Wake Up With Dreamy Rock From DIV I DED

divided2It’s a Monday, it’s been rainy in Austin and I was having trouble kicking things into gear until I heard this track from Czech band DIV I DED. “Late Awakening” is a track taken from the band’s upcoming album, Born To Sleep, which is coming out July 17th via Fleeting Youth Records. The song kicks off with its cutting guitars that echo through the space of the sound while the vocals from Viktorie Marksova provide the perfect balance of tempered sweetness to the mix. Take a listen below, wake up, and get ready for Born to Sleep out July 17th.

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I Like This Fever The Ghost Track

img-fever-the-ghost_131527451894You may have been hearing from your friends about how you need to listen to this band, Fever The Ghost, and now I’m going to tell you that it’s finally time to get fully acquainted. In September, the band plans to release their first full length LP, Zirconium Meconium. This track, “Vervain (Dreams Of An Old Wooden Cage)” has sort of an Animal Collective vibe to it, but with a more psychedelic rock spin on it. It begins slowly and gives you a lot of stop and go, but the guitars are heavyset and really pick up at the end, while the electronic elements lighten up the track as they swirl through, providing a hint of whimsy to the tune. Get excited.

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A Little Late To The Party: Trevor Sensor

trevorThere’s something about the isolated sound of just a man with his guitar and his soulful voice that always manages to capture my attention. So when I heard this track, “The Reaper Man,” by young gun Trevor Sensor, I was immediately reminded of The Tallest Man On Earth and enamored with the raw power of Sensor’s vocals as it winds through the catchy chorus of this song. Though this track may be a few months old, I think it’s important that it reaches your ears now before Sensor really takes off.

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Did You Listen to This New Teen Daze Track

teenyWhen Teen Daze decided to step out of his bedroom, I’m sure there were some worries.  How does one stay true to their sound whilst progressing and adding larger production? Jamison seems to have found the right balance with this first new single.  You can hear the stylistic trademarks of a person writing in their bedroom, but the harmonies in the vocals, on top of the varying layers of guitar and percussion really elevate the tune to a pop hit.  It’s just our first taste from the new work, and it’s available now via Paper Bag Records. Not a bad step up…not at all.

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First Annual Austin Record Label Flea Market

10479400_783936648390606_8423787667357574879_oThis Saturday is the First Annual Austin Record Label Flea Market; it’s at Mohawk, starting at 5 PM.  Entry is free, all ages welcome, and there will be 28 local Austin labels selling their wares, including some rare out-of-print pieces from a few of them.  There will be a great show following at 9 PM, which is also free. I’m one of the people responsible for this event, along with my friend Marcus at Transmission and Dan at Punctum Records.  So, with that in mind…here’s a few ideas on why I wanted to put this together…including a playlist with a sample from all the labels that are on Soundcloud. 

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ATX Spotlight: Fresh Good Field Track

goodyPaul Price is one busy guy, though most Austin musician’s are nowadays.  He’s been working on two projects and their releases, Reservations and Good Field, his baby…we’ll focus, for now, on the latter.  I’ve played this tune several times, and honestly, I’m really impressed with the growth of the band.  They’ve long been tossed in the realm of dream pop/indiepop here in Austin, but this takes on almost a Vile/Leithauser/Springsteen feel, though spun through the unique ears of Mr. Price.  If this song’s any indication, their new record, Future Me, is going to be on a lot of local year end lists…and hopefully beyond; look for it on July 28th.

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Another Friday Fun Jam from Seapony

poniesI swear just a few weeks ago I had a Friday tune from Seapony to share with you, and now the band are right back at it again. In listening to the band’s first few singles off their new album, it seems like they’ve upped the production, or the recording itself; the wall of gaze that lurked in earlier efforts has been pulled back for a more direct pop sensibility.  Still, that doesn’t mean the band’s wistful style is gone, just turned a little left is all.  Look for their new record, A Vision, which the band will be releasing themselves, on July 31st.

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Mild Indie Rock From Bronx Cheerleader

SONY DSCBronx Cheerleader are a four piece from St. Catharines, Ontario who are gaining attention for their indie rock. This new single, “Pell Mell,” is a dreamy swirl of of a track that begins with chimes and tinkling percussion before joined by the vocals that waft in slowly and gently. While the track never really bursts forth with a ton of force,  I’m enjoying the reserved and soft approach to indie rock that is at once pretty and intriguing in sound. Sometimes you need those delicate songs that please your ears with their well crafted nature. Take a listen below.

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Jangly Jam From Canyons

canyonsCanyons from Newcastle are an up-and-coming group who formed last summer and have been working on crafting their sound: which melds both nostalgic pop of yesteryear as well as angsty alternative rock. This song they’ve got for you called “ISO,” shows this merging of genres perfectly. I’m digging the dueling male and female vocals with just the right tinge of emotional power combined with the mix of jangly guitar and all out streamlined alternative slick electric guitar. Take a listen and hear for yourself while I’ll be keeping my ears pricked for more from this group.

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Jigsaw Releases Lost Indiepop Gem from The Concubines

11350628_10152928935861705_3548933426775354126_nFeeling like today’s mostly going to be a playful sort of day around these part, so I’m stoked to have found a pretty new discovery for myself, The Concubines.  The band has been on a long hiatus while chief songwriter Jeff is abroad, but Jigsaw Records dug up the gem and have opted to release the band’s I’ve Tried Subtlety, which was recorded back in 2003.  It’s amazing to me how this band still fit into the modern landscape, despite having written this bunch of indiepop songs twelve years ago. It’s filled with a jangling bounce and storytelling lyrics, so pick it up now, if you so wish.

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