Anotony Hegarty put out one of my favorite albums of the last five years, and when I heard of his involvement in this project I was extremely excited. His voice–albeit one needing adjustment–is probably one of the more emotion evoking voices I have listened to in the these days. Sure, they are stripping him of his piano, but the possibilities of a solid album were definitely there.
The first track “Time Will” definitely maintains the spirit of an Antony record. His strong vocals come through in full force, met in the background by carefully constructed dance beats. It’s a fresh approach that definitely earned some interest from the get go. It’s hard not to listen to the the opening track without high expectations.
Then you come to the second track, “Hercules Theme.” Throbbing bass lines and other various beats have you bobbing your head as soon as this song comes into your ears. The use of horns–live or sampled–creates a blistering dance song that will have to be a staple at all your summer dance fiestas. Just ignore the sexual moans playing quietly in the background, and you will be well on your way to enjoying this album.
The next two tracks hit you just as hard. Encouraging you to dance along with all your friends in your favorite living space. This all comes to a culmination by the fifth and best track, “Blind.” Antony Hegarty sings throughout, carrying you up and down with his voice, while the beats have you tapping your feet ferociously–if your legs and arms don’t follow, go see a doctor. This is an exceptional dance track, and there is nothing else you can say. It all, however, stops here.
The rest of the album drags on like a really poor dance record. It’s hard to find the reason for the hype when you listen to the rest of the album. The beats become extremely repetitive, and there isn’t anything that garners your attention, as the album slowly fades into the background of your mind. The pumping beats that accompanied the first five tracks go off in the way of a really bad 80s porno soundtrack. The pace gone, and the creativity lacking, the album turns into something hardly listenable, unless of course you are into porno soundtracks.
Another flaw that I find with this album is that they still use Hegarty’s lyrics. His writing is so intimate and dark that it is hard to find it juxtaposed with disco dance beats. It all seems wholly out of place with the rest of the music. Sure, it’s great to hear Antony back again, but without the personality he carries with his piano, you find him coming off a little bit hollow; this is not what I looked forward to when I heard of this union.
If you need some dance tracks for your upcoming July 4th party, then I suggest you go out there and buy a few of these songs to keep your friends feet moving, but if you are looking for an intimate evening with Antony then you will find yourself disappointed, and possibly disillusioned with his tastes. So much for the hype.
Have yourself a go at “Hercules Theme” from the new album: