Edith Frost Offers Nothing Comes Around
Since we’re all indoors down here in Austin, with pseudo-snow coating the ground, feels like we should rep this new Edith Frost tune, since the artist is currently one of our own. Her first album in nearly 20 years reveals a songwriter who doesn’t seem to have lost a bit of the magic, still playing in between the lines of sharp guitar stabs, rolling drums and nuanced strokes. There are certain elements of her voice that recall the Breeders, though there’s this child-like exuberance in it, coyly turning notes into little treasures for the listener to open up. This new record, In Space, sounds magnificent, and in that, you should get your hands on it before its February 28th release via Drag City.
Austin outfit 
Both Lynn Avery and More Eaze have been playing left of the indie rock center with their various projects, but now they’ve united under the 
This Spring, Chicago outfit 
If you’re not paying attention to our coverage of the Finnish scene, don’t skip over the tunes we’re bringing you today. The simplistic opening 26 seconds of this new 
When I first heard this Caroline Strickland tune, there was something in it that felt so moving and powerful, like when I first head Sharon Van Etten’s “Serpents.” It had that same sort of traditional indie rock songwriting, though coated in this almost gothic vocal, like a pained soul doing all they could to contain themselves. And just as I thought the song had delightfully settled into it’s own skin, the 2:30 mark hits and there’s a nice little plot twist with a choral of voices singing the refrain of “you are one of the prettiest girls of heaven,” adding a nice little touch to close the tune out. Caroline’s new Martha’s Calling EP will be out on March 7th via