Sometimes a seasonal change will require a certain approach to listening to music; sometimes it will require that you ask something extra of your most recent purchase. Here Anonymous, the debut album from Eulogies is precisely that record; it’s the one you have been waiting to blast from your speakers as the windows roll down on that perfectly sunlit afternoon. It’s packed full of melody, throbbing bass lines and a certain sense of catchiness that just won’t let the album leave your head.
Bass and vocals open up the album on “Day to Day,” but it’s not until the guitar begins to chug along in unison do you really get a sense that you’re in for an afternoon joyride. Once you’ve taken a brief listen, your ears will require you come back for more.
It would be easier to type-cast this band; they are the next Tokyo Police Club; they sound a lot like Ra Ra Riot; these are all completely understandable, yet entirely unfair. The one thing that differentiates Eulogies from other such bands is that they don’t seem to come across as overly repetitive. Where as some bands in the same sphere of swirling guitar pop have a tendency to rehash the same moments from time, this band escapes it. This is largely in part to singer Peter Walker, who is able to change the pitch just enough so as not wear one down with his voice.
Another attribute that allows for the band to push through the more monotonous moments is the bass-work. It would be easy to use the angular guitar approach throughout the record, as this is a commonly used tool, but here, the bass seems to lay the ground work for a lot of the songs. This is beneficial because, well, you can’t go wrong with a solid rhythm section, but also because it allows for more space for the other instruments to meander and do as they please. A much more interesting listen.
Just to make sure you don’t get bored with the upbeat tunes, they toss a couple of slow-burners your way for kicks. “Two Can Play,” “Goodbye” and “The Fight” all have mellow moments that leave time for you to turn down the stereo long enough to see if the rest of your friends in your car need to stop for a drink. The latter is probably the more memorable of the slower songs, though the shared male/female vocal on “Two Can Play” is likely to hit home with some.
Now, the one detractor from the album, if you were to find one, is that the band isn’t breaking any particularly new ground with this release. They will draw numerous comparisons over and over, but it’s not necessarily a bad thing to have peers. Still, Eulogies benefits from the fact that at least they keep the game interesting. And they’re sure to keep you interested, at least the first two dozen times you play this on your drive home for Easter.[audio:http://austintownhall.com/wp-content/uploads/2009/04/07-out-of-character.mp3]
Download:Eulogies – Out of Character [MP3]