New Music from The Darcys

It seems like Arts and Crafts Records has been rather quiet for some time, but I’ve finally come across some new music from the label, by way of The Darcys.  They’ve got a new album, self-titled, coming out on October 25th, and this single is grabbing my attention.  It begins with this operatic opening, soaring vocals taking the focal point, but keep on listening. About midway, however, the song gently erupts with discordant guitars and bits of ambient noise exploding into the background.  It’s like Antony and the Johnsons if they chose to jump off and throw some guitars in the mix.  Should be an interesting listen come October.

[audio:https://austintownhall.com/wp-content/uploads/2011/09/04-Shaking-Down-The-Old-Bones.mp3]

Download: The Darcys – Shaking Down The Old Bones [MP3]

New Sleepy Pop from Sea Oleena

I’ve got to give out a shout to our reader James for bringing this wonderful track to my attention.  Sea Oleena is Canadian songwriter Charlotte Oleena, who composed the songs for her most recent self-titled album with the help of her brother.  It’s got this dream quality to it, but more in that wooded dream as opposed to the more dense dream-pop of late. Something about Oleena’s voice really draws you into her songs, encouraging you to devour every last second of the record.  You can grab the album for the special “name your price” deal over at her Bandcamp.

[audio:https://austintownhall.com/wp-content/uploads/2011/09/Sea-Oleena-Sea-Oleena-02-Asleep-at-the-Wheel.mp3]

Download: Sea Oleena – Asleep at the Wheel [MP3]

The Drums – Portamento

Rating: ★★★★½

After much global adoration, and possibly some skepticism, The Drums return to follow up their self-titled debut.  This outing appears to still bubble and brood, if not more so than the band’s first record, which makes Portamento a thoroughly enjoyable listen from start to finish.

If you wanted to see how the group would move into their next phase, then you need to look no further than “Book of Revelation.”  Bouncing bass rhythms control the sign, and while similarities remain vocally, there’s a definite growth in Jonathan Pierce’s voice, sounding much more grounded. And if that didn’t solve your dilemma, then perhaps you can look at “What You Were” to see the band attempting to distance themselves, just a hint, from their past. Pierce’s delivery is vastly different than earlier work, sounding almost indifferent, in an endearing fashion.  Even a horn instrumentation demonstrates the band moving forward.

You’ll still find some excellent numbers worthy of your favorite flailing arms dance move such as the single “Money.” While the lyrical content may not see the band pushing through literary barriers (that’s never been their style), the speedier pace of the drumbeat and Pierce’s vocal shifts during the chorus will allow any listener to realize this band has hooks galore. But, the first half, while catchy and superb in its own right, doesn’t hold much water to the depth of exploration the band made in crafting the second half of Portamento.

With songs like “Lets Go Surfing” on their debut, it seemed the group was intent upon beating you over the head with these incredible hooks.  But, The Drums have switched things up just a bit on this go round, allowing the tracks to brood a little bit, rather than being so forceful.  “If He Likes It Let Him Do It” has a much darker quality than most of the tracks we’ve heard from the group, sounding more like some sort of dark-wave post punk, as opposed to bright surf-ish dance pop. Even the album closer, “How It Ended” seems much more patient in its approach to grabbing listeners, coming off with a much warmer tone than what we were presented with in the band’s early works.  Musical touches are familiar, allowing the fan base to appreciate the olden days, but the best thing is that new listeners will find themselves rewarded by Portamento’s ability to pull you in for a whole song, even album, rather than just a momentary hook.

While I’ll admit that I have some reservations about the group, due entirely to a live performance I witnessed, I can’t escape the fact that the band simply crafts amazing records.  For me, Portamento is a huge step up, and is worthy of ten times the repeated listens in comparison to the first release from The Drums.  It’s got hints of everything any modern listener needs: dance, bounce, brooding, atmospherics.  You really can’t go wrong spending your time listening to this entire album again and again.

[audio:https://austintownhall.com/wp-content/uploads/2011/09/04-Money.mp3]

Download: The Drums – Money [MP3]

More New Music from Light for Fire

Last month I brought you an incredible track from Light for Fire, and they’ve just pushed out another little single for the masses.  This time around, they give you a bit more of a folk-troubadour sound, but you know that’s never a bad thing in our book.  It seems that every track this band puts out just begs to be played over and over again, regardless of where you are.  Their self-titled album is out now, and available for your pleasure, so take my advice, as this is a collection of songs that won’t leave your record player for some time.

[audio:https://austintownhall.com/wp-content/uploads/2011/08/thehuckster.mp3]

Download: Light for Fire – The Huckster [MP3]

New Song from Elba

There seems to be a small amount of buzz growing behind Seattle group Elba, and I’m here to further their endeavor.  In September, the group will be releasing their self-titled album, which will hopefully put the band’s name out there.  On this track, the ringing guitar floating is mesmerizing, while the quieted backing vocals provide a new level of depth to the song’s sound.  Like me, you’ll scour the Internet for more tracks; you can find one on their BANDCAMP, and another HERE.  All signs point to a great release to further our already busy listening schedule in the fall.

[audio:https://austintownhall.com/wp-content/uploads/2011/08/Elba-From-A-Sinking-Ship.mp3]

Download: Elba – From A Sinking Ship [MP3]

Her Space Holiday – s/t

Rating: ★★★½☆

It seems like just yesterday that Marc Bianchi began his Her Space Holiday career, when in fact it was 15 years ago.  Finally, the sun is setting on the project, and with this close, Marc’s releasing his final album with the moniker, Her Space Holiday.  It’s perhaps his most complete work, leaving us all with one final album, but so many memories.

“Anything for Progress” begins with a soft-spoken Bianchi singing over light instrumentation; it’s a solemn beginning for a farewell.  But, as the drums march in, arrangements rise and fall, giving us a splendid pop venture fitting for our goodbye as Marc sings “this is all I know.”  Even with the sadness of giving up Her Space Holiday, the explosion of joy and melody at the end of the track is evidence that Mr. Bianchi has come to terms with his decision, aiming to go out with one last momentous affair.  He even follows this up with “Black Cat Balloons,” a song that seems to follow with similar construction.  Gentle beginning, exuberant chorus, wash, rinse, repeat; well played sir.

Despite the bright beginnings, there are some more somber moments throughout Her Space Holiday, though they eventually evolve into well-crafted pop.  “The Candle Jumped Over the Spoon” offers up lightly strummed guitar, Marc’s quiet singing, nice female accompaniment, but it really takes off with the influence of accordion, turing the quiet affair into a piece of swinging good fun.  It’s interesting, as none of the tunes on this record completely give into one style or genre, even with prolonged entries.  Like the aforementioned tune, “The Bullet, The Battle, The Trigger, The Barrel and Me,” presents us with some quiet time with Bianchi, but it can’t last forever, can it?  Well, in short, the song ends with a burst of light, stomping until the sound has subsided.

Perhaps one of the best things about Her Space Holiday is the attention to detail; every sound is purposeful, being used to flesh out each song.  It’s made Bianchi one of the stronger songwriters, oft-overlooked by his peers.  Hopefully as the curtain closes on this chapter of his life he’ll finally receive some recognition for this characteristic.  “Death of a Writer” employs subtle touches of string arrangements, and while it would be easy to see this as fanciful fleshing out of bare tunes, it’s clear that Marc left space in the music for such bursts of accompaniment.  It could be horns, strings, backing vocals; it could even be empty space, but it’s there for a reason: that’s craftsmanship.

I’m sure that somewhere in the future we’ll hear from Marc Bianchi again, and we’ll all be grateful for his return.  That being said, it’s sad to say goodbye to something that has been a part of our lives for so long, especially when it’s executed as well as we find on the last proper release of Her Space Holiday.  We bid you a fond farewell, and we hope to see you soon.

[audio:https://austintownhall.com/wp-content/uploads/2011/06/01-Black-Cat-Balloons.mp3]

Download: Her Space Holiday – Black Cat Balloons [MP3]

New Music from Light for Fire

You would think that a band made up of former members of The Village Green would have some sort of Davies-esque influence of their songwriting, but this doesn’t seem to be the case for Portland’s Light for Fire.  They’ve just released their self-titled debut, and you’ll be disappointed if you don’t give this a good solid listen.  Personally, I hear an edgier Dr. Dog, but that’s probably based on the piano line.  Still, that guitar chord that knifes its way through the song just cleanses your palate before the band brings it all home again, making for one heck of a single.  Be sure to check out the band’s SITE to preview their entire album.

[audio:https://austintownhall.com/wp-content/uploads/2011/07/nybythehand.mp3]

Download: Light for Fire – NY (By the Hand) [MP3]

Gardens & Villa – s/t

Rating: ★★★½☆

So much can be said about a band’s debut album; most importantly, it is the first real taste at the style of the group. For Gardens & Villa, this debut is even more important considering the fact that they did not produce an EP as an introduction. With that in mind, this album feels even more impressive, as the songs feel much more mature and aged than that of a group just getting things together.

The opening track proves to be one of the finer moments from the start. “Black Hills,” begins with pulsating synthesizer beckoning your ears to wait keenly for this song to kick into gear. Then percussion is added to bump things up a notch, but not to an outright dance number. Instead it comes across as more of a casual psych pop number, with the vocals pushing it to something more. In stark contrast with the deep tones of the synth, the vocals are edgy, and borderline on falsetto in moments. Mellow, yet still bubbly, this opener finds the right balance between moody and groovy.

The next noticeable standout comes on “Thorn Castles,” a short number that only feels shorter when sandwiched in between the rest of the numbers on this album. On this track, what stands out the most are the vocals provided by lead singer Chris Lynch. Running along the lines of a shriek, it completes the eerie-cheery vibe that Gardens & Villa have definitely got going for them. In fact, this theme seems to persist into every song, and even takes over completely at the end of “Spacetime,” when the beat slows down to a gait and the vocals eases from its starkness into to a creepy whisper.

As far as variation in pacing goes, this album is all about the changes: one instant, you have “Chemtrails,” and the next “Star Fire Power,” which are perhaps both songs at the opposite end of the pace spectrum for this band. “Chemtrails” is a crawler, laden with minute details and elegant harmonies at its close. It is followed directly by “Star Fire Power,” which is a stellar dance party number that begins slowly, and then builds to a catchy chorus with a deep bass line that is sure to have you bobbing your head.

Looking at the whole album, I do not see a song that sticks out as horrible or misplaced. There are definitely some that resound above the rest, and others that fell mediocre in comparison, but on a whole, this is an impressive and enjoyable first effort.

[audio:https://austintownhall.com/wp-content/uploads/2011/06/Gardens-Villa-Star-Fire-Power.mp3]

Download: Gardens & Villa – Star Fire Power [MP3]

New Music from All the Apparatus

Portland seems to attract music of the shanty sort, much like All the Apparatus.  The ensemble cast have just completed and released All the Apparatus, the self-titled album that will surely have you fawning.  An easy comparison would be to make a Decemberists association, but the heavier vocals give me a the feeling of a more complex Murder by Death.  It’s sort of like a folk-core version of Efterklang, but maybe that’s a stretch.  Regardless, the group makes sweeping music for sweeping your house, and for all those other times when you just want to listen to really great tunes.

[audio:https://austintownhall.com/wp-content/uploads/2011/07/alltheapparatus_pdxrose.mp3]

Download: All the Apparatus – Portland’s Rose [MP3]

New Track from Soft Metals

My boy Nick passed this track along, and it’s got several interesting little twists that really made me a fan of Soft Metals today.  I began falling for the atmospheric wash that breached my ear drums for the first few seconds, but then it dropped some electronic beats before fleshing out the track with some female vocals.  I mean, if you’re going to make electronic music, it should sound like this; reminds me of Soviet.  So if you’re a fan, like I am, be sure to give the band a good listen, then go off and buy their record next week, July 19th, via Captured Tracks (the hottest label around).

[audio:https://austintownhall.com/wp-content/uploads/2011/07/Eyes-Closed.mp3]

Download: Soft Metals – Eyes Closed [MP3]

1 20 21 22 23 24 25