Owsley – Owsley

Rating: ★★★☆☆

Owsley. Now there’s a name I hadn’t heard in a while. I knew I knew them/him, but I couldn’t remember any songs off the top of my head. Then, I put the record on, the first pressing of his 1999 self-titled debut, and it all came back. Ahhhh, that’s right. I recognized track 1, “Oh No, The Radio” immediately, but the real banger (if you can have one on a late 90s pop/indie adjacent record from a guy named Owsley) is track 2, “I’m Alright,” which has now been stuck in my head ever since I first gave this a spin. Hit the jump to keep reading full review.

Read more

Film Review – Relic

Rating: ★★★★☆

Synopsis

After an elderly woman goes missing in the woods surrounding her home, a mother and daughter return home to find her but are haunted by her ever worsening, and all consuming, dementia.

Relic comes out this Friday, July 10th via all streaming platforms and I’ve got a review for you if you’re into the horror/thriller genre.

Please hit the jump for my thoughts on this upcoming film by Natalie Erika James.

Read more

Show Review: Dan Deacon @ Scoot Inn (3/7)

For this show review, we’ve brought in a new contributor to the team who will hopefully hit up some shows we might not normally attend and offer even more coverage in the Austin area. On Saturday night our new writer, A.Burnett, went out to Scoot Inn for a show by the now legendary performer Dan Deacon. She wrote some words for us and took some pics as well. Her review along with photos can be had after the jump.

Read more

Dan Mangan – More Or Less

Rating: ★★★★☆

I had to search our own site to find out how long it’s been since I’ve posted an album review and I will refrain from embarrassing myself with the exact timeframe, though you could search yourself I guess. We as an ATH staff have been neglectful as a whole when it comes to album reviews and we are hoping to rectify this moving forward. Hopefully you can understand that if an album has brought me out of my review slumber it must be a great one. The very soon to be released new album from Dan Mangan, More Or Less, is just such an album because, holy hell, it’s impressive. Hit the jump for some thoughts, photos, and tunes.

Read more

ATH & ACL 2018: A Weekend One Recap

As you likely know, many of your faithful ATH crew members ventured out this weekend to take part in this thing called Austin City Limits Festival. Have you heard of it? It’s kind of a big deal. As always, the festival was run smooth like a baby’s bottom and a good time was had by all. Part of what we do to earn our keep is to offer opinions on the music side of things and overall thoughts/concerns from the weekend. Each member of the team who attended this weekend will share their own opinions.

Follow the jump for more from me and Nicole with a little gallery from around the grounds by bgray.

Read more

Nada Surf Show Review @ 3Ten ACL

Sometime in 1996, I bought the first Nada Surf LP. Yes, I bought it for that one song. But, unbeknownst to me, it was the start of my love affair with the band.

But, admittedly, I wouldn’t fall in love with the group until 2003, with the quiet release of Let Go. Notable releases from the same year included Echoes by the Rapture and Meadowlands by the Wrens (among countless others). Somehow, this LP has always stuck by me; of every record released in 2003 it’s the one I still listen to the most (with Ted Leo and the Wrens right behind). It was the perfect pop album, coming at the perfect time in my life.

Saturday night, Nada Surf brought that entire album to life. Surprisingly, I still know every single word to that album, and I sang along throughout the entirety of the first set, other than La Pour Ca (I don’t speak French). Personal favorites like “Blonde on Blonde” sounded as crisp as ever, and I was reminded just how much I love “Killian’s Red.” It’s funny, the ominous tones of that track never quite clicked as much as they did beneath the fog machine and blue lighting of 3Ten. Still, the band went through it in a business-like fashion, never missing a beat, with a few moments of charm added in like Ira and Daniel sharing a mic to open with Blizzard of 77′ backing vocals.

The latter half of the set was filled to the brim with countless numbers from the band’s past and present, even throwing in a Joy Division medley for a moment to charm the audience. And when they ended the evening, it never really ended, as they took it all out to the streets for a late evening serenade. Pretty sure every one left the evening reflective and pleased.

And for what its worth, my night ended with me feeling grateful for all the pop bands still hanging in out there. Nada Surf may never have gotten the critical acclaim, but they just kept writing great songs. They’re still here writing, whilst trends and hip acts have faded away. And as for Saturday night, they gave us a little of it all, reminding me of a never-ending love affair that began in 1996 at the Best Buy near my house.

Pete Astor – Spilt Milk

milkRating: ★★★★½

People rarely rave about records anymore. No matter what, people inevitably find themselves listening to single and hits, but don’t you dare do that with Pete Astor‘s new album, Spilt Milk. If you do, you’re likely to miss one of the purest pop albums likely to surface this year.

You can possibly separate Spilt Milk into two styles, bouncing jangle pop and pure pop balladry. Opener “Really Something” falls into the first category, while a song like “Good Enough” ends up in the latter grouping. But, what one should focus on is the central theme of pop music. To me, it means accessible and catchy, and I feel like if we were all given such options more often, then Pete Astor might be our favorite artist. But, that’s not where we live, nor where we seem to be heading, making this effort all the more outstanding.

Some bands rush songwriting, trying to push out the next hit, trying to stay relevant in a culture adhering to consumption, but within the confines of this album, you have the purest dedication to great songwriting. In doing so, Pete’s managed to craft an album that endears itself to fans of all styles, leaving you with a lesson incraftsmanship; it’s one that I can see enduring in my playing rotation for time to come (and probably yours too).

In the end, Spilt Milk isn’t a musical exercise that will hit you over the head immediately. You have to digest it slowly, which is best with tracks like “There It Goes” that will pull at your heartstrings. Still, you’ll find an inner joy (and maybe a hop in the step) when you put on “My Right Hand,” among others. It’s a listening journeyyou must dedicate yourself to, and in doing so, you’ll reap the greatest reward…a listen that won’t easily be turned off…or forgotten.

[soundcloud url=”https://api.soundcloud.com/playlists/175579574″ params=”color=ff9900&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”450″ iframe=”true” /]

Carry Illinois – Alabaster

carrRating: ★★★★☆

Carry Illinois is an electric departure from the singer songwriter, acoustic guitar strumming scene that Lizzy Lehman has been a part of for years as she has developed as a musician. For this ensemble front woman Lizzy eschews her Martin Acoustic for a Fender strat. On the Alabaster organs swell and pianos sweeps chords providing the harmonic foundation while Lizzy’s lyrics and melody carve out the details above the sounds and rhythms of the songs. Lizzy draws on the everyday struggles and tedium of modern living on Alabaster. She has a knack for illuminating truths through a portrait of another as deftly as she can on her more autobiographical songs. For this album Lizzy leans more heavily on introspection and personal insight than with her previous solo work, which is an interesting irony. One might wonder if donning the costume of Carry Illinois has created a confidence that allows for more personal work to shine through in Lizzy’s song writing.
Musically Alabaster is an album that sits somewhere between Brandi Carlisle Americana and Dr. Dog’s breed of harmony infused indie pop rock. Alabaster is a big step forward from the Siren EP release in 2014. Both Alabaster and Siren represent a departure from the singer songwriter womb of the Austin via Kerville folk scene. I prefer the clean vocal sounds on Alabaster over the harmonica miked and red line hitting vocals on Siren. Lizzy’s is a voice that is best served clean and pure. While I preferred a safer choice for the vocal stylings, I found myself wanting a stronger step forward and reach just a little farther on most of Alabaster song arrangements. As a whole the album tends to lean a little too hard on the tropes and clichés of the Americana genre. Similar tempos and rhythm patterns blended songs together and listening to the album as a whole you’ll find yourself wishing for a break from the organ drones under sprinkles of piano.
There were three big stand out tracks for me. The first – Darkened Sky – hits all the notes of classic Americana. The track starts off with the recognizable strumming rhythm of Lizzy’s guitar and is quickly enhanced with a country train beat and layered strings and keys. The vocals are right in the sweet spot on this tune. Lovers of the Austin Americana scene will be drawn to this song like whiskey lovin’ hipsters to an Eastside Honky Tonk. Another of my favorites is the painfully sincere Lost and Found. Any listener with a small town childhood will connect with the message of emotional emigration in search of a meaning outside the comfort of youth. Lizzy grasps greatness on this song when the bridge crescendos from a pure, slow folk tune to a psychedelic, flanging power ballad.
In stark contrast to, and immediately preceding Lost and Founds psychedelic yearning we have the perfect pop gem that is Sleepy Eyes. From the first horn build to the last splash of the cymbals, this song had me hooked. Lizzy’s vocal sit nice and present in the mix, in a range high enough to make it immediately distinctive from the rest of the album. The dynamics are beautiful driven by a horn ensemble and the groove is wonderfully consistent with just enough sizzle on the cymbals. I should really let this song do the talking for me, so put it on right now, and while you add it go ahead and hit shuffle and let it ride. It’s an album that’s sure to grow on you and make it into the rotation of this year’s great Austin albums.

Show Review: Ty Segall @ The Mohawk (9/5)

Ty SegallA Ty Segall show is always going to be an event at the Mohawk.  Whether it’s his own performance, or the crowd jam packed into the space, you always leave knowing your place.  Brian and I hit up his latest Austin stop last Friday, with local openers ThinkNoThink and Wand kicking the night off.  Despite a drizzle here or there, it was sweltering inside, if one was to judge from the faces exiting the pit.  Read on for a few brief thoughts and B. Gray’s photos.

Read more

1 2 3 6