ATH Interview: The Fresh & Onlys @ Psych Fest 7

Fresh Onlys APF7 BannerTheir scene, their city, discovery, being a band, labels, projects, Spotify, sports – We had the opportunity to sit down with The Fresh & Onlys and talk music and people, and eventually a lot of sports. The interview went long and we love it. I thought about cutting it down, but these guys put it out there and to cut it would be a shame.

Big ups to the gentlemen for taking the time, being conversational and quite candid. It could have been even longer had my camera not over-heated, yeah, it over-heated.

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Crunchy Rock from Concord America

concorThis song is “So Gay.” No, really, that’s the title of this track from Concord America.  The song is a crunchy guitar number, with riotous vocals and guitars swirling all over the place.  It makes for a jam you just want to turn up real loud in the speakers, in an effort to grasp the fun that the band seem to have had in making such a tune.  For fans of bands like So So Glos and Pujol, you better get ready to have another band on your radar that’s going to be part of your regular listening rotation.  Their Suns Out Guns Out EP will be available on May 27th via Post Echo.

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The Pains of Being Pure at Heart – Days of Abandon

PrintRating: ★★★★★

For around five years now, if you were to ask me to recommend you a band that consistently doles out intriguing and effervescent lo-fi pop and rock that also makes you shake a tail feather, I would not hesitate to direct you to The Pains of Being Pure at Heart. Their first two records were stunning displays of all of the qualities that I just listed, the first of which still makes its way into my listening catalogue on a regular basis. This time around Kip Berman and company have cleaned up the overall mix and have refined their sound and are set on adding a new emotive quality on Days of Abandon.

Opening track “Art Smock” is perhaps the softest song that this band has brought to our ears thus far. It’s got this Belle & Sebastian like delicacy, complete with a couplet style rhyme scheme that plays on the quietness and provides a melancholic and nostalgic spirit to it. This beautiful start transitions into the spunky and altogether sunny single of “Simple and Sure,” which will have you dancing along to the to the jangly guitars and airy punches of “ohs” and “ahs.” This back-to-back combination kicks the album off with the right balance of reserve and spunk while also introducing you to the band’s new approach to their lo-fi pop. Later on you have one of my favorite tracks that this group has put out and definitely one of the gems that showcase the light sound they’re bringing to the table in “Masokissed.” You’re greeted by some rapid handclaps that lead straight into the infectious sound of angular guitars that cut straight through the airy sounding percussion and groovy bass line. Then Kip’s quick vocals jump in and start to spin a tale filled with word play as the instrumentation gives you sunshine in a song and it is essentially a track like you would hear of their self titled debut, but in this new style.

As I’ve stated before, what seems to be new this go-round is a gentle quality in the sound, which is promoted by not only the instrumentation, but also in the vocals. The presence of feminine vocals are increased, taking the lead off Kip’s hands for a few tracks and also providing a more prominent place in the mix as backing vocals. Late hitter, “Life After Life,” showcases these extra sugary vocals, especially with Kip offering his whispery tone to the backing vocals. On this track, those angular guitars are balanced with what sounds like horn parts popping in the background, making a perfect blend of sound as you get a song about a past love whose instrumentation exudes brightness and whose lyrics preach a fairly sad sentiment. Then the group closes things out softly and artfully as they brought you into this record with “The Asp at My Chest.” Kip whispers to you poetically about the endless haunting of a love lost that seems to be the pervasive theme of the album and then plays you out with majestically sweeping horns; like a day with perfect weather, this album gives out the soft opens and closes of sunrise and sunset with the brightness of the noon sun in the middle.

Yet again, this band has put out another record that has me reminiscent of their old sound, but also happy to be listening to their subtly ever-changing approach. Days of Abandon is a triumph for fans of The Pains of Being Pure at Heart while simultaneously giving new listeners a taste of what they’ve been missing. I have been spinning this record regularly for the past few weeks and will be for a while to come and really, you should be too.

Another New Single from Craft Spells

craftyAnyone else feeling a bit overwhelmed by all the great releases coming our way just as summer hits?  Well, if you’re like us, then you might be, but this Craft Spells single is pretty much guaranteeing the band’s new album, Nausea, some space in our summer playlist.  As I listen, I’m really impressed by the approach the band has taken, creating a pretty straightforward piece of pop, void of the typical tricks of bedroom pop.  There’s great clarity in the vocals and music approaches a grand scale.  Need another great record to add to your list of things to pick up? Here it is…it’ll be out on Captured Tracks on June 10th.

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Another New Track from Gold-Bears

goldWhen I heard about the brand new album from Gold-Bears, the news about this track was making waves in small little circles of the indiepop community, so I’ve been anxiously awaiting this track.  Why? You ask.  Well, for one, I think the band’s new album is really going to be something special, but also because this tune features my indiepop crush of the last few years, Emma Kupa, currently of Mammoth Penguins (formerly of Standard Fare).  It’s not as if the group needs any extra help adding to this bouncy number, but the dynamic she brings to the table does bring an add punch that I’m fond of.  The group will release Dalliance on June 3rd via Slumberland.

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Dark New Music from VANIISH

1504333_10154080974985198_1619824817473315491_oIf you’re looking for something that expresses a sense of sterility while still holding onto a bit of pop sensibility, then you’re going to want to press play on this new track from VANIISH.  You’ll get a dark sense of the track when you hear the echo in the voice, seemingly bouncing off the walls of an empty warehouse.   Light keyboard flourishes and swirling guitars will, however, make the song one that abides by the standards of shady pop music.  It’s another reason to keep this act on your radar as you prepare for the release of their debut, Memory Work, slated for a June 10th release.

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New Music from Owl & Mouse

owlOne of the many great micro-labels I constantly follow is Fika Recordings, and they just announced their newest signing, Owl & Mouse.  My interest in the label is the obscure singer-songwriter fare they seem to discover, and this is no different.  Hannah Botting is the enchanting singer on this song, offering up her gentle voice over her simple chords.  Those of you who love the writing of indiepop, lyrically speaking, will also find her wordplay something special.  The Somewhere to Go EP will be available in digital and 7″ formats on June 23rd.

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PAWS – Youth Culture Forever

pawsRating: ★★★½☆

October of 2012 saw PAWS‘ first full-length release in the form of Cokefloat! Which helped to bring the energy and exciting dynamics of their live performances into the ears of fans and soon to be fans. Two years later they are back with Youth Culture Forever, filled with ups and downs, robust and reserve. One moment it seems to be tamed, next the group launches back in full force, giving you a taste of the power that this group of gentlemen packs behind their punch. This sophomore record delves into a campy and raw rendition of garage rock, complete with some great tracks you won’t want to miss.

The group starts out seemingly soft on “Erreur Humaine” with some simple echoed vocals and electric guitar plucking, but if you’ve heard anything from this group before, you should know this mellow quality won’t last long and soon the quiet is replaced with raging guitars and amped up vocals. This off and on quality continues through the rest of this track, with the band giving you melancholic reserve and then robust growling chorus.’ Such a song is not complete without some bleak lyrics that portray the author as highly conflicted—you get the choral tag of “one should never go back/fuck with the past,” and later on: “I’m sorry I said I hate you.” This simultaneous feeling of disdain to change what’s already happened and regret for the past are perfectly in tune with the sentiment that the album’s title preaches.

Second up is “Tongues,” which seems to dabble down a surf-rock alley for a little bit and reminds me a lot of some of the tunes put out by Surfer Blood. The band doles out some rolling and deep drums as well as some jangly guitar parts that work together to give it that beachy feel, all while staying pretty fixed in the rock genre. The album then continues in a somewhat similar and yet different manner. This trio gives you highs and lows, be it within an individual track or from song to song. Most of the twelve tracks are pretty short and range a little in style, giving you the opportunity to find some songs to rock with and others to maybe not revisit.

   PAWS don’t take themselves too seriously and I don’t think we are meant to take this album in that light; after all, the name for this album apparently originates from the children’s cartoon, Adventure Time. However, if you listen closely, there are some gems of songs that do garage rock justice on Youth Culture Forever and promote a youthful, some may call, punk rock, lifestyle through coming to terms with human emotions like jealously and rage. Rock on.

Electro Pop from Some Ember

someemberThis is not your typical electro pop affair; it’s a subdued dance track with warm vocals atop, the likes of which would get our boy B. Gray excited.  While it would be easy to drop the beat, as the kids say, and blast forward, Some Ember show a great deal of restraint, holding onto that tension throughout the duration of the song.  The press release here says the band tend to push the boundaries a bit, often including more dynamic in their production.  Personally, I like this mellow version, but we’ll see where I stand when the band release their self-titled album on May 27th via Dream Recordings.

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Austin Spotlight: More New Music From A. Sinclair

FrankSmith_1A. Sinclair is on a roll here with the latest single from the Pretty Girls EP.  This track opens up with a similar riff to that of English Beat‘s “Mirror in the Bathroom,” but the song gets a little more discordant as it pushes along.  It’s representative of a new attitude, now that the group has tossed aside the Frank Smith name; it also embodies the forceful attitude that the band have brought  to their live sets lately.  Don’t think they’ve thrown away their knack for a touch of pop, with “Suit Up” slowing for a brief moment just before the 1 minute mark.  Their new EP hits on May 20th, followed by a release show on May 22nd at Mohawk.

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