It’s been a gift that continues to give me things I love, with Slumberland’s SLR30 Series wrapping up with its final singles on December 4th! It looks as if we’re going out with a bang, with one 7″ from UK’s Flowers and the other a new 7″ from one of my personal favorites, Neutrals! We’re treated to the A-Sides for both singles, and man, pretty sure we all win with these being added to the fold. The Flowers track is more powerful than I remember the band from some of their earlier releases, though it still hones in on the band’s penchant for melodic pop. Neutrals on the other hand do what they do best, buzzing through 2 minutes with infectious power pop punk; I think this might be the best recording from the band, with Allan’s voice spitting the lines out with this incredible sharpness. If you didn’t get the subscribe to the SLR30 Series, don’t worry, you can grab your own copy from Slumberland Records shop!
We’ve already brought you a tune or two from the forthcoming Milky Wimpshake LP, their first since 2015, but I couldn’t miss out on a chance to give you a heads up that Rachel from Flowers is also featured on a few occasions. If you’re grabbing the record, as you should, you’ll find the opener, featured below, has her voice paired perfectly with the band; the song’s full of swaggering pop rock…the infectious sort of course. I love how they mute the rock in the opening verses to let the vocal harmonies shine together, before pushing down on the pedals and letting loose. The chugga-chugga riffs of the chorus are perfect slices of rock n’ roll…I just want to play this song all the damn day long! Bobo Integral will release Confessions of an English Marxist on October 16th.
What exactly is this new release from Flowers? Well, it seems to be about 70 demos the group have recorded, perhaps while working on a brand new triple LP? One can only guess, but one thing we do get to enjoy as indiepop fans is a slice of the band’s delectable sound, over and over again. I’ve spent my morning thumbing through the various entries; it’s like an indiepop ADHD journey, bouncing between upbeat and melodic slowpop, enchanting all the while. Whatever day it is, it’s never bad time to let Flowers take you away…and you can have it all for the NYP special on Bandcamp HERE.
Mary Bryce has impressed us over the last several years, most recently with his band Smiile. But, she’s now ready to step out for a solo outing, and we’ve got a track for you to familiarize yourself with her songwriting. Immediately, you’ll notice the power of her voice; it has this huge range without seeming forced. The string arrangements accompanying the central piano passage are quite stunning, perfectly accenting Bryce’s voice as she stretches her pipes into the soulful closing in the song’s latter half…akin to the work of Amber Kauffman. Have at it kids.
A lot of friends are making podcasts, playlist and whatnots, so I figured I should go the imitator route. Wanted to start off this week with a little indiepop for you all…so I made a podcast of hits, most of which come from 2017…and a few oldies added in for fun. Enjoy some upbeat numbers today…there’s a tracklist after the jump!
No. Flowers are not breaking up. But, with their new 7″ single, Fortuna Pop will finally close its doors and move on to greener pastures. Sadly, we might not find a finer purveyor of pop, but we’ll always have the memories. The label, in my eyes, goes out with a bang, dropping two Flowers tracks that are memorable as ever. The first tune has a bubbly underbelly, while the latter track has a juxtaposed softness to it…all illustrating just how glorious the band is. Enjoy the tracks below, and fall in love, for the last time, with Fortuna Pop.
For all the great music in Austin, our shoegaze game has been hit or miss. I mean, we have the ridiculously solid Grivo, but now we’ve also got Honeyrude. The band dropped another new single from their forthcoming The Color Blue LP, and it’s shimmering guitar tsunami to open up the song is perfect for shoegaze and dream pop fans alike. Jess Ledbetter’s voice brings about a softness that allows for a calming beauty. Be sure to stick around for the song’s latter half, filled with guitar excursions and fading vocals. Look for the new LP via Shifting Sounds on August 18th.
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You’ve all been waiting, anxiously. Waiting for our arbitrary list of the opinion of four folks who run this site, and what we think were the best albums of 2016. It’s really really important. We’re going to make our site great again with this list. We’re going to win, bigly. But really, it’s just a list of the stuff we loved the most that we covered throughout this year on our site. The comment section is open, so feel free to tell us where we’ve gone wrong or what we’ve got right or anything else fitting. Read more
The indie world swoons when Flowers come into play; they’ve been crafting the dreamier side of indiepop for some time, and we here at ATH eagerly await their brand new release. This song is probably one of the finer pieces they’ve done. I think the recording is done perfectly, in every facet. Their new record is titled Everybody’s Dying to Meet You, and it’s being released by Kanine in the US (Fortuna Pop in UK). While you’re listening to this song, try to think of something else that sounds this damn good; I bet you cant!
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When I first played this song, I immediately thought Flowers was going for something darker than their pop stylings of early releases. But, while that does appear to be the approach taken, the infectious voice of singer Rachel brings about a greater sense of light. They surround the pristine vocal with swirling guitars and a down-trodden beat that broods throughout the track. If you’re looking for a song that juxtaposes beauty with a gritty underworld then you’ll need to look no further than this jam. No idea if this comes with a release or just a jam the band wanted to share, but I’ll keep you posted as I know more.
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