Tuesday night, the Better Oblivion Community Center graced us with their presence at Stubb’s, alongside the company of Lala Lala and Christian Lee Hutson for the first real Stubb’s Sweat of the season. One of the most buzzed about acts of 2019, BOCC is a cult of sadness, with its two founders, Conor Oberst and Phoebe Bridgers at the helm of the vessel of sadness. What we got was a great night for fans of both artists individually as well as new fans of the project. Read past the jump to get my brief thoughts on the night.
This Tuesday night (4/9), we’ll be graced by the presence of Phoebe Bridgers and Conor Oberst in the form of the Better Oblivion Community Center as they take the stage at Stubb’s. Previously slated for the Mohawk, overwhelming support for the early 2019 self-titled album caused a move to a bigger venue; the hype is real and with good reason. Not only are both artists incredible on their own and in their various projects over the years, this new joint album is quite phenomenal. Tickets are still available and are a pretty sweet deal for the amount of talent you’re getting for the price. Openers are Lala Lala, who put out a great album last year, as well as Christian Lee Hutson. Some of our favorite locals, Being Dead will take the inside stage at Stubb’s Jr post-BOCC. Check out “Dylan Thomas” from Bridgers and Oberst (if somehow you haven’t already) and go scoop some tickets before they’re gone–it’s a great option for an early week night treat.
I think there’s one thing that most people in the indie world can agree upon, and that’s the quality of Big Thief; even my wife and I agree on how great the band is! Today, the band share a new single off their U.F.O.F LP, which is slated for release on May 3rd. Knowing that the album was written in rural Washington makes it easy to follow the band’s music on this new single; it seems like a straight nod to traditional American folk music. But, of course, Adrianne Lenker’s voice is sublime; it walks a fine line between intimate folk whisper and soulful powerhouse; this is perhaps my most favorite Big Thief tune…that’s just for today, though.
Austin fans can catch the band at Stubbs on November 4th.
After the great many successes of my Gimme 5 playlist feature, I thought it was nigh time we feature a Texas based artists on this thing. Imagine my luck, Houston based band Wild Moccasins are coming through town on January 17th at Stubbs Jr. and they were feeling the idea. Zahira Gutierrez, who fronts the band, chose five songs which truly inspire her and bring her joy as she creates her own music. To see what she came up with, hit the post for words, songs, and videos.
Last weekend started off with a dance party. Friday may have been the single nicest day of the year; it was like nature was air conditioned. What better way to celebrate than with a show at Stubb’s? How about a little Cut Copy to add to that pleasantry? How about a solid opener like Kauf?
The show wasn’t a total sell out, but it got close which is not really surprising given they were at SxSW. Cut Copy was sharing some new jams surrounded by all the hits. This was the second date of the actual tour after a few small fest sets and aforementioned SxSW action.
Did you go? Did you miss it? Click through and let’s review while viewing all the photos together…
If you don’t know anything about me, know that I will go see Cut Copy any chance I get. Of non-Austin bands, I’d say they are the one band I have seen more times than any other. That kinda snuck up on me. Sure, they played one exclusive party during SxSW and did some DJ sets, but tonight, they play Stubb’s, the unofficial home of Cut Copy in America. I am curious if they are just hanging about, playing Dallas last night, but being almost two weeks removed from SxSW, you have to wonder if they were doing some recording here?
But they are the known here. How about I give some love to the opener? Kauf has been in and out of The Bucket playlist over on Soundcloud. I use that playlist to mix newer faves into other playlists when entertaining. The song featured below is called “Pacify”, a song with an understated elegance that builds, ebbs and peaks before release; Nicole shared it on ATH in late 2016. Maybe also check out “A Ruin”. Hopefully, it will push you over the edge to pick up a ticket, show up early and dance with us.
NB: Saturday night was another one for the books as Austin was lit up as ever with great bands and crazy antics on Red River. My main event was at Stubb’s for The War on Drugs, touring incredible latest album, A Deeper Understanding. B. Gray was on double duty–taking killer shots of The War on Drugs and then bouncing over to The Mohawk to catch King Gizzard and the Wizard Lizard. Follow the jump to see his pretty pics and read some brief thoughts on a night at the gravel pit.
BG: Click through, y’all.
Today’s collection of thoughts and photographs is centered around a gathering viewing proceedings on the inside stage at Stubb’s. Lucy Dacus brought her smoky lyrics underpinned by clever organic pop to life for an appreciative crowd of music fans out on a Monday night. The music people also were treated to Cowboy Crisis and The Diamond Center. Pretty varied lineup…
Click through for the rest of the story in words and pictures.
Hey all, last minute reminder to come check out Lucy Dacus with me. She and a really talented batch of musicians supporting her are coming in town to play on the Stubb’s inside stage. Tickets are available here and should be at least a few at the door. #airconditioning
We caught Lucy Dacus’s set at ACL last year on weekend one, alas no weekend two repeat. We were terribly impressed and left as fans calling her set as a definite highlight in our recaps. I missed her set at 3Ten earlier this year, but will remedy that tonight. Come hang. I am testing a new lens. The Diamond Center and Cowboy Crisis open.
It has been a big year for Scott Hansen. He started the Tycho project as an aside to his graphic design (check it out at ISO50.com). The live shows have featured projections of his art as an element of the performance. To the credit of that graphic design, I sometimes “see” the design language when spacing out listening to the records. The latest album, Epoch, was Grammy-nominated for Best Dance/Electronic Album. That had to be a rad feeling, and a bit odd given how much of the record is not electronic or dance. The Austin show was the end of the tour, so we were treated with an extended set of lesser played songs after an intermission following the normal show.