We gotta start off our week looking back at last week. We’ve got 19 great songs to enjoy on your end of things, including a tune from Quivers who shared with us a delicious pudding recipe, plus talked about their latest LP Golden Doubt. Some tunes from friends like Lachlan Denton, Geoffrey O’ Connor and Colourmusic popping up too, so you really can’t go wrong by just spending your morning withs one easy listening on a Monday. Click the link, and if you find something you love, go back and check out last week!
Every time one of the new singles comes out from Geoffrey O’ Connor‘s new LP, I’m just floored. For starters, there’s this timelessness to his craft; the thumping guitar line that rolls through the core of this track in an understated fashion serves as this tether to the listener’s emotions. But, thus far, O’ Connor seems to have found the perfect foil for every track, and having Sui Zhen guest on this tune does not hurt. Geoffrey has this more baritone nature, like a heavy melodic sigh, but Sui Zhen sparkles, effectively bobbing and weaving back and forth between the two distinct voices, creating this dreamy freefall sensation. Do I want more? Yes please! Geoffrey’s new LP, For As Long As I Can Remember is out on August 6th via Chapter Music.
For as long as I can remember, I’ve been a devoted Geoffrey O’ Connor fan, whether that was through his role as a songwriter with Crayon Fields, or his underrated solo output. On this brand new tune, he’s working with Jonnine, who plays the accomplice, with both artists having this delicate croon to their voice. Personally, I just love the textured arrangements in O’ Connor’s songs, with little woodwind instruments popping their heads out from behind the synthesized shrubbery. For me, this is the brand of pop music that makes me swoon, enchanting and polished, elevating the genre beyond the trappings of kitsch. Geoffrey will be releasing For As Long as I Can Remember, his new solo LP, via Chapter Music on August 6th.
It’s already been a pretty great week for Chapter Music, with some great coverage for the excellent Geoffrey O’ Connor album, Fan Fiction, but they’re back with a curveball for you…a good one. The Australian label known for being on the front lines of exporting great tunes has traditionally brought guitar based tunes our way, yet today they announced the singing of Andras & Oscar, a a danceable duo. The first single comes without much pretense, instead choosing to rely upon a solid vocal hook that’s got a great beat to stand behind it. You’ll be nodding and grooving for the rest of your day I swear. Check out their Cafe Romantica album when it’s released by the label in October.
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When I first met Geoffrey O’Connor he was fronting the Crayon Fields, who remain one of my favorite acts. He was polite, yet possibly a bit timid. However, as his solo career has blossomed, he’s become increasingly confident in his songwriting, leaving his audience with elegant pieces of pop music coated in synth work. I dare say that this new single is easy listening, both in style and emotion; you can listen anywhere with a smile on your face. It’s the second single from his new album, Fan Fiction, which will come your way via Chapter Music on August 8th.
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Long have we lauded the sounds of Crayon Fields, the wonderful Australian pop group, but now we have more reason to cheer, as singer Geoffrey O’ Connor steps outside the band, releasing his first album under his own name. If anything, Vanity is Forever, establishes O’ Connor as more than your average songwriter; his apparent gifts are too great to label him anywhere near average.
From the moment “So Sorry” takes off you can clearly see that Geoffrey O’ Connor is concerned with the arrangements surrounding his songs. There’s a bit of sweeping ambiance that coats his cool vocal delivery, perhaps giving a nod to popsters of the 80s. But, it’s lead single, “Whatever Leads Me to You,” that combines modern tones with hints of nostalgia, crafting one of the year’s best tracks. Geoff has this frivolous crooner personality, at least in the vein of his vocals, as if he’s somewhere between whispering in your ear and serenading you at a club. The guitars are subdued, with emphasis on the string arrangements, building a wall of around the internal melody. Simply magnificent.
You might label some tracks on Vanity is Forever as throwback-kitsch, such as “Proud,” which clearly revolves around the keyboard driven moments of yesteryear’s club hits. Yet these tracks offer more in the way of his lyrics, which are always extremely personable, allowing O’Connor to present himself to his audience in a way that no longer seems in fashion. In what I personally find to be one of his best penned lyrics, he sings “I hope my friends don’t all get married/that they leave some part of themselves for me,” on “Like They Say It Does.” Perhaps one might find it a tad self-indulging, but one cane easily relate to the sentiment of longing to live a life filled with friends and accomplishments. There’s nothing abstract in the presentation, and the sincerity is quite refreshing.
While there’s definitely a bit of pace to the majority of the tracks, in so far as you can swing your hips a bit, there’s a few wonderful slow burners that show Geoffrey O’ Connor in a reflective state that benefits the listeners, and we hope the songwriter as well. “Surely,” the album’s closer, is built on a slow-moving piano, and even it’s basic construction, cleared for the most part of the record’s arrangements, shines a light on how much confidence he has in his writing and delivery. What may appear banal in most circumstances, shows its inner beauty under a different microscope.
As much as I’ve fawned over The Crayon Fields since I came across them years ago, Vanity is Forever is a different animal altogether. It shows Geoffrey O’ Connor crafting gems that seem to fit in any time period, filled with melody and a bit of sensitivity that often escapes your run of the mill indie affair. It’s an album that’s affecting on a personal level, even for those unfamiliar with his previous work, making the whole ordeal a timeless piece of beauty.[audio:https://austintownhall.com/wp-content/uploads/2010/11/07-Now-And-Then.mp3]
Download: Geoffrey O’Connor – Now And Then [MP3]
Damn you Pitchfork! Your big name status always gets you the singles first! Well, that’s okay, just because you got there first doesn’t mean I can’t continue to express my adoration for Geoffrey O’Connor of the Crayon Fields. I met Geoffrey years back when he played at our showcase, and I was grateful that we were able to have a show featuring one of my favorite acts. Now, he’s got some time, and with that, he’s crafted a solo record titled Vanity is Forever coming out on Chapter Music. The first single, though I’ve heard several other tracks floating around (which I posted before P4k back in November–I’m bitter), sounds a bit like O’Connor channeling a shy Jeremy Jay, just bringing a bit more sheen to the shimmering pop. I can feel in my heart that this album’s going to be a winner.[audio:https://austintownhall.com/wp-content/uploads/2011/07/Whatever-Leads-Me-To-You.mp3]
Download: Goeffrey O’Connor – Whatever Leads Me To You [MP3]