Dummy burst onto the scene this year with a brilliant EP that culled a bunch of influences from indiepop, noise, shoe gaze and more…it was an exploratory collection of great pop references. Today they’ve announced EP2, their second release this year; this opening single is a doozy! It’s got that sort of blend of kraut and pop driving rhythms, sort of that feeling of a train barreling down the tracks with a smile on the conductor’s face. There’s a slight vocal that courses through, acting as the song’s gravitational pull holding all the pieces together…even bringing in some textured backing vocals too. At first, I thought they were going to ride out the track in peppy fashion…but please, just stay focused for the entirety of the song…you’ll thank me when you get there! How does a brand new band get this good so fast? Well, we’ll find out just how good when EP2 drops November 6th.
Those of you following the Austin scene are surely aware of the talented noise rockers, Glaze; they’ve been one of our favorites for the last few years, known for incredible live performances. Today, the band release their Glaze TV EP, and I think it’ll only take one listen before you, too, fall in love with the band. “Beetlejuice” is an obvious standout, but I love it for illustrating all the things I love about the band; there’s heavy noise present, stripped back for melody, brooding energy and even a little bit of post-rock thrown in the breakdown…they’ve got all your favorites covered in one jam! I think “Moody” is another nice addition to the band’s catalog as well, giving off glimpses of the band’s dreamier side, containing the noise only when necessary; it allows for the band’s natural catchiness to shine through that blanketed feedback. Austinites can catch the band live tomorrow night over at Mohawk for the celebratory release show; you can grab tickets HERE.
We’ve been operating the label here now for half a dozen years, and each year, I’m forever grateful to the bands that let me put myself behind their music. And for years, I’ve fawned over She Sir, one of Austin’s most underrated acts; I bugged them enough until they finally agreed to let me release their new Ways a Season EP. You can grab a copy of the limited orange vinyl HERE, but I also wanted you to be able to stream the EP with a little bit of commentary by yours truly. There are not enough words to say how proud I am of the label and this release, so please go down and listen to everything below.
Austin folks can catch the band at End of an Ear on March 31st for a free in-store performance.
This brand new single from the forthcoming No Fucks LP is a spirited disaster of a tune, in the best way possible. From the minute I pressed play I was disoriented by the ramshackle riffs bouncing me along while the vocals overlapped; it kept me off balance, trying to catch my breath so to speak. It’s a quick hook, grabbing you, then it just discordantly jumps to a close before you know it, which, of course, leads to pressing play and starting it all over again. The self-titled debut No Fucks record is out today courtesy of Discos de Kirlian, so have it folks.
We’ve been hyping up the release of Gorgeous Bully‘s latest for a wee bit, and the day has finally arrived for you to give Closure a listen. While I expected the album to have some fuzzy bangers, like the opener “I’ll Be True,” I didn’t expect the softer side of things to shine quite so brilliantly. You get it on the album’s second track, “Gum,” offering up a sound that’s reminiscent of everything rad in Australia at the moment. But, while not always as upbeat, there are other soft, and even sad, numbers like “Tripping” and “Happiness.” It gives you a mix of everything that’s great about the project; you can grab it for the NYP option HERE, as well as order the vinyl LP!
Remember when Wavves was exciting? Yea, me too. A few years later, we’ve got Eat Fast, offering a similar touch with furious pace, lo fidelity tendencies and hooks to boot. While the sonic blast rattles your speakers, listen closely for the backing vocals that provide a melodic undercurrent to the track. They’ve built a solid buzz overseas, and it’s easy to see why when you hear numbers like this one come through. Look for more new music from the band in 2017, and for now, just enjoy this exuberant blast of hook-laden noise rock.
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Thought I was pretty in with the Finnish scene, but Soliti always has to keep me on my toes. They just tossed out this excellent single from Mumrunner today. Honestly, this might be one of my favorite new things from the label in recent months; it’s got that swirling jangling guitar I love so well, but the vocals bring in a smoky male vocal, touched up by a nice female counterpart, and I’m in love. They’re polishing up the final touches on their newest EP, and I dare you not to immediately fall in love with this track. I’ll keep you posted on the new EP…hopefully with a new song!
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Autumns find their home on one of my favorite micro-labels, CF Records; it’s home to Sea Pinks, if that says anything. The Derry band have this dark post-punk, though they don’t seem entirely infatuated with your typical swirl of reverb and atmospherics. The vocals do seem to be hidden beneath the mix, in an intoxicating manner that creates a brooding sensation; it gives several of the tunes an old-school feeling you’re like to enjoy. If I had to pick a favorite from the 4 songs presented below, I think the opening number “Je Vous Etre” is definitely the stunner, though the rest all has something to offer.
Clearly, one can press the distortion pedal and let the guitars ring loud; we’ve seen that quite a bit over the last few years as noise and shoegaze have made their full return. But, Beech Creeps do it with a style that really exemplifies the band’s natural inclination towards writing pop songs. The guitars swell throughout the track, and that’s all well and good, but the slightest vocal touches seem to turn the song from something dangerously monstrous into a hook-laden burst of noisy joy. You’ll be able to hear more of the same, hopefully, when the band drops their self-titled full length on March 3rd via Monofonus Press.
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This is an interesting spin on modern day garage/lo-fi production. Toronto’s Twist have added a seductive spin on the tried and true sound we’ve all been tirelessly fawning over for the last several years. You’ll hear a brash opening, but then it slinks into a more consumable bit of pop songwriting, though the noise begins to fill in the negative space left behind in the background. As of now, the band’s just fleshing out their sound, but word is that they’ll have an EP on the way to you all very soon.
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