Woozy Pop Number from Lens Mozer

The opening guitar chord, accompanied by bass, crafts this disorienting pop vibe the minute you press play on this new Lens Mozer tune. But, once Lens jumps in with this voice, you’re transported into the backseat of a car cruising down the coastline with wind at your back. That vibe gets ridden, then the playfulness is upped a bit when breathy vocals jump in to play just after the 2 minute mark. You ride that feeling out until the end as the song fades away into your memory…and if you like it, you’ll be sure to grab Don’t Stop at the end of 2018 via Plastic Jurassic.

SOLD Ready Brand New EP

Philadelphia’s SOLD might not be a household name at this point, but here’s to hoping you spend some time getting to know the group now…especially as they have a new EP on the horizon. The band’s musical diversity keeps the below single interesting, starting off with this bounding opening that definitely draws from the band’s indie rock influences. Different vocals in the song’s middle bring the track to life; I think one even has an almost folk-y drawl, which is contrasted by the song’s natural haunting; there might even be some Arcade Fire yelps too! Then the guitars cascade down in an angular fashion, like pelting rains, matched by similarly fashioned vocal lines. Feels Unreal comes out today courtesy of Hits Direct Records.

Cool Vibes from Peel Dream Magazine

You’ve heard of our adoration for Joe Stevens’ project, Peel Dream Magazine, so it might be our last chance to sample a track before the album drops at the beginning of October. I’m instantly drawn to the combination of Stevens’ voice and the warbling pulse of electronics just beneath the surface; it’s disorienting, yet captivating. We’re further drawn in when the guitar begins to playful dangle in our ears, loudly at first, then receding, only to come back to life as the song moves towards its end. No one’s making music quite as cathartic and entrancing as what you’ll find below; look for Modern Meta Physic from Slumberland on October 5th.

Borzoi Drop Frantic New Single

Some songs come across the old Interwebs and you’re just drawn to them. The latest from Borzoi is one such tune (not that I haven’t enjoyed the others); I love how the song just seems so jittery and out of control…and yet it’s not. It’s controlled chaos, thrown out into the world with indifference; I just get the feeling of running around in a circle whilst the band seemingly increase the pace, driving me into a spastic frenzy…such feelings that only occur with the best of rock n’ roll. I love the call and response after the 2 minute mark, bringing the tune to an emphatic close. A Prayer for War is out tomorrow via 12XU, and it’s going to be brilliant.

Pristine Rock From Holy Golden

Holy Golden are a duo out of New York comprised of Leslie Schott and Andrew Valenti. Together, they make dream pop mixed with 90s alt-rock that will have you coming back time and time again. The latest from them is “Wheel of Fortune,” which reminds me vocally of The Cranberries mixed with Evans The Death–that kind of immaculate and crisp angelic voice. Instrumentally, the track is sparse, letting each element take up just the right amount of space before the track really builds up. Give it a listen below.

Will Courtney Shares Take You Away

Tomorrow you’ll be able to get your hands on Crazy Love, the latest batch of song’s from Austin’s Will Courtney. On his final single before the release, he had me with the opening piano prelude…it doesn’t take too much. Then the track settles in with Will’s voice carrying a light bit of scratchiness, like a cooler Tom Petty…that is until he reaches the chorus. He stretches himself, reaching for higher vocal notes, which in my mind recalls the best of the Americana genre, especially when its accompanied by the layered musicianship behind it. You can tell with every note he hits, and every layered bit of instrumentation that Courtney’s fine-tuned all those bits of promise he’s shared with us over the years. Crazy Love will drop Friday via Super Secret Records.

The Proctors Bring Back Indiepop

It’s been a few years since we last heard anything from the Proctors, but it looks like there’s a new album brewing right around the corner. It only takes a few seconds for those crystalline jangles to circle around your ears and whisk you away to that happy place; I mean, even the song title references that sonic touch. But, what elevates this track, for me, are the nice little layered vocals that emphasize the melody; they build in a warmth that blankets the jangle just enough to open the doors to more than just pop fans. Not sure on a release of a new LP, or if it will even include this song…so we’ll keep you posted!

New To Me: Public Memory

I make no mystery of my love for the synthy goodness, especially when it can carry a heavy tone. Public Memory is one such project led by Robert Toher.

Landing here on the pending release of the second LP, titled Demolition, the song embedded below is called “The Line”. Tension builds as the open of the track takes a stranglehold, running longer and longer, creating tension with the addition of a rising and falling sawtooth only to have haunting by high octave tones add to that stress. The release lands willfully under a flood of harmonies followed by the initial vocals only to quiet again to give lyrics space.

Demolition is due 11/9 on Felte.

Fresh Pop Song from The Maureens

What!? You’re not up on the latest and greatest from the Dutch pop scene? Well, get acquainted with The Maureens, who are currently working on their third album, Something in the Air. Citing references from Big Star to the Beach Boys (a modern nod would have them somewhere between Nada Surf and Teenage Fanclub), the band are definitely building songs through blended harmonies and pure melody; it gives the song’s a sort of timelessness that encourages you to spend more time laying beneath your stereo soaking it all in. The new record will come in February of next year via Meritorio Records, so keep an eye out.

The New Papercuts Tune is Great

The opening minute of this new Papercuts tune has this bounding haze, matched by the obscured characters in the video; it’s got an infectious bounce that builds right into Jason Quever’s opening vocal lines. I don’t know what it is, but something about the way his voice is recorded just give me this imaginary sense of weightlessness; he does switch up the tone as he lets his voice fall atop the mix in what is perhaps the chorus. Eventually, the vocals fade into the background and we traverse through the video as the rest of the band come full circle back to the original bounding notes. This tune appears on Parallel Universe Blues, which is being released on October 19th via Slumberland Records.

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