Perhaps the title is misleading, as I’ve definitely covered the various members of Lilla Parasite in some fashion or another, most recently with Are Steinsholm’s other band, Melby. But, this is a Swedish super-group of sorts, though they’re offering up a more folk-laden version of pop music than what I’ve grown accustomed to from the region. There’s this faint warble in the vocal, which I can’t tell if that’s due to singing in English, or if its merely the nature of the song, but distinctive voices always catch my ear. Musically, the band has this almost like glade majesty, as if you were a deer traipsing about in your favorite meadow as some minstrel fashioned a song for your journey. It’s a cool introduction to a band I hope you’ll enjoy.
Eggstone have a history long-rooted in the history of Sweden’s underground pop scene, having risen to the top in the early 90s, not to mention the influence their own Tambourine Studios has had on the scene in Malmo. Here we have the band back with a new single for Danish label Crunchy Frog, and it’s got this youthful earnestness one might not expect for a band kicking on some 30 years down the road. While the song’s melody is solid, I’m digging on the bouncing of the organ and the swelling arrangements hanging in the distance. Fans of Shout Out Louds and that whole pop brand will definitely find something to love here.
Back in 2018, HOLY released All These Worlds Are Yours; it was this kaleidoscope of pop that seemed about as near as perfect as one was like to find. Now, the project is back with a brand new single, one that hopefully leads into an album at some point. This go round, it’s less an amalgam of pop influences, and more just straight pop songwriting, almost an homage to lounge singers. It most recently seems like something Jonathan Bree might offer up, being melodic and charming while also demonstrating a slight flare for fantastic. Hannes Ferm’s artistic touch is always stunning in my opinion, so fingers crossed for more real soon.
There are a lot of great pop bands out there at the moment, but I dare say there hasn’t been one as consistent and moving as Sweden’s Hater. They’ve just announced a new 7″, their first new music since last year’s Siesta. On first listen, I thought the opening two minutes were brilliant, using that sharp falling guitar line to contrast against the smokiness of the vocal delivery. But, then they offer up a little sonic exploration, releasing the tension just after the two minute mark, and I’ll admit, I was taken aback, surprised even. All of this to move towards a quiet close. The new 7″ will be out on Fire Records on September 6th with a few US dates to follow.
After releasing a wonderful debut, Swedish outfit Steve Buscemi’s Dreamy Eyes are on the minds of tons who dabbled in dream pop/shoegaze. Well, it sounds like they might have an album right around the corner, as they’ve just dropped this new single on us out of nowhere. Siri Sjoberg seems to have the perfect voice for the band’s sound, able to rise above the noise and shatter it with her heavenly tones, while also careful to slink back behind the wall of atmospherics when necessary. For those of you who love pop music, but also want it to slightly shimmer in distortion will surely find you adore this band’s work.
While not always my personal style of music, I can always appreciate some electronic pop with a solid beat and driving sound. If you can get behind the style as well, I suggest you check out this banging new track called “Turn Back Time” From Swedish based duo Vola Tila. It reminds me of Drive soundtrack music from Cliff Martinez made more accessible with dark, electronic elements of bands like The XX. I am already looking forward to jamming this one as I drive around town today while pumping my fist in the air.
Vola Tila will be releasing their deput EP Personality Apocalypse in the next few months.
It’s great when bands find you and send you their work just because they know they’re your ideal style; this is the case for Sweden’s the Slow Summits. They work with that bouncing brand of indiepop that seems so simple, but only succeeds if the execution is spot on. They just dropped their Languid Belles EP; it’s four tracks with understated swagger and a playfulness in the backing vocals that can’t be matched (doesn’t hurt that one of those voices is Amelia Fletcher). I think “A (Hit) to Your Wallet” is currently my favorite of this collection; it has that slight guitar shuffle mixed with quick percussion that reminds me of the Lodger. But, its indiepop so I’ll just go and repeat these tunes all day. Will you do the same?
Swedish act Kluster got a lot of time on this site back in 2018 with the release of their Civic LP…and now they’ve got a brand new single to share. This number definitely shows the band’s songwriting approach, filling in the track with these little twists and turns that take you on little jaunts within the tune itself. Guitars and fuzz weave in and out, but personally, I’m really taken by the build that occurs just after the 3 minute mark; the group vocals quietly rise until the guitars crash in and out noisily before a nice pop wash coats the top and draws the song towards its close. Give it a listen, won’t you.
Tobias Isaksson seems to be no a roll the last couple of years with his Azure Blue project, settling into a groove of releasing pop gem after pop gem; he released “Shine On” late last year, just a few months after the release of the excellent Fast Falls the Eventide. Quietly, Matinee Recordings has uploaded a new song with the promise of the forthcoming Images of You album. This song features steadied electronic pulses; Tobias excels at layering his sonic bursts atop one another until they seem like one endless pop pulsation. His voice has always had this natural soothing warmth, perfectly fit to his brand of pop…and this tune is no different. Look for the new album to come sooner rather than later, though no official date is out there.
David Josephson set his Nervous City Nervous Self project a lofty goal; he wanted to be Sweden’s Leonard Cohen. But, other than the poetic leanings and the deep vocal tones, Josephson is clearly branding his own pop adventure. There’s this gentle electronic pulse that moves the song forward; it’s right in long with countless other pop songwriters from Sweden…hook laden and easily digestible. A nice little piano touch rounds the track up, fading quietly into your Monday. In the video you get a trio of travels throughout the world, with a character I think we can assume is Josephson itself…watch below to see where he goes!