Ty Segall Band – Slaughterhouse

Rating: ★★★☆☆

It’s been an extremely busy couple of years for Ty Segall; he’s fronted his own project, joined up with White Fence and now he’s got an effort with the Ty Segall Band—it’s gotta be hard to keep all of that straight.  That being said, over-working yourself can often lead to mistakes, and while I am not saying those exist, I do feel like something is amiss on this effort.

Coming into “Death” you want to see just how tight the Ty Segall Band can be, and rest assured, he’s got the right group surrounding him here.  While the song begins with distorted feedback, it jumps into Ty seemingly chanting before an onslaught of guitars explode ferociously.  Personally, I feel that the instrumentation out-performs the vocals, as so often happens throughout Slaughterhouse.  However, I feel like “I Bought My Eyes” is the most traditional Ty Segall effort on the record, capturing the live sound of the band, yet still holding onto Segall’s vocals as the band pummels your ears.

From there, the record seems to go off into a furious live album, which is both good and bad.  “Slaughterhouse” brings images of a frenetic live show, with Ty and his man Mikal Cronin banging out the tunes furious and loud.  Then you get “Tongue,” which does have a bit of that traditional Segall bounce to it, but again, the vocals get a bit obscured as the band seems to turn up the noise.  Therein lays the problem with Slaughterhouse: it’s an album with the markings of Ty Segall all over it, but the final production value isn’t as polished as the work he’s done in the past.

I get that one man can’t repeat himself too much, but as a long time fan I sort of get the impression that Ty Segall Band is meant to capture the live sound of Ty, with more of a nod going to the performance than to the actual songwriting. “Muscle Man” has that angular distorted guitar chug that I love, but the sound of the track itself seems sort of muddy; I just ask for a bit of cleaning up.  “That’s the Bag I’m In” follows that up with a sort of childishness that’s none-too-pleasant. It’s forceful in delivery, yet it beats you over the head with Ty’s vocal performance; it’s probably one of the worst performances I’ve heard from him to date.

Slaughterhouse is an excellent listen if you want to picture what Ty Segall Band sounds like in the live setting.  It’s heavy and heartfelt, but it doesn’t quite emphasize the songwriting licks that made Ty stand out in the past few releases. That’s always been his dynamic though, right? He’s a great songwriter in the studio, and a brash performer on the stage.  I dig both, but I just don’t think I can spin this album as much as I could spin Goodbye Bread or Melted.  Just one man’s opinion.


Download:Ty Segall Band – I Bought My Eyes [MP3]

Show Pics: Ty Segall @ Mohawk (5/25)

Last Friday was a disgustingly busy night of shows. The ATH crew split time between The Mohawk and Red7.

First up for show coverage is the four band line-up at The Mohawk headlined by Ty Segall. After the recent recorded collaboration, it was only natural for White Fence to back up Ty. Along for the ride were Memphis band Useless Eaters and one of my local favorites Rayon Beach.

Click through and play a little Where’s Waldo with the crowd pics…

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Show Preview: Ty Segall/White Fence @ the Mohawk (5/25)

Date Friday, May 25th
Location Mohawk
Doors 800 pm
Tickets $10 from Transmission

Tons of great shows on Friday night, but the one you’ll find me hitting up is Ty Segall and White Fence over at the Mohawk.  Ty’s got to be one of the busiest people in the business, releasing his latest album, Hair, with White Fence just this past month, then turning around to release another as the Ty Segall Band in just a bit.  Garage rock and glory are all his.  It’ll be interesting to see if Tim from White Fence plays a solo set, or if he’s just going to rock with Ty the whole night, or if they’ll trade back and forth.  You can also catch some great acts opening the night up, with Rayon Beach and Useless Eaters kicking things off the right way.  It’s going to be a rock n’ roll fueled night, but this is your friendly reminder to not talk at the show, please.


Download: Ty Segall & White Fence – I Am Not A Game [MP3]

New Music From Ty Segall & White Fence

It seems that we have another super group on our hands that everyone should be pumped about in the form of ATH favorites Ty Segall & White Fence.  The guys have an album coming out as a duo on April 24th via Drag City entitled Hair.  Until then, here’s a first taste of the new collaboration with this sweet new tune “I Am Not A Game”.


Download: Ty Segall & White Fence – I Am Not A Game [MP3]

Another Sleazy Rocker from White Fence

You’ve got to hand it to Tim Presley.  He can bring a nice psychedelic country number with Darker My Love, then turn around and bang out a noisy little garage rock number on the other hand. As we’ve mentioned before, Presley’s White Fence project is set to release one of two albums for Woodsist on April 3rd titled Family Perfume. And rumors have it that he’s also in the works with Ty Segall on a joint project.  If he’s going to keep kicking out solid jams like this one, then we’re going to stay on board.  Just hope this is more quality than quantity.


Download:White Fence – Swagger Vets and Double Moon [MP3]

Nice Little Jam from White Fence

People want to love Tim Presley for his Darker My Love role, but as we’re based in Austin, I’m more a fan of his Strange Boys role.  All that aside, dude’s also got a pretty nice little solo project called White Fence.  This year he’ll be releasing a two volume set of tunes, under the title of Family Perfume.  The first volume is slated to hit stores on April 3rd through Woodsist, and the first single has me pretty excited as it floated about the Interwebs today.  It’s got this little low-key jangle, almost harkening to the classic pop moments of the 60s, especially with Presley’s mellow vocal delivery throughout.   You digs?


Download: White Fence – It Will Never Be (Edit) [MP3]

White Fence – …Is Growing Faith

Rating: ★★★½☆

Tim Presley is a confusing man.  He’s got so many projects going at once you wonder if the dude even has time to come up for air.  Can’t complain though can we, as he keeps churning out the hits.  White Fence seems like the backbone for everything he does though, so its odd that Is Growing Faith comes at this point in his career. Conjecture aside, he continuously churns out albums chock full of nostalgic classic pop sounds, benefitting us all.

Immediately, one can complain that the only thing that makes this a modern album is that you can tell the production value is minimal, but that’s precisely why White Fence seems steps beyond their fellow peers in when it comes to low-budget recordings.  You can make out audible pops and crackles when you jam the vinyl, and more so when you’ve got those iPod buds in your ears.  In a way, what might seem like laziness actually brings you closer to the music itself, giving it a more natural feel.

If you make it past the first twenty seconds of a song like “Sticky Fruitman Has Faith” you’re going to get rewarded.  That California jangling guitar from the late sixties just sort of meanders in and out of the track, with a little bit of jangling boogie to make it all gel together.  Or maybe you decide to take a little bit of a trip with “A Pearl is Not a Diamond,” a track that definitely harkens back to the early days of what would later become Americana.  Personally, I get a kick out of the little stuttering guitar solo awkwardly placed in the background–put on headphones and listen closely.

One of the things that makes Tim and White Fence so interesting is that you see his influences all over the place, and I really mean all over the place.  There’s “Tumble, Lies and Honesty,” which really has to be given credit for it’s use of the water drop effect, presumably made by one flicking their finger against the chick.  Tie that odd rhythmic percussion in with the gentle strumming of the guitar and you can definitely find yourself a magical piece of pop.  Even more interesting is listening to “Stranger Things Have Happened,” which feels like an allusion to the most recent work of Tim’s other band, Darker My Love. It’s remarkably similar to the sound, even down to the most intricate bending of guitar strings.

But, to top it all off, there’s still a bit of angst inside this psychedelic world of classic rock.  “Harness” is a gritty little number, one that might draw similarities to Fresh and Onlys, but it’s got a bigger sense of urgency to it, that is until the chorus.  However, the chorus has a bit of brightness to it, something that really made this song stand out in my mind.  Perhaps you can draw similarities within the album, as a sonic connection definitely exists on the earlier Is Growing Faith track “Enthusiasm.”

Damn you Tim Presley! How can one write a review of your White Fence albums? They’re all over the place, going between americana, psychedelia and even hints of punk.  I love it all, every single minute.  In time, I have a feeling that Is Growing Faith will be a record that reveals more and more to me with each listen, but as it stands right now, I’ve had enough listens (17 to be exact) to know this thing is a rocking good time.


Download: White Fence – Lillian (Won’t You Play Drums) [MP3]

New Tunes from White Fence

This year I fell in love with the work of Darker My Love, and I’m happy to report that one of the gents in the band, Tim Presley, will be releasing some more work on his own under the name White Fence. Said record, titled …is Growing Faith, will hit the streets on January 10th from Woodsist, and your definitely going to enjoy it, at least from what we’ve heard so far. The first single has a bit of lo-fi, but like DML, it definitely has more nostalgia to it, going back to the past when melodies meandered in the plains, so get behind this early.


Download: White Fence – Lillian (Won’t You Play Drums)

New Tunes from White Fence

This is Tim Presley of Darker My Love.  He has a new project called White Fence, and this jam has been floating around all day, though I heard it just before SXSW.  It’s got a real dark psychedelic feel to it, and though comparisons have been made to Love, it doesn’t have that same sexual power as Arthur Lee, it’s a solid brooding mess none the less. I think you’ll dig it.  And if you do enjoy, look for an album in April on Woodsist.


Download: White Fence – The Love Between [MP3]

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