to really need a burst of energy, but so be it, I need a good pop rock tune! Luckily, there’s this new tune from Dallas’ outfit, CLIFFFS, which features John Dufilho of Deathray Davies. It’s exactly what you’d expect from one of Dufilho’s project, though this one definitely feels like it’s got some arena rock lineage. The riffs are huge and the chorus can be screamed at full blast; the song itself, even has a harsh little backing vocal to keep the rock n’ roll edge alive here. The group will release their sophomore LP Panic Attack via State Fair Records next month.

Flying Fish Cove Share Magic Wand

In what seems like Christmas all over, the last several days have given me new music from Rosie Tucker…and now Flying Fish Cove. At Moonset was one of the great indiepop gems of last year, followed quickly by the En Garde EP, so being back at it again only means we’ve got more great music for our ears. A buzzy entry and light churning jangle open the scene with Dena’s voice soon joining; it rises up and down on the natural melody of the tune, warming you with its pop sensibility. Perhaps my favorite part of the tune comes in the middle where it’s just sparkling electronic notes and the strum of the guitar…a special moment for sure. The band pair this new single with a cover of Heavenly‘s “Shallow” off the excellent Heavnly vs Satan LP (1991), which you can find below the video.

 

MUUK Share Seis Ausente

It’s seems strange to me that we cover so much music from Canada, yet our closest neighbor (here in Texas at least) gets minimal coverage. But, thanks to Devil in the Woods returning, I’ve been turned on to some great tunes, like this new single from Mexico City’s MUUK. It’s an instrumental number that works with sort of four distinct movements. At first, you get sort of a lost radio message, something that seems to hiss at you from the past. Then the song drops in, guitars sharpening themselves over ambient noises, building on the pulse of electronics. We venture into a soft respite with a meandering guitar chord sort of skittering about while the percussive element and soundbites intoxicate the listener. It all crashes down emphatically with the heavier hand coming in the song’s final quarter, releasing all the song’s earlier tension in one final closing moment.

Stream the New LP from Jungle Breed

When I first pressed play on Lennox, I was immediately hooked by the style of “Wasterr;” it has this sort of matter-of-fact delivery fused with a sort of DIY call-and-response. It’s just the sort of thing you’ll get when you listen through the entirety of the new LP from Jungle Breed. To me, you get this sort of realm that mashes up with ethos of Beat Happening with the modern feel of the Australian scene; “Soup” is the perfect example of what I’m talking about if you were curious. Multiple listens through, and personally, I’m super partial to “Routine,” particularly the chorus of said tune. If you’re digging it, the whole LP is now available courtesy of the folks over at Roolette Records.

Rosie Tucker Shares Brand New Beast

If you pay attention to this little blog here, you would have heard me raving about Rosie Tucker‘s Never Not Never Not Never Not, so a new song in 2019 is very much welcome. This new track is a perfect pop experiment in brevity; it feels like it packs your average song into a quick 1:38. It opens up with a seemingly muted guitar and Rosie Tucker delivering their vocals, almost hopping on syllables between the various riffs. Then the song the song erupts on the line “you don’t even eat me out,” bursting forth with the insatiable pop nugget that was visible throughout last year’s LP; it’s these simple little hooks that always keep me coming back to their songs time and time again. No word yet on a new LP, but this is the second new single we’ve heard, so let’s hope they’ve got something big on the horizon.

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