Happy ACL day to all! Many of you are probably heading out the door soon for the first day of weekend one, but before you do, I’ve got another Gimme 5 playlist to jump start your morning. I’m very excited about this one because it comes from a personal favorite of mine, punk rockers FIDLAR. And hey, they play today! So hit the jump for some tunes hand picked by the band.
Dear Ryan Adams,
Back in the day you put together an amazing album Heartbreaker. In all honesty, that record is going to be remembered for years to come; it really is that good. But, now you come back at your fans with Cardinology!
First off, what on earth is going on with the album artwork? Is this one of the remaining pieces of the set from Roadhouse? Maybe that’s where you found the sound for this album. Perhaps it’s your attempt at establishing yourself as the artist formerly known as Ryan Adams, which would be understandable, as you bare no resemblance to the man who stepped out of the shadows of Whiskeytown.
This new record, Cardinology, well, it just doesn’t make any sense at all. Sure, many of those will remember some of the scattered breakthrough moments you shared with your old band, but your best efforts always seem to come from areas when you step aside from the full on band approach. Here, we find you overshadowed by the entire band, and often, you don’t even sound like yourself anymore.
For the most part, the opening to this album sounds like you wanted to take a pop approach to writing country songs, but you end up sounding like the Gin Blossoms or Third Eye Blind covering Americana songs. It feels overly contrived, as if you lost that magical touch that drew so many people to you in the first place. Listening to this album makes you seems as if you drifted further away from yourself; we were all sad to see you go.
As listeners, we appreciate some of the strong songs that do make their way through, such as “Let Us Down Easy” or “Crossed Out Name.” Each of those seems to exist in that distant place where you lived for so long, yet rarely visit these days. It has so much personality in the song, especially lyrically. You could go so far as to say that “Evergreen” can also be lumped in with the same batch of songs; they are all personal, making them more personal for the audience listening to your records.
Then again, as you make headway, you add a song like “Stop.” If anyone decided to rip off Neil Young playing the piano, it had to be you. There is no passion here, and the lyrics seem so ridiculous. Did you really write “you are not alone,” and throw it into a song? Way to be original. You know what would be original? A Ryan Adams record without the Cardinals that broke our hearts; a record that made us believe; a record we all really need.