Honestly, I have no idea who Alex Izenberg is, but I’m going to spend today correcting that mishap by listening to his debut, Harlequin; for now, I’m stuck on this new gem he’s just dropped. He’s got this soulful croon to his vocals, and the song itself seems drenched in R&B rhythms. There’s all these little nuances lurking in the nooks and crannies, which elevates the song’s emotional pull, not to mention making it every bit as current as anything else you’re likely to hear; it’s one of those tunes straddling the past and the present. This tune appears on a new 7″ available from Domino Recording Co.
When I willingly gave away my money to the Slumberland Single Series I had no idea what to expect, and I’ve been really fortunate to get some gems coming to my doorstep. But, with the announcement of new 7 inches coming from both Pale Lights and Odd Hope, I don’t think I could be any happier that my money was well spent. This Pale Lights single might just be my 2nd favorite track of the year thus far, pretty easily I might add; it’s the brand of pop I’ve always adored, which is perhaps greatly in part to the work of Slumberland. With Odd Hope, it’s just always great to hear new songs from Tim; his work has been an important part of my life, despite just a couple of releases. You couldn’t ask for more, and yet here we are; both 7 inches drop on April 23rd.
London outfit Pynch just popped up on my radar, thanks to Speedy Wunderground; the popular label will be releasing the band’s newest single as part of their on-going Single Series in December. I immediately loved the way the guitar sort of jittered its way right into the tune, dancing atop the steady rhythm section. Then the vocals entered the picture, sort of carrying this natural sense of wonderment; the voice just seems to sort of evaporate into the ether as each line’s delivered, matched by some spacey keyboard notes. It’s just one of those pop tunes that ultimately leaves you begging to hear it again and again. Float off into the world with this tune, and grab it HERE.
All year long, the Sour Notes have slowly been releasing 7″ after 7″, and we’re really excited to share with you the B-Side from the latest Shoulda/Enough 7″. This song gives a glimpse into the band’s process, and their desire to do multiple 7″s in a year. it came to be after the band switched gears and changed directions on another B-Side, ultimately sticking with this track as it touches on the concept of pursuing your art despite the uncontrollable factors that sit in your way. Musically, I feel like the band are in a great place, especially when lining things up with my tastes; Jared’s voice sounds really solid hanging in the midst of those huge guitar sounds. This is guitar pop at its finest!
The band celebrate the release of this new 7″ with Thelma & the Sleaze, Royal Forest, The Black Drumsetand Fanclub on Friday over at Cheer Up Charlies. Event info HERE.
I wish more people wrote tracks like Spinning Coin; they have this knack of tying their songs into things I adore about music. There’s this stream-of-consciousness vocal delivery, offering commentary on one’s desire for a momentary drop out of the world that never quite comes to fruition. Musically, they’ve got it all. The opening 20 seconds or so of guitar sound just feel like home; it’s not quite jangle but definitely in my wheelhouse. They go on to combine vocals, not quite harmonizing but supporting one another…all dreamily drawing out the song’s chorus. Plus, they even step on the pedal to offer some fuzzy riffs later on in the tune, always returning to their poppier craft. So damn good. This is the B-side to their new 7″ for Domino, out August 30th.
I feel like it’s getting to the point where any time that I see a new release pop up from Kleine Untergrund Schallplatten that I should just expect greatness. Luckily, when it comes to news of a fresh 7″ from Cozy Slippers, I was already up to date on the band, having been a fan of their Postcards EP (Jigsaw 2018). Their return has those early jangling notes turn more into a woozy dream vibe; they still have the same sharpness, but they meander just a bit on the edges, which actually opens the song up for one of those classic vocal performances. There’s an earnest to the lyrical delivery; it almost feels as if you can hear it as an homage to Jett or Harry in their hey-day…it sparkles but brims with bravado. The new 7″ will be available this Friday via KUS.
Deeper dropped their stunning self-titled LP last year via Fire Talk, and we did a lot of coverage on that album; I even booked them at my super-last-minute SXSW show, where they killed it. Now, the band are back with the announcement of a new 7″, featuring a John Maus cover and this new track below. I love the immediacy of the rhythm section here, offering up an energetic bob of right from the get-go. They don’t stray too far either, bringing in some discordant angular guitar riffs to craft the contrast where they vocals can weave in and out. This tune’s super rad, and they’ll have the 7″ on hand when they hit the road with label mates Dehd this Fall.
We’ve seen some tunes over the last year or so popping up from the Proctors, so I had the feeling something new was on the horizon…and apparently that was a new 7″ from the band. The first of the two tracks on the 7″ has this spritely quality, an innate bounce that works its way into your brain as the sharp churning guitars ring around your ears. This is offset by the softness of the vocals, giving the track over to a dreamier tone. The second tune jumps right into the dreamy side of things, stretching the pop appeal over 5 minutes; it’s a nice ballad with this swelling pop sensibility that erupts into joy around the 1.30 mark. These two tracks appear on the new 7″, available now from Shelflife.
The Sour Notes, always adventurous, have decided they’re going to release their new album one 7″ at a time, and today we’ve got the latest single from the series for you to enjoy. This one should come as no surprise if you listened to their ambitious collection This Is Not Our Music; I mean, if you don’t hear Galaxie 500 in here, I don’t know what you’re thinking. I love the softness of Jared’s voice on this, matched up against the heavy riffs that sort of billow in and out of the mix. It’s the sort of slow churning pop music you wish they had at your middle school dance, so you could fall in love and feel totally cool while doing it. Austin folks can get their hand on the new 7″ on June 13th at Hotel Vegas for the release show!
What? You didn’t get enough Terry last year with I’m Terry? Well, lucky for you and I that the band have something new up their sleeve by way of the Who’s Terry? 7“. Pulsing electronics kick the song off, eventually submerging beneath the front of the mix to serve as the song’s heartbeat. Ringing guitars come in, matched in their pace by a steadied vocal delivery that marches you through the track, fading away just enough for a nice little crisp guitar solo. There’s even some faint audio that almost sounds like the band sitting around at practice in the track’s latter half; it’s charming, drawing your ear even closer. At this point, I don’t really see Terry writing a bad tune; they just keep crafting hit after hit; this one drops on Upset the Rhythm on July 19th.