More New Tunes from Beachwood Sparks

Seems like summertime is perfect for guitar noodling and mellow jams, so I’m happy that Beachwood Sparks has been able to return to the fold as we go deep into the hot weather.  After getting back together, the group has recorded Tarnished Gold, which is being released by Sub Pop on June 26th, and trust me, it’s a gem of a record.  I’m not that well boned-up on my classic rock, but I hear that shaky ground between Neil Young and the Grateful Dead (I know, sacrilege for us indie kids).  Sometimes you just can’t ignore a good hit.

[audio:https://austintownhall.com/wp-content/uploads/2012/05/Beachwood-Sparks-Sparks-Fly-Again.mp3]

Download:Beachwood Sparks – Sparks Fly Again [MP3]

New Music From Shearwater

I’m sure plenty of you have already heard this new Shearwater tune and have reveled in all its glory.  I wanted to post it here anyway because it’s just too irresistible and shows a new direction for the band that I support in full.  The track in question is “You As You Were” and appears on the bands upcoming LP Animal Joy due out February 14th on Sub Pop Records.  It shows a since of pop from the band that we’ve never seen before and it keeps me intrigued for what’s to come.  Another new song “Breaking the Yearlings” is also available for download over on the Sub Pop site.

[audio: https://austintownhall.com/wp-content/uploads/2012/01/Shearwater_YouAsYouWere.mp3]

Download: Shearwater – You As You Were [MP3]

Still Corners – Creatures of an Hour

Rating: ★★★☆☆

If you’re a connoisseur of electro-dream pop, then you’ll know that a little verisimilitude is what separates good from great inside this sub-genre. Sure, you can get some solid jams off of simply interesting instrumentation, but what keeps something in your mind for longer periods of time is the human elements that give it that multidimensional intrigue. In other words, there is an emotional connection of some kind that pushes the music past just wailing guitars or flat vocals. This factor is what divides the tracks on Creatures of an Hour; some prod their way into your psyche while others just dance around the outside.

The first song, “Cuckoo,” easily falls into the category that is able to penetrate deeper. An instant single for Still Corners, it kicks things off with its atmospheric waves of sound. Some bass joins in, increasing the heaviness that this substantial groove already had going and all that is left to complete the dreamy set are the female vocals. Borderline sinister, the sugary vocals tease and pull at the thickset spacey backing, juxtaposing sweet with theatrically dark. Behind Tessa Murray’s voice are some ethereal oohs and ahhs that echo along with the wispy lead. Following “Cuckoo” comes “Circulars,” a brief and to the point synthesizer saturated number that goes nonstop for its length of two minutes. Serving as a mostly instrumental interlude between the first and third numbers, it’s a short little number that adds a little synth spice to the tonal style.

Third on the album is “Endless Summer,” a track that doesn’t so much play on juxtaposition as it does on the overall sound of serenity and calm, with echoes of solemnity swirling beneath. It’s a track that is moderately good, and mirrors the rest of the album. For the most part, Still Corners hold your attention, letting their ethereal dreamy shoe-gaze meander its way into your attention. The first song is unique in that it really demands your focus, whereas the other songs let you come to them. An exception to this phenomenon comes on “I Wrote In Blood,” which implores the delicacy of Murray’s voice alongside loops of swirling synthesizers. It’s got this demented lullaby feeling to it, as if it’s a song for nightmares rather than sweet dreams.

All in all, it’s an interesting sounding album. If you’re looking for a ton of variety from song to song, then Creatures of an Hour may not be for you. If you’re cool with grippingly soft, yet edgy vocals accompanied by winter-perfect hazy pop then by all means, you’re set.

Creatures of an Hour is out now on Sub Pop Records.

Dum Dum Girls – Only in Dreams

Rating: ★★★★☆

Last year, Dum Dum Girls released I Will Be, an album filled with noise pop riffs and all the girl power you could possibly pack into a single album. This album launched these girls into the fame of the indie-sphere, forever allowing them to be of buzz worthy status. On this sophomore album, they look to branch off a little from their power pop to a more dimensional sound, as to show their diversity.

With so many of the members of this band in various other acts, it shouldn’t come as a surprise that their sound has matured in nature since their last release. It seems as if each lady gained some experience from their individual projects that allowed their collective dreamy pop to feel tighter knit. The first song is “Always Looking,” which kicks things off on a jamming note from the instant it begins. At two minutes and twenty-one seconds, Dum Dum Girls waste no time ad jump straight into the wailing guitars, the sassy powerful vocals of lead singer Dee-Dee and the luscious waves of sound. Already, it is apparent that the sound quality is already triumphant over previous releases.

Even though not much seems to have changed stylistically for these ladies, there is a definitive confident sound that emanates in these jam. Most of the songs hover around the traditional three-minute mark, save for “Coming Down,” but that is a different beast entirely. At six and a half minutes, this song is a crawling delight that ebbs and flows with the angular guitars and that slow resonating drum beats that juxtapose with the honeyed vocals. For me, it is one of the more intriguing numbers that this band has crafted. It is not as though the youthful spirit has been lost, but instead, it is channeled into emotion rather than just fast drumbeats and surface level lyrics. Don’t get me wrong, you can still find this fast and furious pop on Only in Dreams. The next song, in fact, is the epitome of this classic poppy sound with ample jam for you to shake your hair to.

This album is definitely a step in the best direction for Dum Dum Girls. They have taken what was best from their previous releases, perfected them, and then added new elements to spice up their sound and keep old listeners from getting bored. It’s an entertaining album that plays around with what you would expect from these ladies. Have a listen.

New Music From Dum Dum Girls

I’ll go ahead and be honest with you people, I’ve never been the biggest fan of Dum Dum Girls and have always found their side projects more interesting.  I say this so you can truly believe me when I say that this new slow burning jam “Coming Down” has immediately turned my opinion of the band.  Sure it’s simple, but it’s Mazzy Star style build up has me marking the calendar for the September 27th release of their new album Only in Dreams on Sub Pop Records.  Also of note, the band is stopping into town Friday at Mohawk for a live set that’s sure to sell out.

[audio: https://austintownhall.com/wp-content/uploads/2011/08/10068.mp3]

Download: Dum Dum Girls – Coming Down [MP3]

More New Music From Blitzen Trapper

New music from indie-folk band Blitzen Trapper has been springing up all over the internet since the announcement of their new album American Goldwing due out September 13th on Sub Pop Records.  From songs like “I Love the Way You Walk Away”, it seems like the band is embarking on a more country styled record as opposed to their usual folky sound.  Some people in the hipster world may shy away from such things, but I think I could go for something a little different.  However you feel about it, we’ve got the new song streaming and downloadable below.

[audio: https://austintownhall.com/wp-content/uploads/2011/08/10073.mp3]

Download: Blitzen Trapper – Love the Way You Walk Away [MP3]

More New Music From Fruit Bats

A couple months ago, we alerted you to a new single called “WACS” from purveyors of cool Fruit Bats.  Well now the group is offering up the this new song “Tangie and Ray” from their soon to be released album Tripper out August 2nd on Sub Pop Records.  Having already received the new record and given it some spins, I highly recommend you pick it up in a few weeks when it hits stores.  Their progressive take on pop infused folk music is easily accesible to most anyone with an ear for the finer things in life.

[audio: https://austintownhall.com/wp-content/uploads/2011/07/9788.mp3]

Download: Fruit Bats – Tangie and Ray [MP3]

Vetiver – The Errant Charm

Rating: ★★★½☆

As soon as you come across The Errant Charm by Vetiver, there will be two things that stick in your mind, at least if you approach things in a certain way.  For one, the color scheme of the album sort of seems to hint at finding a warm place in a cold background, or even a sterile one for that matter.  Two, the title reflects finding one’s way by not going the traditional, or expected path.  After spending hours with the record, surely you’ll see where this all fits into the motifs of the record.

Everyone seemingly uses the acoustic guitar nowadays, stripping the sound of on-stage performances in favor of more intimate feelings.  Such is the way you’ll begin on “It’s Beyond Me,” which begins by wrapping the acoustic guitar in hints of atmospherics, but just after the 1 minute mark, things lift up, albeit just a bit.  The gentle shift in mood of the song matches that of the cover, going from one point and blending it into the next.  You’ll really have to spend time with the details here, as they definitely hold a great deal of the musical meaning. For instance, “Worse for Wear” tramps on, with its hollow drum beat, muted strumming, but again, the melody shifts, going in what one can assume is a bit of an unexpected change.  The Errant Charm is full of such moments, making it a joy for those who listen closely.

There’s even some peculiarities in Vetiver‘s approach this round.  On “Fog Emotion” there’s evidence that the group have responded to current themes, kind of giving off that faux-80s groove, but, like the fog mentioned in the song, a mellower meandering track finds its home, moving the song away from known cliches, as the band clearly intends to make the sound their own.  All this moves into what one can deem as the orange area of the album cover, offering up The Errant Charm‘s two hottest tracks.  “Right Away” is a short and simple track, with really nothing special to it, other than the fact that the harmonies presented have a tendency to hang in your mind long after the song has ended. Even more special is the way it tails off, changes a bit, but maintains its lasting impression. “Wonder Why” has a bit of a moving stomp to it, so it’s easily going to find itself labeled one of the more upbeat tracks present, but it’s the momentary touches that grab you, such as the female vocal accompaniment during the chorus, or that piano kicking in and out of the track. This is the type of track that makes you want to go back again and again.

Just as the press release reads for The Errant Charm, it’s clearly a piece constructed for wandering off on your own path, finding your own place in the musical landscape of your soul.  Whether you want that color to be bright or warm, you’re bound to find the songs Vetiver has put together as fitting for your own travels about, even if those travels only take place in your mind.

[audio:https://austintownhall.com/wp-content/uploads/2011/06/9542.mp3]

Download: Vetiver – Wonder Why [MP3]

New Music from Male Bonding

It’s been a crazy few months for stalwart label Sub Pop; they’ve been putting out killer record after killer record, and it doesn’t seem like they’re going to stop anytime soon.  Today they announced the release for the newest album from Male Bonding titled Nothing Hurts, hitting stores on August 30th.  This one is going to be a heck of a good time if you’re going off the featured track, “Bones.”  It’s a bit noisy, as far as the guitar sound goes, but it maintains this perfect sense of melody throughout, which really has us excited.  It won’t take long before you’re blasting this song around your office all day.

[audio:https://austintownhall.com/wp-content/uploads/2011/06/Male-Bonding-Bones.mp3]

Download: Male Bonding – Bones [MP3]

More New Music from Handsome Furs

Today we were greeted with yet another new track from Handsome Furs off their upcoming record, Sound Kapital, which will be released by Sub Pop on June 28th.  Again, this is a really electronic driven track from the duo, with Dan B. taking the majority of the vocals, giving his throaty vocals to the rhythmic track.  It’s a reminder of just what Dan’s voice can really do when he’s given the chance to take control, as he occasionally does for Wolf Parade.  It’s a wonder with songs like these, and the many project of Spencer Krug that WP haven’t been able to blow us away like they once did on Apologies. Oh well, at least we have this killer track to enjoy all weekend.

[audio:https://austintownhall.com/wp-content/uploads/2011/05/07_Repatriated.mp3]

Downlaod: Handsome Furs – Repatriated [MP3]

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