Last Week’s Jams (6.5 – 6.9)

When summer hits, there seems to be an infinite amount of music bouncing about these parts, particularly in the Austin scene, as we saw this last week. We had new album announcements from A Giant Dog and Jordan Moser, new singles from Cast of Thousands, Marry Cherry and Genuine Leather; BLK ODYYSY also dropped an album. But, there was still plenty of music outside of Austin we loved, like new stuff from Gaadge, Wombo and Your Heart Breaks. Tons of music to absorb below, so feel free to indulge in all stuff you might have missed.

Another Single from Cameron Sonnier

The last time we heard from Cameron Sonnier, I was finding him as sort of a cross between Eels and Coma Cinema, but with the latest single, it feels like he’s stretching the sound beyond even my expectations. This new single works on various levels, with various elements and textures being layered to create this sort of warped bit of of personal folk. Some of those elements create this sort of sonic shattering, like thunderclaps echoing behind Sonnier’s matter-of-fact delivery here. It’s a different twist, offering a glimpse of what’s to come later this year when Cameron finally unleashed his album, Tunnels.

Last Week’s Jams (1.17 – 1.20)

You’d think in a short coverage week, we’d have few tunes, but there was so much great stuff last week, that we couldn’t help but to try and cover as much as we loved. Personally, I fawned over new Lachlan Denton, Cor de Luxand Tiny Ruins, plus continued my support for Spice World as Album of the Year. I also hit up the Austin scene with new stuff from Bayonne, Dorio, Fantastic Purple Spotsand Rad Gnar. RayRay loved that new Pile tune to death and premiered a new Strawberry Fuzz jam you can find lurking in here too. If we missed something super cool, let us know, otherwise, here’s a way to pass an hour of your day, happily.

Cameron Sonnier Shares Sunshine

I never really moved on from sweepingly dramatic pop music, which is why the craft of Cameron Sonnier really hits home…that and he’s from Houston, which ain’t too far away. This track drops into the hook zone immediately with the beat working beneath the jangling strum; delivering the first lines of “champagne/cocaine/magazine/I can give you anything you need,” immediately ups the ante, opening the door for this broad melody. In the production you can hear these little washes of atmospheric synths, texturing the world that Cameron’s created. This is our first listen to the work he’s composed for his forthcoming debut, Tunnels, expected to hit later this year.

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