Rating: 
Everybody loves Glasgow. Well, everyone should love Glasgow because that city puts out more great indie rock bands than most and Camera Obscura is no exception to that, as they’ve returned for their fifth studio album, Desire Lines.
The introductory song to this album is reminiscent of that bit of music that accompanies the production company/studio’s logo before a great movie begins. A mixture of some brief string arrangements, “Intro” gives out a slightly different vibe then you are used to with our Glaswegian Indie Pop power group. Though the group has never lacked maturity, this thirty-second opening lets you know that they are back and with a new take on their original sound that they first presented twelve years ago on Biggest Bluest Hi Fi and even vastly different than on My Maudlin Career, their most recent studio release.
So what’s changed you may ask? What has this varsity band done differently this time around to make their music stand out to new fans and still appeal to old? For the most part, not too much; you still have subtly confident front woman Tracyanne Campbell spinning tales of love and loss from behind the mic. Her vocals are ever the perfect balance of present and yet not overwhelming and missing a lot of the reverb that was present on their last album. In addition to the clarity in vocals, the reverb seems to be also missing from the rest of the elements of Camera Obscura’s indie pop to reveal a more straightforward rock approach. Such is apparent on single “Do It Again,” in which you have a fun little bouncy number complete with buzzing guitar and hyper percussion carrying you through. Another snappy number that will welcome you nicely to Desire Lines and make you glad you pressed play is “Troublemaker,” which jumps out for its bouncy tempo and catchy lyrics.
Really, there are a lot of little gems to be found on Desire Lines, but on the whole, the album rings a little flat in reference to the other albums in Camera Obscura’s long list of full lengths works. Perhaps it is a slower burner and this new collection of songs will grow to become favorites, but this new work doesn’t really wow you upon first listen or even after a few listens. Desire Lines is good, but not as grand as you’ve come to expect from such a band.
Apparently it’s that time of year when I just can’t help myself; I’m going full-time it seems, as we ran 28 brand new tracks this last week, plus some nods to albums we liked that dropped on Friday. We got some fresh premiere activity from the Wesleys and Max Blansjaar, then there were some recent favorites dropping in new stuff like Lightheaded, Neutrals and Autocamper. Me personally, I loved the new Gregor single, and that new CBVB plays into similar territory. This collection of songs, like my own catalog, is pretty random, though we always tend to aim for left of the left of the dial. Stream on.
Last week was crazy on our end, running around trying to get all the cool songs out, not to mention trying to cover some of the SXSW stuff we’d promise to get out from artists like Bodega and Smut. Ran a few solid premieres too, so be sure to focus on Magana and House of Heaven. You’ll also find new Lunchbox, Mirrorball, Good Looks and many more. Plus, Fantastic Purple Spots dropped a video 
