Tag: cover

Glass Spells Share Nunca Es Suficiente

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If you are like RayRay and myself, perhaps you find yourself infatuated with the Latin American culture; it that’s the case, you wouldn’t have been able to ignore Natalia Lafourcade’s “Nunca Es Suficiente.” But, while I love the OG version, I’m definitely bumping this new cover from San Diego’s Glass Spells. Anthony Ramirez’s synth craft adds a different vibe, punctuating the natural melody, which ends up cranking the dreaminess of the tune. That’s fitting as Tanja’s voice seems like it was built to maximize that mood, embracing the balance between the song’s beauty and the dark-wave the group are known for crafting.

Will Johnson Joins Magnolia Electric Co for New 7″

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Will Johnson looks to be keeping himself fairly busy this year, having just released the excellent Diamond City, and now he’s teaming up with members of Magnolia Electric Co. for a Magnolia & Johnson 7″ and Tour. As the two team up, they’ll release a 7″ version of a Jason Molina track, then flip over to find a Will penned tune; both artists played/wrote together before Molina’s passing, so this seems an apt project. But, today (and yesterday for those on their game), the new team released a version of “The Big Beast” from the 2005 Trials and Errors LP. With Johnson on the vocals, there’s a bit more of a growl to it, encouraging the band to fire up some of those guitars and let things burn behind him. The 7″ comes out this September courtesy of Keeled Scales, with a brief bit of dates confirmed for Texas around the same time!

Yea-Ming Covers The Velvet Underground

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If you were fortunate enough to attend the Oakland Weekender in 2024, you might have picked up the tape that featured Yea-Ming Chen‘s cover of “Pale Blue Eyes.” But, while working on the next album (‘rumors’ have it slated for a 2026 release0, Yea-Ming wanted to make sure she got this Velvet Underground cover out into the world. I love how her vocal resonance sounds similar to Lou Reed’s, slightly smoky in its presentation, though clearly grasping to pop sentimentality. Chen recorded the majority of the song herself, so a lot of the VU excess is gone, leaving you a bare-bones version that’s equally as stunning in its own right, with Yea-Ming admitting she embraced some of the imperfections in the recording as a way of connecting with Reed’s spirit. Stream it now below!

Bibi Club Cover Stereolab’s Orgiastic

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I’m of the belief that Bibi Club‘s Feu de Garde was one of last year’s severely overlooked albums, and hopefully with the newly announced deluxe edition, people will revisit it a bit. Today, I’m happy to guide you towards the group’s cover of Stereolab’s “Orgiastic,” which highlights the band’s sharper edge in regards to their pop constructionism. While I love the original version, it can feel heavy at times due to the percussive element and the setting of the vocals in the mix. In contrast, Bibi Club clear out some of the space, letting the voice shine a little more up front, pushing more angular notes, and the rolling electronic elements are removed periodically before a noise blast sets the song completely in motion. Feu de Garde (Les Braises) will be out May 9th via Secret City Records.

Dean and Britta and Sonic Boom

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Really, if you’ve been on the indie side of the musical pond, just the names of Dean & Britta & Sonic Boom should mean something to you, and well, they’ll mean more now that three have joined forces to set up for a holiday album titled A Peace of Us. What better way to announce this blessed union than by sharing a classic from Willie Nelson, “Pretty Paper,” working with a stripped down affair that works around a well crafted electronic background, toying with the dueling vocals that buoy the pop sensation throughout. In a strange way, it also kind of sounds like a B-side from an early Magnetic Fields tune, and I’m here for it. Carpark Records will release the album on November 22nd.

Gentleman Jesse Preps 7″ for Drunk Dial Records

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Drunk Dial Records is an interesting concept; the label encourages bands to get together for a 24 hour drinking session, record a new tune and then rip a solid cover. The spontaneity and inebriation always land on interesting results, and we’re stoked to hear that ATH fave Gentleman Jesse is on board with a new 7″ dropping this week. If you’ve been following Jesse Smith’s trajectory over the last several decades, the power-pop enthusiasm should come as no surprise here. But, for me, it’s the breakdown, perhaps booze-infused jamming, where I begin to grin, as Smith stretches the tune into some darkened regions that he pulls off perfectly, right before jetting right back into a perfect howling close that would make Bolan proud. Then the trio switch into a swaying power-stance version of Mark Morrison‘s “Return of the Mack.” If you weren’t familiar with the tune, such as this 90s nerd, you might not even know its a cover, as they take it to an entirely different place. You can grab the 7″ HERE.

Aisha Burns Covers Gillian Welch + Tours with Torres

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Following her exceptional cover of Chris Isaak late last year, Aisha Burns announces some tour dates with Torres by sharing a new cover of Gillian Welch‘s “Look at Miss Ohio.” Impressively, Aisha’s voice doesn’t stray too far off from Welch’s original, which is a great reminder of just how much she’s come into her own through the years. For me, I love Burn’s honesty in her words about the song and its continued importance, expressing admiration for the protagonist “declaration of doing things in her own time, despite expectations.” It’s an admission that we can still expect growth and change from Burn’s work, and our job is to support and uplift where we can. Speaking of…look for Aisha on the road with Torres through the end of this month! Tune courtesy of Western Vinyl!

Aisha Burns Covers Chris Isaak

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I shit you not; I received four different emails from four different projects, all of which were covering Chris Isaak, and all of them covering “Wicked Game.” But, I’m only running this Aisha Burns cover because a) she’s always been kind to us at ATH b) it’s being released by Western Vinyl, who have also shared a lot of kindnesses over the years c) Aisha’s voice almost betters Isaak’s (yeah, I said it). Burns, in the press release, looks at the spell of unrequited love in terms of what its like to be both an artist and an African-American woman living in the United States, drawn to art and humanity despite those things not being reciprocated. Well, played Aisha!

The Laughing Chimes Share New Music

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We were out and about on Friday when these fresh tracks from the Laughing Chimes dropped, and as always, the young band have an intoxicating sound that continues to blossom and wear varying shades. You get one fresh tune, and one that’s a cover of The Ocean Blue‘s “Ballerina Out of Control.” On their new tune, press notes jangling sounds with gothic undertones; I can hear bits and pieces of Felt in the guitar sound, and any number of darkened goth voices to spin in the vocal presentation. In terms of the cover, I love the way the vocal turns lighter, reflective and light, working to fit perfectly in between the sharp notes that ring from the guitar. It feels like trio is onto something really really special, so hopefully their label Slumberland keeps us in the loop!

Dot Dash Drop 16 Again LP

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We’ve been covering Dot Dash for years, and now, we have multiple reasons to celebrate the DC band! For starters, they just dropped 16 Again, a nod to the Buzzcocks that hints at the number of songs on the record. The bonus? Well, for the first time, the band’s new LP will be released on vinyl, courtesy of Country Mile Records. For all intents and purposes, this is a best of release, with several tracks from albums I adore like Half-Remembered Dream and Winter Garden Light making the cut. You also get the added bonus of the band covering the Television Personalities‘ “Jackanory Stories,” which is the icing on the proverbial cake. Stream all the songs below and have some fun, then grab it on vinyl!

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