Girls Announce Release Date

girls During SXSW we took it upon ourselves to investigate the hype generated by San Francisco’s Girls. Lucky for us, they completely lived up to the hype, if not rising above and beyond. Now we finally have a release date for their debut, Album, which will be released on True Panther Records via Matador Records. The album comes out on September 22nd, and the following song “Lust for Life” is slated as the opening track. Look out album of the year, here come Girls.

[audio:https://austintownhall.com/wp-content/uploads/2009/06/01-lust-for-life.mp3]

Download: Girls – Lust for Life [MP3]

New Tunes from Jay Reatard

jayrulesIt doesn’t take a genius to figure out that we love Jay Reatard. RayRay has posted about him numerous times, and we even rocked out to his eardrum busting show last year at Red 7. Now, news comes our way that Matador Records will be releasing his new album, Watch Me Fall, on August 18th.  Here’s to you Jay, and future coverage.

[audio:https://austintownhall.com/wp-content/uploads/2009/05/jay-reatard-it-aint-gonna-save-me.mp3]

Download: Jay Reatard – It Aint Gonna Save Me [MP3]

New Tunes from Sonic Youth

soniceNews has slowly been drifiting about the newest Sonic Youth release, The Eternal. Matador Records even gave us a little bit of a teaser by throwing out some 7″s on Record Store Day featuring the band so as to whet your appetite.  Now, to further your interest, we have the first complete single, with Kim manning the wheel here.  If you ask me, this is a good start. Let’s hope it all sounds this good on June 9th, the album release date.

[audio:https://austintownhall.com/wp-content/uploads/2009/04/sonic-youth-sacred-trickster.mp3]

Download: Sonic Youth – Sacred Trickster [MP3]

FT5: Things To Buy On Record Store Day

0417top5coverThis Saturday, April 18th, is Record Store Day all across these United States. Sure, that seems like just another Saturday to most buyers, but the true record geek in all of us is already waiting in line. You see, on Record Store Day, you get to do two things: you get to support your favorite local indpendent record store and you get loads of limited edition stuff.  Me, personally, I can’t wait. I’ve already crafted a list so as to move through my favorite record store with ease in pursuit of such rarities that one can only dream.  The following is the list of the great things one can find at their local indpendent store, and we encourage you to do so, as this is the day the stores give back to us, and we give back to them.

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Jennifer O’ Connor @ Stubbs – 1/20

The beautiful voice of Jennifer O’ Connor will be making its way into Austin tonight. Her folky singer/songwriter set is set to open of for Amy Ray of the Indigo Girls tonight at Stubbs, but we’re sure that the Matador signee O’ Connor will be the one who steals the show with her passion-filled harmonies.  It’s Tuesday, so what do you have to lose?

[audio:https://austintownhall.com/wp-content/uploads/2009/01/jennifer-oe28099connor_here-with-me_04_valley-road-86.mp3]

Download: Jennifer O’ Connor – Valley Road 86 [MP3]

A.C. Newman – Get Guilty

Rating: ★★★★☆

The majority of the listening world will know A.C. Newman by his other gig in New Pornographers. This new effort, released by Matador Records, isn’t far off from the land of his pop-supergroup, especially when one looks back at an album like Challengers.

From the minute “There are Maybe Ten or Twelve” takes off you can tell exactly the direction that this album is going to go.  It’s a subdued number, with high volume interludes, but the focus remains predominantly on Newman’s voice.

An album such as this is blessed by such a voice, as his is one that remains truly unique in this modern age.  He can go higher than most, while he brings it all back again to his normal singing voice.  In all his recordings, this is clearly the best he has sounded, which may owe a lot to remarkable production.

Keeping that in mind, most will settle with this album, knowing that your expectations will be met precisely.  Melodies will rise and fall, being matched at every corner, but, the pace isn’t exactly pushing listeners forward, looking for more from each song.  In fact, the only song that picks up any speed is “The Palace at 4 A.M.” Still, you can sit through this album in it’s entirety with a great deal of enjoyment; it’s just not going to grab you like other tracks A.C. Newman has done in the past, especially those featuring a certain Destroyer. Be sure to get through until the end for “All of my Days & All of my Days Off” is probably one of the best songs he’s written in years.

All in all, you come to the end of the album with one clear realization: A.C. Newman can spit out pop genius no matter where he is in his life.  Each song is interesting, in both melody and structure, as he often uses his voice to carry the songs, which is precisely where the whole album began.  It’s not every day when you come across a musician who can win you over with his voice alone.  And for that, we should all Get Guilty.

[audio:https://austintownhall.com/wp-content/uploads/2009/01/01-there-are-maybe-ten-or-twelve.mp3]

Download: AC Newman – There Are Maybe Ten or Twelve [MP3]

Shearwater On The Tiny Desk

Austin’s own, Shearwater, recently made an appearance on the NPR Tiny Desk Concert series.  The intimate in house set features 4 songs played with nothing but acoustic instruments and some really random/awesome home made instruments by the band’s drummer Thor HarrisWatch the whole thing now.  In other Sheartwater news, the band has a new digital EP entitled Snow Leopard EP that you can download from the Matador Records website.  Heres title track from the album “Snow Leopard”.

[audio:https://austintownhall.com/wp-content/uploads/2008/11/shearwater_the_snow_leopard.mp3]

Download: ShearWater – The Snow Leopard [MP3]

Jay Reatard – Matador Singles ’08

Rating: ★★★☆☆

Surprisingly, Jay Reatard is releasing all the songs off of his latest seven inch series on Matador Records in an easy to use CD format, not to mention the fact that you will actually be able to get your hands on this compilation, rather than bidding the hundereds of dollars required to acquire the 7 inches.

Okay, so there might be some bias in that first paragraph, but now that the CD version of the 7 inches has been made available, does it live up to the adoration for those Jay Reatard fans out there?  Yes, and no.

Opening the album with “See/Saw” is a good choice, as it is one of the two best songs on the entire collection.  It’s full of that classic pop sensibiliity that the band incorporates into their garage-punk sound.  It’s a good introduction to the collection–but the band has to step it up from here in order to win over the listener on this compilation.

But, the band doesn’t really go much further on the album, aside from “Always Wanting More,” which is one of the better songs the band has created. It’s easily the most pop driven effort that you will find here; this is the best formula for creativity with concerns to Jay Reatard.

Aside from those two highlights, there isn’t a lot of quality offered on the rest of the complilation. Sure, you get a cover of Deerhunter‘s “Fluorescent Grey,” but even that isn’t the most remarkable of covers.  There are also a lot of flaws, such as the quality of the vocals.  It seems that the lo-fi recording process could have been a little more fleshed out here.  Sure, it’s got that 7 inch quality, but is that what you want on CD?  It’s an entirely different medium, and the vocals sound nothing at all like they did on Bloodvisions.

So at the end of the album, you have to judge the compilation as one would judge a complete album.  As far as complete albums go, most will find that its a fairly poor effort.  Some extreme high points, but nothing as consistent as the band’s last full length.  In fact, you can find lower moments here, then anywhere else in the band’s catalogue (extended and as Jay Reatard).  It seems that as prolific as this man has become, that it might do him well to take a break.  He might get more from spending a little time in the studio writing and mixing, and we, the listeners, might get more as well.

Still, as a different medium, as the collection was orginally intended and produced, it was pretty glorious; this despite the fact that various record stores–I’m looking at you Waterloo–hoarded the 7 inches for their employees, or even for eBay sales, which will cost you two arms and a knee-cap to get the final 7 inch.  So as compilation it fails, other than providing you with an easily transferable format to carry with you, but as a collection of 7 inches, go Jay Reatard!

Brightblack Morning Light – Motion to Rejoin

Rating: ★☆☆☆☆

All things considered, Matador Records is one of the top indie labels, consistently putting out good albums, but I’m not sure I understand the love behind their latest release from Brightblack Morning Light. It’s great to branch out into new areas of the field, but is there anything really worthy of recovery here?

First off, some have called Motion to Rejoin mood music, and it is just that.  It is for those moods when you feel like driving your car straight into a black and white movie.  As you barrel down the highway, you want something barely audible in the background, something with a sense of impending doom.  Then the scene stops.  You are no where to be found–obviously, you are dead, and I think it is this album that led you there.

Absolutely nothing on this album is moving, especially the sprawling pace of these songs.  As every song carries on, listeners will try their damnedest to locate something that will draw them back into the song, but their search will be fruitless, entirely so. If this album were racing with a turtle, the turtle would most likely be the winner of the race, and not only because it is faster, but because it actually goes somewhere.  Every piece of this album just comes across the speakers as if someone tried their best to create the most mundane soundtrack pieces known to man.

And! And! There are six songs on this album that go beyond the five minute mark! Did someone seriously think there were songs on here worthy of going beyond the  one minute mark?  They did, because they are on here, but they shouldn’t have.  The album would have been just as perfect had it only included the 43 second introduction song that begins the entire piece.

When you consider the vocals, and their desperate grasp at anything with an ounce of emotion, it is clear that the album didn’t have anything when it all began.  The vocals lack a certain sense of soul, and when they approach that line, it is clear that they are grabbing for emotion with all their might; it comes across forced, much as I was forced to listen to this record several times to figure it all out.

Now, I realize that there are certain people out there that place some sort of value on this album, but it is increasingly unclear as to why they have placed any importance on it at all.  I struggle to determine whether or not one can even really consider this dense mess of undertones music in the first place.  Just because no one understands it, doesn’t make it unaccessible, therefore rendering it worthy of listening.  If you care to explain it to me, go right on ahead, but I will probably not listen to this album again, unless I’m envisioning euthanasia in my near future.

I’m sorry Brightblack Morning Light, but your Motion to Rejoin has been denied by the court.

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