In the last few weeks, Dead Oceans announced they’ll be releasing Alex Lahey‘s B-Grade University EP. You take that, and great quality music, and there’s going to be some buzz for Alex when she comes into Austin in a few weeks. We caught up with her to have her answer our SXSW questionnaire. Click on to read her responses and check her latest video! Read more
This week we bring you a tune you’ve all probably heard, at least for those of you who are fans of Wes Anderson. Or maybe you just like to go through Rod Stewart‘s entire catalog. Regardless, this is a pure gem. And, to top it all off, Austin is now home to one of The Faces founding members, Ian McLagan, who now fronts The Bump Band. Cheers.[audio:http://austintownhall.com/wp-content/uploads/2009/02/3-16-ooh-la-la.mp3]
Most will recognize the percussionist of Little Joy, the newest offshoot made up of Strokes drummer Fab Moretti. Toss in Rodrigo Amarante and Binki Shapiro, and you have the line-up for LA based Little Joy.
Those in search of the upbeat pop specialties that Albert Hammond has thrown our way will surely not find what you are looking for in these songs, but instead you will find an entirely different genre, what one will call beach-influences crooner tunes. It would suffice to say that this group has created eleven perfect lounge tracks for your favorite smoky dive bar.
“The Next Time Around” is the album’s opener, which contributes the first of many island infused tracks. Guitars and percussion lie in the back of the song, as Amarante croons, not entirely like Julian Casablancas, but not too far off. It’s easy to see why Fab chose to work with this fellow; in the middle of the track there is an influx of Portuguese lyrics, which add to the Latin appeal of the album.
Listening to this album one should recall quiet moments spent on beaches with their friends, much like the members of Team Zissou. In fact, if you recall the soundtrack to the Wes Anderson movie Life Aquatic, you will find that this album is very reminiscent of the guitar work done by Seu Jorge, although the majority of the music here is in English; none of the songs are Bowie covers either.
“No One’s Better Sake” is the fourth track on the album, and it’s one that has the largest resemblance to The Strokes. The progression sounds strikingly similar to a few of the songs off Room on Fire, but a little organ work gives it an entirely different feel. Once again, Amarante croons in that very familiar tone. Even the progression of the song sounds too familiar to dismiss as mere coincidence.
Be sure to listen to “Don’t Watch Me Dancing.” This song features the female vocals from Binki Shapiro, and it’s one of those perfect little songs that creeps into your head as the day passes into the by and by. It’s a mellow little ditty, but most will appreciate the emotive number, possibly one of the strongest tracks on the album.
One thing missing from this album is a substantial pace. The lack of pace, and the organization of the songs on the album makes it a tad difficult to immerse yourself completely in the album. Even good beach parties have a few rollicking moments that move the crowd; this album seems to lack that pace and emotion entirely aside from one or two brief moments.
At the end of the day, listeners will have a decent debut album from Little Joy to attach themselves to for evening listening. If anything, this album is the perfect conversation starter as your friends try to figure out why the songs sound so familiar, yet so much like their last trip to Cancun. You’ll enjoy the album too; it just won’t make your top albums of the year list.