While not always my personal style of music, I can always appreciate some electronic pop with a solid beat and driving sound. If you can get behind the style as well, I suggest you check out this banging new track called “Turn Back Time” From Swedish based duo Vola Tila. It reminds me of Drive soundtrack music from Cliff Martinez made more accessible with dark, electronic elements of bands like The XX. I am already looking forward to jamming this one as I drive around town today while pumping my fist in the air.
Vola Tila will be releasing their deput EP Personality Apocalypse in the next few months.
Berlin’s Gurr have been bopping around for the better part of the last ten years, and this year the group really hit home with their She Says EP. Why is that important in this Jettes post, you ask? Well, Laura Lee of Gurr is also one half of Jettes, along with Melody Connor who moved from Seattle out to Berlin to write the aforementioned EP. Our first taste is this fuzzy pop number, hazy in both its video and musical presentation; I love the cascading guitar line that sort of dives in the distance if you put your ear close to the speakers. Plus, there’s this little momentary breakdown with some soundbites in it that leaves the band with plenty of room to grow in different directions. Real excited to hear more from these two!
Film School is one of those bands that really makes me angry about the world. They offer this dreamy indie rock that sort of fuses all these brilliant elements, but sadly, everyone else gets to take home the glory. Here, they almost seem like their looking upon the early days of Interpol with reverence; it’s a bit post-punks in its natural propulsion, though there’s just a bit more shimmer in the guitar. I always get carried away with this group, playing their songs non-stop, and I can feel myself going there today. Look out for the group’s new EP this Summer, or keep your eyes peeled as they hit the road with Mint Field.
I love writing about Tim Chaplin; he’s an artist that works at his own pace, crafting his own style from the confines of his own tastes. That said, he’s been quiet since the end of 2018, but now it looks like he’s ready to offer up a new EP. Our first listen has Tim being Tim, offering up this softened vocal, drawing close to the realm of indiepop. That said, the music sits back, filled with guitar lines that sort of seem to be walking on eggshells behind Tim; there are a few instances when the song seems like it’s going to breakout, but it always gets pulled back to focus on melody. Different Currents is the new EP, and it’s available for streaming services.
Cornwall’s LIPS are about to be the next great act on the storied Sunday Records; tomorrow they’ll drop their debut EP…and get ready for everyone to swoon. In starting out the EP, the drop a bold indiepop challenge in “Apartment;” it’s fueled by these dancing dreamy guitar jangles and feathery vocals from Rachel Anstis. Antis is the clear winner here, though she steps aside to let the band do their best to get you to kick up your shoes. Skip down a song and you’ll find “Walls” toying with the fuzzier “gaze” side of the realm. Still, Anstis steals the show, moving between angelic notes and calming cool, running through the song like its her own vocal playground. “Sunken” turns around to show you just how far the outfit can take their pop sensibility, shaking about between sharp angular cuts and hazy notes that tear through your speaker. I’m putting my money down now that this is one of the Top 5 EPs of the year!
The recent history of Film School seems to be a modern success, if ever there was one. They brought minimal expectations to 2018’s Bright to Death, hoping a few people would remember their early work, and they did indeed; people raved over the successful return. So, here we are in 2019, and the band have readied a new set of tunes, and a new EP on the horizon. Our first listen is this beautifully hazy pop number, swimming in and out of propulsive rhythm work and shimmering guitars. Amidst it all is Greg Bertens steadying voice, softly draped across the fuzzy melody of the track, sort of just hanging out there seducing the listener. Expect the EP to drop this summer via Hauskat Records.
I’ve been hyping Delsbo Beach Club since their creation it seems, and with their new EP on the horizon, I’m going to keep pushing you their way. Their latest single opens up with this slinky bounce, almost as if they’re channeling Madness…only in a more frantic fashion. Then the song takes on this gritty beach vibe, perhaps akin to recent stuff from Growlers. All of that gets woven around a tight rope of pop sensibility, executed in under 2 minutes so you can easily hit play and start all over again. At the end of the month, the band’s new EP drops via Rama Lama Records.
We’ve been operating the label here now for half a dozen years, and each year, I’m forever grateful to the bands that let me put myself behind their music. And for years, I’ve fawned over She Sir, one of Austin’s most underrated acts; I bugged them enough until they finally agreed to let me release their new Ways a Season EP. You can grab a copy of the limited orange vinyl HERE, but I also wanted you to be able to stream the EP with a little bit of commentary by yours truly. There are not enough words to say how proud I am of the label and this release, so please go down and listen to everything below.
Austin folks can catch the band at End of an Ear on March 31st for a free in-store performance.
Let’s start off this wonderful Friday with a poppy rocker from Slush that’s sure to turn a few heads…but don’t be too quick to make your opinion. Musically, it’s a saccharine bit of grungy pop, maximizing hooks with plenty of “oohs” and “ahh;” you honestly won’t be able to turn your head away from the track. Lyrically, the band coyly wait until the middle half of the track before you even know that the entirety of the tune is an ode to the menstrual cup. The band’s new EP will be out May 10th via Hysterical Records.
We’re just about a week away from Julia Rakel‘s EP release, so why not share another stellar number from indie fEElz. This track just reinforces the power of Rakel’s voice; she moves into the empty space left by the lush arrangements she’s crafted, filling it with these heavenly notes. Her range is strong, and I love the way she sort of hangs syllables in the air, then lets them fall quickly through the speakers. I think the last minute of this tune is quite special; it’s a drifting feeling accompanied by Rakel, fitting considering the art for the EP. It drops in full on March 15th via Rama Lama Records.