Mondays, am I right? Honestly, been struggling for energy and motivation of late, but last week had some really great tunes hit, accompanied by great albums from the likes of Semihelix, Cindy and Ducks Ltd. I chose to open with this Semihelix on the mix because I’d love to take the opening 30 seconds and put it in my pocket to carry it around with me all day. Also, unfortunately, the Humdrum track isn’t on the streaming platforms just yet, so be sure you click HERE to check that great tune out!
The perk of being an artist, I reckon, is that you can pretty much do whatever you want, whenever you want, on your own terms, which is how I imagine Omni’s Philip Frobos came about in wrapping up an album that also served as the score to his debut novel. This song seems perfectly penned as it’s meant to be an homage to the Atlanta bar scene and Frobos friends there. In the song, you get the sort of hazy lounge vibe, though the guitar notes do have a little bit of a jagged punk dance to them; perhaps envision it as an Omni song, slowed through the eyes of a bar regular, watching the world move slowly by through a glass of warm beer. Upset the Rhythm will be releasing Vague Enough to Satisfy on October 22nd.
Let’s start off Monday right, sneaking right in with a great track from the latest Flowertown LP. The rest of our playlist is pretty solid too, as there were some jams last week. I’ll admit I kind of feel like too many people are sleeping on Cindy still, so be sure to check out their latest single in this weeks hits. Plus, it’s great to hear our friends Letting Up Despite Great Faults drop right back in where they left off years ago. Ease into Monday with a playlist of jams we were digging last week…and have a decent day.
I’ve always been an Omni fan, so it’s been a lot of fun listening to the tracks from Philip Frobos‘ solo record, like the latest single “Vacant Street.” You can definitely hear some of the ties that bind the two projects, particularly in the bass and opening guitar licks on this tune. But, as the track progresses, the way Philip aims to kind of obscure and challenge his craft is really intriguing; at times it feels like the electronic elements work merely to obliterate the song, other times, they seem to add emphasis to the song’s twist and turns. His debut solo album, Vague Enough to Satisfy is out October 1st via Upset the Rhythm.
We gotta start off our week looking back at last week. We’ve got 19 great songs to enjoy on your end of things, including a tune from Quivers who shared with us a delicious pudding recipe, plus talked about their latest LP Golden Doubt. Some tunes from friends like Lachlan Denton, Geoffrey O’ Connor and Colourmusic popping up too, so you really can’t go wrong by just spending your morning withs one easy listening on a Monday. Click the link, and if you find something you love, go back and check out last week!
It’s always a joy when a band or songwriter changes your perception; I think I especially relish the unexpected, like when I put on this new tune from Philip Frobos. As one of the members of Omni, I figured I had his sound locked down, and while I was in the wheelhouse, he definitely has given me a sort of fresh approach. This track sort of harkens back to the earlier days of post-punk when bands kind of deconstructed the angst and energy, letting the chords speak for themselves. It’s being described as lounge-punk, and I get that, but I think in its purest sense, it’s sort of anti-punk, moving away from the generic structures in search of new presentation. Philip’s debut solo album Vague Enough to Satisfy will be out October 1st via Upset the Rhythm.