Morby and Waxahatchee Cover Molina

It’s pretty easy to love both Kevin Morby and Waxahatchee, but even more so when they join forces for a good cause. And even better, they’re covering songs from Jason Molina, such as the tracks below from Magnolia Electric Co. and What Comes After the Blues. All the proceeds from the release will go to MusicCares…an organization that aims to safeguard and aid all music people in the matters of health. Seems a pretty vital thing if you ask me, and some great tunes too!

Will Johnson Live On Woxy

willjohnson2Long time ATH favorite Will Johnson had his session with the Woxy crew posted on their blog site a couple days ago.  Mr. Johnson plays 4 songs, including this gem “Almost Let You In” from his 2009 effort with Jason Molina.  I’ve said it once and I’ll say it again, this guy has one of the best and most unique voices in the business today.

[audio: https://austintownhall.com/wp-content/uploads/2010/01/will_johnson-almost_let_you_in.mp3]

Download: Will Johnson – Almost Let You In (live) [MP3]

Molina & Johnson – s/t

molinajohnsoncoverRating: ★★★★½

You had to know this was coming; you had to know that a combination of these two men could lead you to nothing but greatness.  Jason Molina and Will Johnson live two separate lives.  One man, Jason, fronts Magnolia Electric Co, while the other hangs out in Texas and fronts Centromatic, not to mention his own solo stuff under the name, surprisingly, Will Johnson.  United, they have risen above their individual prowess and united to make a conglomerate of sad-bastard music that surpasses most everything else that came our way this year, in regards to that particular genre at least.

When you first hear “Twenty Cycles to the Ground” you immediately feel the comfort of home. Will Johnson‘s voice always sounds like your aged father singing on the back porch with his acoustic guitar in his hand.  At the same time, the warmth of Molina accents the throatier moments from Johnson.  Such a natural harmonization could not be imagined in this mind.

And for the larger part of this album, you encounter such beautiful moments time and time again.  “Almost Let You In” sees the two gents casually trading vocal duties over gentle piano structures and simple strumming of acoustic elements. There is such a clarity in the music that can only come from its simplicity, leading the listeners to the height of audial enlightenment; such as it is when the two combine near the end of the song, just as the piano begins to carry you away.

You are not very likely to find anything overtly beautiful and fanciful in this album.  It seems steeped in a sense of melancholy, which is mostly due to the instrumentation.  Yet, despite the down-trodden mood simulated by the instrumentation, nothing is as enchanting as Will Johnson walking quietly through his songs, with throaty vocals intact, pushing you to the edge of your bed, grasping, no, hanging, on every last syllable that he emits. The light in this album comes largely from Molina, however.

Take, for example, “The Lily and The Brakeman,” one of the songs that only goes to Molina. There is a different emotional appeal in his vocal delivery, and as it yanks on your heartstrings, it also seems to soothe you just a bit more than his counterpart.  This is precisely why this album is such a wonderful collection of songs.  There exists a perfect juxtaposition between the warble of Johnson and the calm delivery of Molina, both captivating, and both working together in unison. Together, they’ve created an album that seems born of the past, only to live in the current landscape.

Not a moment on this album is really discardable; not a one. Perhaps the off moments will be off-putting to casual listeners, but once you immerse yourself in the waters of Molina & Johnson, you’ll feel as if you’ve been washed in one of the most masterful collaborations.  Do yourself a favor and get lost in the world of these two, as you’re likely to never want to leave.

[audio:https://austintownhall.com/wp-content/uploads/2009/10/almostletyouin.mp3]

Download: Molina & Johnson – Almost Let You In [MP3]

More New Molina & Johnson

molinaandjohnsonphotoNot long ago we dropped a new track on you from the Will Johnson (Centro-matic) & Jason Molina (Magnolia Electirc Company) collaborative project.  Now, just a week away from the release, we have another new track to get you excited for the release.  This one’s called “Almost Let You In” and will appear on the duos self-titled debut album out Nov. 3rd on Secretly Canadian.  This one is just as quietly beautiful as the first.

[audio:https://austintownhall.com/wp-content/uploads/2009/10/almostletyouin.mp3]

Download: Molina & Johnson – Almost Let You In [MP3]

Molina & Johnson Release First Single

molUnless you’ve been living under a rock for a while, you’ve heard that Will Johnson of Centro-matic and Jason Molina of Magnolia Electric Co. have teamed up for a collaborative release.  So after much anticipation, the duo has a single ready and we couldn’t be more pleased with the results.  You can pick up Molina & Johnson Nov. 3rd via Secretly Canadian.

[audio: https://austintownhall.com/wp-content/uploads/2009/10/Molina-And-Johnson-Twenty-Cycles-To-The-Ground.mp3]

Download: Molina And Johnson – Twenty Cycles To The Ground [MP3]

New Tunes from Magnolia Electric Co

jason3Jason Molina has taken a few years off, though we can assume he’s just been laying low and biding his time.  Now he’s ready to unleash a new Magnolia Electric Co album, Josephine, on the masses in July on Secretly Canadian.  We’re here to offer you the title track from the album for your enjoyment.

[audio:https://austintownhall.com/wp-content/uploads/2009/05/magnolia-electric-co-josephine.mp3]

Download: Magnolia Electric Co – Josephine [MP3]

7/9 Will Johnson Show @ Waterloo

Will Johnson, lead singer of Centro-matic & South San Gabriel, provided an intimate set for the people of Waterloo Records on Wednesday afternoon. The rainy and dreary weather outside fit right in with the slow & soothing sounds of Mr. Johnson. If you’ve never picked up anything by Dallas band Centro-Matic, chances are you haven’t heard the calming sound that is Will Johnson’s voice. I’d be willing to bet it wouldn’t matter what the guy was singing, be it happy birthday or take me out to the ball game, he’d still put you in a trance. Take a few parts Jim James, maybe a few parts of Neil Young’s rawness, throw in a bit of scratchiness, and you have the sound of Will’s voice. Sounds interesting doesn’t it? Read more