Love, Burns Announces It Should Have Been Tomorrow

It seems only fitting that we begin covering music in the new year by covering our first release of 2022; It Should Have Been Tomorrow by Love, Burns. The band is the solo project of Phil Sutton, who plays in Pale Lights (among other acts like Cinema Red and Blue and Comet Gain!), but the album features help from Kyle Forester, Hampus Ohland-Frolund, and Gary Olson…so it’s kind of a big deal! We’re releasing it in conjunction with Kleine Untergrund Schallplatten, Calico Cat Records and Jigsaw…all great labels run by admirable persons, so we’re fortunate to be part of this release (we’ll be handling the cassette version)! But, we can’t really convince you to pick it up without a little taste now can we? Here’s a few tunes from the album, which will be out on February 4th; buy it from us HERE.

Plus, Phil recently recorded a wonderful cover of the Wake’s “Crush the Flowers” with Suzanne Nienaber for Soleado, a Tribute to Siesta Records, organized by Fadeawayradiate. You can hear that below:

Phil photo courtesy of Dominick Mastrangelo Photography.

Comet Gain Release Slew of Family EPs

Disclaimer, I’m a bit of a Comet Gain fanboy, so lets just put that out on the table. So, without a further swoon, lets talk about the 3 EPs the band release digitally today via Bandcamp…only one of which is a true Comet Gain EP (from the Tiger Town era!). The band’s lineage runs all over the indiepop realm, from Ladybug Transistor to Crystal Stilts to Love, Burns…so naturally, you’re all going to find a little something to adore here. You get an EP from Cinema Red and Blue, Adult Babies and Comet Gain. In total, its a collection of 12 songs, some of which you might not have heard before, all of which seem like a worthy addition to your digital collection. As of right now, they’re online only, but rumor has it they may see the light of day physically…but we’ll save that news for another day!

*** All the music was deleted…it was a 24 hour affair!

 

 

 

Kyle Forester Shares Marigold

It’s interesting listening to Kyle Forester solo efforts, particularly when you’ve spent a great deal with his projects like Crystal Stilts or Cinema Red and Blue. Those acts had this inherent fuzziness, carefully hiding Forester’s pop sensibility. But, as with his first solo LP, his forthcoming album seems to have this laser-focus on just the craft of great songs. Here, it feels as if you’re sort of taking a walk through Kyle’s world as he ruminates on all the beautiful things he’s come across in his life; the guitar lines are patient, as his vocal delivery, allowing you to melt into the tune. There’s a clarity in this song, which indicates the promise of Hearts in Gardens, out on February 21st.

Kyle Forester Readies Solo Effort

kyleIt’s already been mentioned all over the Internet (yesterday) that Kyle Forester worked in Crystal Stilts, but I think that’s all you need to know, as nothing on his debut single sounds anything like that band, nor should it. He’s off on his own now, at least for this effort, and pop aficionados should take note. To my ears, this sounds like a stomping Nada Surf hit…Forester even takes on some of the same vocal notes as M. Caws. Still, it’s not power pop, it’s more of barn-storming, and I love it. He’ll be releasing his self-titled debut via Flying Moonlight Records on March 20th.

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New Music from Crystal Stilts

crystalI’ve long been a fan of Crystal Stilts, so I’m definitely looking forward to what the band brings to the table on their next week.  This tune gives us a little bit of a peek, as the band has said this single is a step in a more rocking direction, which is how they’re approaching their next album.  I love the deep tone of the vocals, especially when the track takes more of a crooning approach.  There’s still hint of the band’s psychedelic roots in some of the guitar work, though the clarity in the song’s structure is pretty surprising.  It’s such a great tune, you’ll want to grab it now.

[audio:http://austintownhall.com/wp-content/uploads/2014/06/Crystal-Stilts-Delirium-Tremendous.mp3]

Download: Crystal Stilts – Delirium Tremendous [MP3]

Show Review: Crystal Stilts @ Red 7 (10.24)

Having followed Crystal Stilts since their inception, including their involvement with Cinema Red and Blue, it’s surprising that I hadn’t caught the band live yet.  But, Thursday night was going to change that, and my anticipation was riding high, after absorbing more and more of the group’s recent album, Nature Noir

Read on for my highlights on the night, including photos from Brian Gray.

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Crystal Stilts – Nature Noir

crystal-stilts-lpRating: ★★★☆☆

Having loyally followed Crystal Stilts since their inception, listening to Nature Noir has been sort of a personal issue over the last few weeks.  At times, I’m completely in love, seeing some of the group’s best work come to fruition, yet other times, I get stuck in the muddier down-trodden sounds, inevitably giving the album a rest.  Is it good? Yes. Is it great? Eh. Decide for yourself.

Each time I go through the first few tracks I’m not sure which side of the road I’ll end up on.  “Spirit in Front of Me” has some great moments, with Brad Hargett’s deeply down-trodden vocals winning me over, but there’s this snaking horn that weaves in and out of the tune. And there’s “Star Crawl,” which features this great guitar sound, but there’s no real pace to the song; it sort of staggers in place, even with its nod to psych breakdowns.  And then Nature Noir really begins to take off, for me anyways.

“Future Folklore” definitely takes cues from the world’s obsession with psychedelia, though they spin it in their own light, adding a pounding rhythm that really propels the song.  Hargett has the perfect voice for this sort of tune, coated in this smoky sensation that lays the band alongside various contemporaries.  It’s nestled right up to my favorite tune from the group to date, “Sticks and Stones.”  You’ll find a kinder, gentler voice here, playing perfectly in step with this great guitar line that wouldn’t be out-of-place on a number of indiepop releases.  If there were 9 more songs just like this, I’d easily proclaim this as my favorite LP of the year.

And there are definitely tunes that have a new feeling to them, though it’s definitely rooted in the sound Crystal Stilts have come to create.  On “Worlds Gone Weird” I feel like they’re channeling Calvin Johnson whilst adhering to their own aesthetic.  It’s songs like this with Brad’s vocals clearer than they’ve been that definitely make the latter part of Nature Noir worthy of repeated listens.  I mean, if you can listen to “Nature Noir” and not find pure enjoyment out of the desert guitar sound juxtaposed with Hargett’s vocals then you’re a better listener than I.  Ultimately, it all comes to a close with “Phases Forever,” and despite the overbearing atmospheric hum atop the song, I’ve grown to quite enjoy the tune.  There’s an acoustic guitar at work, accompanied by the occasional string arrangement (which is part of that hum!) that really highlights the band’s growth.  I feel like this is the perfect statement to wrap up the entirety of this album.

As I reflect upon the countless spins I’ve given Nature Noir, I begin to appreciate more of it than I initially thought.  Sure, the first few tracks are probably my least favorite on the latest Crystal Stilts release, but I can’t hide from the fact that you’ll hear some incredible pieces within the confines of this record.  I wouldn’t blame a soul if they loved this record, but I’ll have to settle for just liking it.

New Jam from Cineman Red and Blue

Our friend Kevin’s probably going to hate the fact that I can’t get over my infatuation with all things Comet Gain related, but what can I say, I’m a sucker for the band.  However, this track only features part of the group, as well as members of Crystal Stilts, so that should garner me some hipster cred, right?  The track below is from the Butterbean Crypt EP, which was released only in the UK on Fortuna Pop, but it’s still worth hyping one of my favorite songwriters, David Feck.  This track here is a lot more aggressive than previous works, and seemingly unites some of the Stilts psych tendencies.  Definitely a nice addition to the group’s brief history.

[audio:http://austintownhall.com/wp-content/uploads/2011/12/Walkin-To-The-Cemetery.mp3]

Download: Cinema Red and Blue – Walkin’ To The Cemetery [MP3]

New Music from Comet Gain

I’ve known this project was in the works for some time, and I’m super excited to bring you all new tunes from one of my most beloved bands, Comet Gain.  You’ll find this new tune, as well as twelve others, on their latest effort, Howl of the Lonely Crowd, which will be released in the US on October 4th by the incredible folks over at What’s Your Rupture.  In my mind, this is one of the most under-appreciated bands in the whole world, as they always have infectious tunes.  Perhaps the fact that Edwyn Collins from OJ helped produce this record will give the group the extra push it needs to be the next big thing in indie pop.  If you love this, and realize you’ve been wrong by ignoring this band for so long, I suggest you go to Whats Your Rupture and order Broken Record Prayers (their last LP) or Cinema Red and Blue (a hot joint featuring Comet Gain and Crystal Stilts members).

[audio:http://austintownhall.com/wp-content/uploads/2011/07/03-An-Arcade-From-The-Warm-Rain-That-Falls.mp3]

Download: Comet Gain – An Arcade From The Warm Rain That Falls [MP3]

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