Show Pics: Eternal Summers & Turbo Fruits @ Holy Mountain (4/20)

Eternal SummersIt was 4/20 and team ATH braved the pot-laden air in Austin to go check out several great bands playing the Monday night show at Holy Mountain. We got a double headlined deal with Eternal Summers and Turbo Fruits along with Kay Odyssey and Rose Selavy. Indie pop gems, rock and/or roll, surf inflicted pop, we had an evening of subtle sub-genre loving. I chucked the manual focus primes into the camera bag and captured moments.

Brief thoughts and plenty of shots await…

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Have A Nice Weekend

l1krxxmwzbja8ea3tpliLove me some Ghostly International. We’ve stepped up hip hop coverage with Tactic joining the team. I traditionally find the zeros and ones when Nate doesn’t beat me to it (or I hate looking at music related stuff after SxSW photo processing benders). This track will be the closer to Ghostly Swim 2, available to sample and pre-order now; it is a fourteen track compilation featuring the likes of Shigeto, Heathered Pearls and CFCF. Galcher Lustwerk’s “In The Place” takes a beautiful sonic landscape and layers party rhymes delivered in a monotone smoothness that lets you just focus on the cadence with words disappearing or smile as the juxtapostion of being about it is delivered over the sonic landscape.

In it to win it. Check out a few other tracks on Ghostly Swim 2 here.

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New Ben Browning Cut Isn’t A Copy

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Ben Browning is in Cut Copy. I love Cut Copy. What to do when one of the gents does some solo work? Usually it ends up being derivative of the band, but this isn’t the case. It is a very simple and clean synth disco jam, slightly surfy and plenty bright.

“Make It Easy” is the first track available from the pending release called Turns. The record is due in the summer on Yellow Year Records.

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SxSW 2015: 24 Beats Per Second

All Things Must PassI already talked about several docs and the features I took in, no it is time for the music docs to take the stage. From the obscure and the hidden, the backbone of the beat, to the rise and fall of an empire and the rise of a movement, let’s take a look at what you need to keep an eye out for in the coming months. I am hoping a few will make it to the Alamo Drafthouse so you can hear them as much as see them. All hail crowd-funding.

Click past the break for the rundown.

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SxSW 2015: Converse Rubber Tracks

Rubber TracksBrand. Branding. Brand awareness.

Forget all of that. SxSW has been a bastion of branding experiments. From giant Doritos to McDonald’s trying to be cool, we are inundated by branding and usually, it has been quite unsuccessful. Twitter campaigns hijacked in the name of comedy, new product as a punch line for your snarly friend’s quips. #flatizza

But one brand has been kind of quietly been doing something very cool for musicians. Converse set up Rubber Tracks four years ago giving Texas bands, mostly Austin locals, the chance to get some studio time on the brand’s dime. I was invited to take a tour of the studio compound taken over during SxSW and turned into Converse Rubber Tracks home base, Big Orange and Shine Studio.

A few thoughts, pics of Tele Novella and Hard Proof Afrobeat, and a little Q&A action with the bands after the jump…

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SxSW 2015: A Day With The Twilight Sad

The Twilight SadIt isn’t a new idea, plenty of people have followed a band for a day, but it is something I have wanted to do for a while now. The last time The Twilight Sad was in town in support of We Were Promised Jetpacks, I had some time to chat with James, lead vocals, and Chris Patin, the tour manager, about following the band for a day during SxSW. You see, Chris is a friend of the program; he is in The Calm Blue Sea. James and I oddly ended up standing next to each other at several day parties in previous SxSW’s and we have had friendly conversations about tea, food, travel, normal human stuff. Seemed like a good fit. What follows is an account of the day, followed by a ton of pics. As a bonus, I got to see several other bands, some pretty damn good ones, including Torres and Ringo Deathstarr (more on them later).

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SxSW Film: Features and Docs

SxSW FilmThis post starts my coverage from SxSW 2015. I do the Film Festival every year now and I have turned into a bit of an obsessive about documentaries. I will have a separate post for the 24 Beats Per Second music docs I saw, but wanted to get things started with what you should be on the look out for in the coming months either in the theaters or on the intarwebs.

Click past the break, won’t you? Let’s get started with #SxSWfilm coverage for 2015…

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SxSW Approaches – ATH in the Preview Guide

sxsw-music-logoWhat’s up, nerds? We have a couple of additional news bits about the conference.

First, we give thanks to Mr. Brent Grulke, creator of SxSW. The City of Austin has decided to name the trailhead deck at Auditorium Shores the “Brent Grulke Plaza”. Yay. The dedication is happening at 5:30pm before the Thursday free Auditorium Shores show headlined by Spoon. Details.

Next and totally rad, Nathan got to write some band previews for the 2015 SxSW Preview Guide. Click here and find your flavor and serach for Nathan’s recommendations first (duh). Don’t chase the band you’ve seen. Discover. DISCOVER!

Show Pics: Craft Spells @ Red7 (3/3)

Craft SpellsTuesday night had a couple of shows and this time around, we made the tough choice to go with the touring acts hitting Red7 over a sweet local show at Cheer Up. We know it is overwhelming right now, trying to think about waht bands to see with SxSW just around the corner.

Craft Spells brought along an ATH favorite The Bilinda Butchers; call it a Captured Tracks mini-showcase. Locals Whiite Walls opened the night. I ended up shooting in black and white just for fun.

Hope you enjoy. Click through for more thoughts and plenty of pics…

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