Mean Jolene Share Dark Harmony Video

Last fall, we teamed up with Resurrection Records to co-release the sophomore LP from Austin’s Mean Jolene; Try Harder was an excellent follow-up to Salty, with the band taking on a streamlined focus after some line-up changes. One of the standout tracks, and my personal favorite “Dark Harmony” today gets the video treatment, directed by the band’s drummer Adam, and edited by guitarist Stevesie. The thing I love about this song is the sort of understated anthemic nature; it’s like they’ve slowed down this big arena rocker so they can draw you in with the sweet voice of Jolie. It’s hard not to be charmed by this one, especially when accompanied with the band at their exuberant best in the video. Go grab the Try Harder HERE.

Radio Dept Share You Fear the Wrong Thing Baby

Radio Dept has always made it easy to retreat into their music, crafting these little pop nuggets beneath a sort of murky surface, like seeing the sun through a cloud of smoke. Today they’ve got a brand new track, and it might just be one of my favorite they’ve released in years. It opens with this tempting atmosphere, cut through by shimmering guitar notes, slowly picking up pace. Then it jumps off into this bouncing rhythm that soon finds a companion in the whispering vocals to elevate the track; I like how the slight guitar buzz builds in from the distance, then recedes. There’s just something about this song that fits perfectly into this rainy day and rainy times.

Mammoth Penguins Share B-Side

Needless to say, There’s No Fight We Can’t Both Win, was one of my favorite records of last year. One song that didn’t make the final cut for Mammoth Penguins was this gem they’re sharing titled “Sorry I Hurt Your Feelings.” It’s a special b-side tune that they’ve run up especially for today so that they can donate those funds to Trussel Trust, who support food banks…which I imagine becomes even more important in the current climate. Plus, the song makes up for the fact that we’d be seeing the band here in Austin for SXSW.

You can donate directly to Trussel Trust HERE.

Elrichman Shares I Mostly Consume

When I found out that Paul Erlichman was the man behind the songs of Elrichman, I had expectations, as he’s one of the members of the most excellent Ducks Unlimited. “Cop on a Horse,” the first single, was beautiful, but a little more akin to folky indierock. That said, this new single is precisely what I was expecting, or rather hoping, to hear from Elrichman. It’s energetic, and reeks of Edwyn Collins/Paddy McAloon vocal references. I do like how Paul ties into the earlier single with this orchestral closing moment (its also in the song’s middle), which is important when one considers the album as a singular entity. A fun ditty, most assuredly. Heaven’s Mayor is out April 24th via Bobo Integral.

Rabii Harnoune and V.B Kuhl Share Traveller

In my effort to write about most things coming into my email today, I thought this Rabbi Harnoune and V.B Kuhl was one that normally wouldn’t pique my interest, yet today I’m rather enjoying it. Rabbi is a Gnawa-master from Morocco, which means he’s a specialist in Islamic religious songs; he’s fusing his work here with German producer V.B Kuhl. There are two parts that grab my attention. First, the innate musicality of Gnawa music shines through in Harnoune’s performance; it seems that it’s almost perfectly fit to any style. On the other hand, the work of Kuhl kind of transforms that into a dance-floor ready groove; I can see myself dancing to this back in my Jnco-wearing heyday. Seems working across communities is now more important than ever, so give this a listen.

Activity Share Nude Prince

As we prepare for the release of Unmask Whoever, it’s time I start really paying attention to the craftsmanship of Activity. The first 30 seconds of their new single felt like a sort of post-rock industrial piece; there was this ominous noise echoing in the distance that build this uneasiness. That was calmed, mildly, by the band’s cool vocals, smoothing out the edges of the song just a smidge. That tension began to build, as did the anxiousness of the track, but the band excel by showing restraint, focusing on their pop sensibility while the world seems to crash around them in this song. Initially, I wanted this to unleash a wall of noise and crash into me, but I’m thinking now they made the right choice holding back. The new LP is out on March 27th via Western Vinyl.

Nova One Shares Violet Dreams Video

Perhaps the visual aesthetic and influences of Roz Raskin harken to 60s pop, but the feel of Nova One‘s “Violet Dreams” seems every bit steeped in the current climate we’ve been in for the last few years. There’s this almost slow-moving trait to the track, like the song got stuck in some time warp and slowly spins in this galactic haze. I love the way Raskin’s voice seems to have this purposeful emphasis on various syllables, as if each note carries a secret only evident to the narrator. It’s a subtle song, staring off into the horizon of the unknown with the rest of us. This song appears on Lovable, which drops on April 24th via Community Records.

Control Top Share One Good Day

I know that Control Top‘s Covert Contracts got a lotta lotta love last year from all the heavy hitters…but I listened, and it was good, but it wasn’t something that really blew me away. Here they are upon their return, and I want to like it, but at the moment, I’m on the fence. Ali Carter’s voice is the high point throughout; there’s a flare in it that only the best front people have, shining through the recorded version. Musically, I just wasn’t super interested in the guitar work; it felt like someone that was really into Queens of the Stone Age their whole life suddenly wanted to be in a punk band. Guess that makes me an asshole, but I wanted something sharper, more angular. Didn’t hate it, but didn’t love it. You?

Other Lives Shar Hey Hey Video

Other Lives are one of those band’s that tried to build their songs layer by layer; I’ve always appreciated that about them; they bring everything they have to the table, be it instruments or textured vocals. They do the same here on their latest single (I might have voted for a touch of editing), but what I appreciate here is the exuberance that seems to evolve in the song. Typically, Jesse’s songs are more melancholy and slow, but there’s almost a joyousness here that’s not been omni-present in their music. This tune appears on their new album For Their Love, out April 24th via ATO Records.

Pleased to Meet You: Rules

Rules came to my attention because of their affiliation with our friend in Finland, Soliti Music. The band celebrate their union with the label by dropping this really great synth pop number. If you were to ask my two cents, I thought the introductory two minutes might have gone on for maybe 20-30 seconds too long, but peel that away and you have this well-crafted gem akin to the work of the Knife, only made more accessible by a certain polish to the songwriting. Plus, ever into their artistry, the song draws inspiration from a Murakami character in “Drive My Car.” Also, if you’re into singer Iiti here, be sure to check out her other band Pintandwefall, who released one of my favorite tunes of this year.

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