Day For Night 2017

Let’s get this out of the way. No, I did not get to shoot Day for Night from the photo pit. In fact, my “media” approval amounted to a discounted 3-day wristband. It was disappointing, if I am to be honest; I was truly looking forward to shooting this year. The organizers saw it differently. I guess one day we’ll have to relent and buy fake followers on social media as an insurance policy.

Alas, the hotel was bought and paid for already, so off I went to make the most. Saturday, I left the camera behind as there was confusion, too much of it, about camera policies, etc. Turns out, I had a great time wandering aimlessly through the cavernous space, spending much of my time in the art installations, occasionally paying attention to the stages. I had no schedule and stumbled into people, sometimes standing in the crowd only to look to my right and realize a friend had been right next to me for a half an hour. Sunday, I mounted the trusty 55/1.8 to the a9 and revisited the installations and took in way more music.

The art ruled the weekend – I went to an art show and caught some bands. Pop through and read about highs and lows and discoveries and disappointments…

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Day For Night: Sunday In Photos

day-for-night-sun-282Second big gallery, this one is nuts cause we had a full day of festing planned out.

First of all, you can’t plan the weather, but you can plan for it. It was frrrreaky cold. I was sporting my fluffy socks, gloves, the wind proof jacket and the X-Men scarf (thanks, Beth). The suffering was worth it as once again, the fest proved to be a fantastic place to have a camera.

The Sunday gallery from Day for Night features Nothing, S U R V I V E, Ariel Pink, Uncle Acid & The Deadbeats, Matmos, Lightning Bolts, Liars, Night Drive, Unknown Mortal Orchestra, Little Dragon and Butthole Surfers. Wow.

Please click through…

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Day For Night: Saturday In Photos

day-for-night-sat-201Nathan has our summary post duties. Nailed it.

Day for Night is a very ambitious festival; it over-reached a couple times this year, but all in all, it was a success. We’ll be giving the organizers some real talk feedback, but hot damn, last weekend was photogenic AF. The giant LED backgrounds used either for artists synchronized art or for excellent festival graphic design or complimentary colors to appease the lighting directors whims, all with a Houston skyline looming.

Aside from tons of environment pics, Saturday’s gallery features Lower Dens, Jesus and Mary Chain, Blood Orange, Tycho and Aphex Twin. I mean, look at that list. And this was the easy and chill day.

Click through y’all. Please?

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Day For Night Recap

day-for-night-sun-324We heard such great things about the inaugural Day for Night Fest that B. Gray and I just had to attend this year…that and Aphex Twin was playing. It was definitely a special experience, with far more highs than lows, thus rendering this year’s festival a success in our eyes.

You can follow below for our highlights. And stay tuned for more photos from B.

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Day For Night Preview: X Versus Y

15156854_1835085233427368_2654722914580856930_oThe inevitable dilemma of the music festival, the Sophie’s Choice moments, what do you do, what do you do?

The full lineup has been out there for a hot minute, now we have the locations. You can download the festival map now. Biggest stage is Red, green a little smaller, blue goes indoors and yellow is outback, #thebackyard.


Chelsea Wolfe (Green – 4:10) Vs. Tobacco (Blue – 4:15) – Chelsea Wolfe wins for me on material. But Tobacco could be a multimedia dose of awesome. Hat on, head down, vocoder working overtime, Thomas Fec’s enigmatic stage presence is not the draw, but what will go along with that? Chelsea? I expect an overdose of fog. They are next to each other which will take the edge off my fest FOMO.

Tycho (Blue – 8:10) Vs. Daughters (Yellow – 8:20) – Look, that Daughters set could be a most nuts thing. This choice will likely depend on your intoxicant of choice.

The Run the Jewels incident – Look, RtJ is definitely a monster buzz draw at fests these days. If you are a super fan, this may end up being the smallest crowd they play in front of ever again. Why? Because they are up against Aphex Twin and John Carpenter. Yes, the movie director; he scored many of the movies he directed with synthy goodness and it is a pretty cool experience.


Blonde Redhead (Green – 6:10) Vs. Mykki Blanco (Blue – 6:00) – This is the old vs. new, indie vs. hip-hop’ish, nostalgia vs. witness scenario. There is a ton of buzz behind Mykki, rad minimalist electro beats, a back story of trans discovery. Seeing an artist grow and find themselves right in front of you is pretty cool. But “23” is an all-decade record. Deal with it.

Little Dragon (Red – 9:20) Vs. Butthole Surfers (Green – 9:40) – I’m having a great time listening to the first few from Little Dragon. Do I leave the known for the unknown? Do I leave to go see the Butthole Surfers? Can I recalibrate enough? I would have said no until a friend posted a video on bookface of the Surfers getting back up to speed, hard-edged and tight in a practice space by belting out “Who Was In My Room Last Night” and given the song’s flying intro, one would have to guess it will be the opener.

Day For Night Preview: Aphex Twin

aphex-twin-logoEvery music festival will have its share of legacy acts that are there for the nostalgia factor. It seems strange to say that any of the artists at Day for Night are a “legacy” act. When you are years ahead of the industry, how do you ever have the throwback tag? Indulge me as I wax poetic about the future past. Let’s start with the 800 lb. headliner, Aphex Twin.

In my eyes and ears, Selected Ambient Works 85-92 is a mandatory record to have in your collection. Fact: Die Antwoord’s Ninja has the Aphex Twin logo tattooed on his arm and they have recently sampled songs from the Selected Ambient Works 85-92, good enough for me. Elegant and grating, challenging and soothing, all at once a collection that utilizes textures and samples to accent the underlying melodies. One recently poignant sample is Gene Wilder’s line from Wonka, “We are the music makers and we are the dreamers of the dream.” Later records saw an evolution to harder edges with foundations of drum and bass beats. “Come to Daddy” and “Windowlicker” both cemented the permission slip from me for any future evolution Richard David James wants to undergo.

But with all of that aside, some of my favorite works by Mr. James is under his Polygon Window moniker. There was a compilation in 1992 curated by Warp Records that started the disc with a track called “Polygon Window” by The Dice Man. I loved it, read the liner notes and made the connection to Aphex Twin, cuz, yeah. A year later, I found an import of Surfing as Sine Waves BY Polygon Window during a browsing binge of a tiny record that I doubt exists anymore, can’t recall the name, used stuff only, on Parmer, not Buybacks, somebody help me remember. Anyway, this was recorded shortly after Ambient Works landed and it features another fave track “Quoth”.

The aforementioned compilation is called Artificial Intelligence and was re-released in 2005 so that is floating around and features one of my favorite songs ever, “The Egg” by Autechre. You should own it, too.

Probably one of the coolest aspects to his being at Day for Night is that we really have no idea what is on the agenda. He released Sygo in 2014 and the Cheetah EP mid-year, but never really was out in support. Aphex Twin is showing up on several Euro summer festivals lineups, so it seems we get the scoop. As a teaser, this showed up on the intarwebs a few weeks ago.

Day For Night Interview: Night Drive

Night DriveRegular readers know that we love the synth-pop jams from our friends at Night Drive. Day for Night will include the Austin/Houston based outfit and I figured I would do a little Q&A action to help preview the awesome festivities. Rodney and Brandon took some time to deal with the usual list of things about life, fests and jams.

Click through to read all about it including some tips for stuff to listen to and the story behind the band…


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Rise And Fall With New Night Drive

Night DriveI have a festival hangover. After seeing hundreds of bands in just a few months, it gets hard to get up for going out to hit shows, especially when living the photo guy festival life is so not like the real world. It is an alternate universe that is easy to get used to, the rhythm of shoot band, run into friends, get supplies, rinse, repeat. With an approval for Day for Night already in hand, festival season isn’t over yet. But Aphex Twin! I know you all feel very sympathetic for our struggle.

One of the Austin bands making the run to DfN is Night Drive. They are an Austin favorite and go-to dance party for the ATH team. Rodney and Brandon love all the things we love about dark dance-pop, from pulsating beats to grainy synths and brooding chords living underneath the plinks and big beats. They will release a full-length in February, self-titled, that has a few new songs, a few re-recorded hits and they are using this jam as the lead single. I’ve heard this gem live a few times. It is so good.

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