Tag: wombo

Last Week’s Jams (6.5 – 6.9)

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When summer hits, there seems to be an infinite amount of music bouncing about these parts, particularly in the Austin scene, as we saw this last week. We had new album announcements from A Giant Dog and Jordan Moser, new singles from Cast of Thousands, Marry Cherry and Genuine Leather; BLK ODYYSY also dropped an album. But, there was still plenty of music outside of Austin we loved, like new stuff from Gaadge, Wombo and Your Heart Breaks. Tons of music to absorb below, so feel free to indulge in all stuff you might have missed.

Stunning Single from Wombo

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I have to own up to putting Wombo in a very specific box, while admittedly adoring the contents of that box. But, their new single is so striking and offers a glimpse at where the band might go in the future after the release of their Slab EP on Friday. For starters, the song’s percussive element is unsettling in a manner; it’s almost like a rhythmic mantra running the same beats to leave this vast expanse out their for Sydney’s vocals. On Fairy Rust, her voice took on the very in-fashion indifferent approach, sort of spoken delivery. Here, however, the song just shimmers and shines, churning out this dreamy melody that seduces you through every second, while also bringing up this magical fragility. The Slab EP is brought to us courtesy of Fire Talk.

Wombo Share Slab Single

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Listening to last year’s Fairy Rust LP from Wombo reminded me that there’s still plenty of room to play with the constant structures of modern tropes. They took that sort of new reimagining and made it a bit more dreamy, a bit more space-age; they continue that here with the newest single from their forthcoming Slab EP. There’s still that pulse from the bass lines, but there’s a metallic nature to the way the guitar notes stab and push throughout. For me, the vocals always bring that even further into focus, taking a little of that indifferent cool and filling it with a bit of the ethereal and mystic. Just a slight move left, but one I love; look for the Slab EP to drop on June 9th via Fire Talk.

Last Week’s Jams, Today (7.11 – 7.15)

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Was a bit of a hectic week, as I was out of town for a good part of last week, so RayRay helmed things solo, keeping you up to date with new jams from The Berries and Sorry. I crept in towards the end of the week with recent favorites like Key Out and Scarves, but I was most excited to hear new music from Bubblegum Lemonade hitting the airwaves! Oh! And a brand new album out of the blue from Neil Brogan! I mean, it was a short week coverage-wise, but some surefire jams to listen to in here.

Wombo Share Seven of Cups

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With Fairy Rust a few weeks away, Wombo drop in a musical curveball that highlights their songwriting prowess. Up until now, the singles we’ve gotten have been sort of off-kilter post-punk, arty and fashionable…and I mean that in the best way. This, however, is a showcase for Sydney’s vocals, like slow, smoldering paper, just burning at the edges as pieces flake off while Chadwick’s voice coolly haunts about the darkened corners of the tune. It’s a nice little plot twist in our anticipation of Fairy Rust, which is dropping on July 29th via Fire Talk.

Last Week’s Jams, Today (6.13 – 6.17)

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Well, we wrote up at least 25 fresh tracks last week, many of which we purposefully tried to make sure weren’t on all the other cool kid sites. That also might be why we missed a few that you’d expect us to cover. It was great to hear Cool Sounds taking some new risks for their new LP, plus we made sure we had that new Mary Onettes tune right up there. And, our old friends Big Bill dropped a new record, so we wanted to remind you of their gifts…and then, there were loads of other songs, meant to get you through those early Monday morning blues without having to think too much about what you’re listening to all day…just know it’ll be good.

Wombo Drop Snakey Single

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Wombo were one of the highlights, for me, of SXSW; I love the band’s sound, somewhere in the realm of post-punk, and I can assume folks will likely make Dry Cleaning nods too (that might be a theme today!). This song operates atop heavy bass lines and short percussive notes; it’s not until the 48 second mark that the song begins to stretch it out a bit. When they do, angular riffs began to cut into that rhythmic backbone, sharpening the sound, with little distortion guitar blips sounding like warning alarms. Their album Fairy Rust will be out via Fire Talk on July 29th, and they hit the road throughout late July/early August…including an Austin date at the Mohawk.

Last Week’s Jams, Today (5.9 – 5.13)

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You’ve waited all weekend for the quick and easy recap of all the sweet tunes we hit up last week. We started off the week really strong with a bunch of stuff, but somehow, it feels like we kind of sputtered to a close, just sprinkling a tune here and there. Still, we managed to get 20 great tunes you should enjoy in your first hour of the morning. We start it off with the absolute banger from Say Sue Me, then have some more experimental works from the likes of Sinaive and Double Vanity. Plus, we’ve got a new track from our friend Lizzy Lehman produced by S. Houser and Jim Eno of Spoon. Turn it up and get your day started.

Wombo Announce Fairy Rust LP

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Wombo were one of the top 5 bands on my list to catch during SXSW, and their songs live were pretty spectacular, so I’m stoked to finally hear the news of their new Fairy Rust LP. It’s not a far cry from what’s going on in the indie sphere, bringing a bit of that sort of indifferent vocal drawl into angular post-rock grooves. I think listening to the rhythm section, it’s clear that the band build up this natural anxiousness; they always feel on the cusp of breaking out into something chaotic, though as we see here, Sydney Chadwick tethers them to more atmospheric realms. Excited to hear what all Fairy Rust has to offer; it’s out July 29th via Fire Talk.

Ted Tyro Release How Can Single

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A band featuring members of Wombo and Murals, dedicated to the sounds of Talking Heads and Omni, is surely going to find its way on our pages. So, here we are with Ted Tyro and their latest single. Let the first half of the song set the scene, calmly wrapping guitar notes around you, allowing the vocals to sedate you as the drum work keeps time. Then, you hit the 1 minute mark and the chorus jumps in, shifting the focus into that more artful twist and turn you might find in a track from the aforementioned Omni. But, I’m digging on how its a little heavier here, at least in tone, just on the cusp the angular ways alluded to elsewhere, but rounded and darker…as the band are clearly making their own path with this fresh tune.

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