New Music from Seatraffic

Lately I’ve begun to think of San Francisco as the mecca of psychedelic tunes and new age punk rock sounds, but that’s not all the city has to offer.  One listen to Seatraffic and you’ll see that even dreamy bedroom pop has it’s place on the West Coast, and we’re grateful you can craft music like this anywhere.  The duo has kindly let us share the B-Side to their upcoming 7″, and we’re pretty sure you’ll dig the stripped down emotional effect that remains central to the song.  You’ll be able to order your own copy of the recording on August 1st if you know what’s good for ya.

[audio:https://austintownhall.com/wp-content/uploads/2012/07/02-Put-Away.mp3]

Pale Sunday – The Fake Stories About You and Me

Rating: ★★★½☆

You can put all your preconceived notions about music in Brazil to the side now.  Pale Sunday are nothing like CSS or Bonde Do Role. While I appreciate the regional flavor of those acts, The Fake Stories About You and Me seems so distant; it’s an album of pristine guitar pop in the realm of bands like Lucksmiths or Nada Surf–it’s somewhere in the middle there.

It’s a short EP, but “Happy (When You Lived Here)” is perhaps going to be one of my favorite guitar tracks of the year; it’s easiest the best track from the band that I’ve heard to date.  Luis’ voice sounds incredible here; it’s calm and cool, yet there’s a smoothness that coincides with the rest of the music.  Everyone else’s accompaniment fits perfectly into the track, from the backing vocals to the steady propulsive drum beat. So good; I wish everyone would write tracks like this.

“About Your Life” seems a little bit more straightforward in the vein of classic pop songs.  The guitars aren’t quite as clean here, and the synths provide an extra element to the background. I can’t quite put my finger on what makes this song so familiar, but I put it all down to Luis Gustavo’s voice.  In contrast to the casual cool of the EP’s opener, here he sounds a bit softer, yet more distant in the mix.  It might seem like I’m not enthused by the difference, but I assure you that I’m having a hard time not playing this track over and over.  Screw it. I’m playing all four songs constantly.

Pale Sunday gives a bit of a bouncing drum roll on “That’s the Way,” giving the third track a bit of swagger and swing.  It’s a song about getting high with a friend or loved one, feeling lost in an emotional sense.  Towards the end of the song it sort of careens with guitar work that sort of bursts into a solo…perhaps providing the listener with that feeling of taking off into the far out realms of one’s mind.

When The Fake Stories About You and Me came to a close with “The Winter Song” I was taken aback at first.  It’s a song focused on strummed guitar, and a different pop appeal than the previous tracks. For me, it seems a lot more thoughtful, as if the band intended to leave you with a departing note about how we should go on with our lives. I like the way there’s a musical emphasis from the rest of the group that seems to arrive just after the 2 minute mark.  It’s a gorgeous track, and one that’s a fitting end to this EP.  Just as it ends, you want more, which might be my only detractor here, but with songs this good, Pale Sunday isn’t going anywhere any time soon. I’m grateful for that.

[audio:https://austintownhall.com/wp-content/uploads/2012/07/Happy.mp3]

Download: Pale Sunday – Happy [MP3]

The Fake Stories About You and Me is available now from Matinee Recordings.

 

Hip Jam from Night Panther

I generally try not to take too much stuff from other sites, preferring to do the research work on my own, but I couldn’t resist when I heard this song over at IGIF. The group’s name is Night Panther.  There’s not too much info on the group, other than the fact that they’re from Pennsylvania, but what’s more important is this hit.  Only one song is floating along, and it’s enough for me to fawn over the band like some teenage cool kid.  There’s an effortless bounce, an essence of cool and just a central hook that I can’t get out of my head. Enjoy this one folks.

[audio:https://austintownhall.com/wp-content/uploads/2012/07/Snudge.mp3]

Download: Night Panther – Snudge [MP3]

 

Amazing Darkened Tunes from Black Marble

I didn’t expect this at all! We’ve known a full-length was coming from Black Marble since they first signed with Hardly Art, but I had no idea how much I would anticipate the whole affair.  Now, having listened to the first single from A Different Arrangement, I’m hoping it comes earlier than the October 9th release date.  The heavy tones of the vocals caught me off-guard, but juxtaposed with the music itself, it’s surprising how fitting it is, how well it all ties together.  I especially like the guitar flourishes shooting through the background.  Be sure to keep an eye on this release, it’s going to be a great one.

[audio:https://austintownhall.com/wp-content/uploads/2012/07/BlackMarble_AGreatDesign.mp3]

Download:Black Marble -A Great Design [MP3]

Fresh New Tune from New Tigers

I always liked the idea of a split 7″; to me, it shows a bit of camaraderie in the musical community.  When I first saw that New Tigers had a new track on a split with Sweden’s Top Sound, I got really excited, as I’m already a fan of New Tigers after their self-titled album from last year.  The split will be shared between Ca Ira and Soliti Music, and it comes out next week.  Both bands take a stab at covering the other group’s tunes, which is another thing I enjoy–you get to see how bands react to the music of their peers.  I’m definitely digging this track, but I knew I would.

[audio:https://austintownhall.com/wp-content/uploads/2012/07/The-New-Tigers-I-Have-Been-Replaced.mp3]

 

Great New Tune from Cate Le Bon

I was fortunate enough to catch Cate Le Bon last year at ACL Live as an opening act, and ever since then I’ve clamored high and low for her music.  I dug CYRK, but now she’s readied the CYRK II EP, which comes out on August 21st.  Just listening to Cate, you can’t help but be completely swept away my her simple guitar work and incredible vocal prowess.  She seemed a bit timid live, but she’s definitely not playing that role any more.  You can tell that she’s ready to take on the world with this tune. Can’t wait to pick this one up.

[audio:https://austintownhall.com/wp-content/uploads/2012/07/01-01-What-Is-Worse.mp3]

Download:Cate Le Bon – What Is Worse [MP3]

Beautifully Drenched Pop from Meridians

It took me a minute, or a few seconds rather, to get what Meridians were going for, with the song slowly inching away in ambient noise before Julie’s voice enters into the picture.  Seconds later and surely you’re sinking into the details of the song.  Her voice begins quietly, and the guitar seeps into the track.  It’s not long before her partner Trevor joins her, ever so slightly, leaving a slight contrasting echo in the far off distance. This track is featured on the group’s self-titled album, which just got a tape release from the beautiful people over at Cakes and Tapes.  You can click HERE for a video of the track.

[audio:https://austintownhall.com/wp-content/uploads/2012/07/3-Meridians-MASTERED-Sunrise.mp3]

Download:Meridians – Sunrise [MP3]

New Folk Tune from Miner

One of the great things about running this site is when bands reach out to us for help, and then we get hooked.  Just such a thing happened today when I got this email from Miner, a California group who will release their Hey Love EP in August.  While primarily the work of Justin Miner, the depth of this song featured here wouldn’t be what it is without the work of his group, adding vocal harmonies in all the right places.  If you’re looking for a group who played sun-drenched folk with a sense of longing, then you’re going to really enjoy this track; I know I’ve had it on repeat for the better part of today.

[audio:https://austintownhall.com/wp-content/uploads/2012/07/Miner-Golden-Ocean.mp3]

Download:Miner – Golden Ocean [MP3]

New Girl Pop from Stealing Sheep

Sometimes you have to be a bit skeptical when you get the hype from overseas, but I have a feeling that Stealing Sheep are going to live up to it all. The all girl trio from Britain just released this great single as a prelude to the release of their album, Into the Diamond Sun, which will come out this September on Heavenly Recordings.  The playfulness in the vocal delivery was enough of a hook, then the rest of the girls join in creating a catchy pop stomp that won’t get out of my head.  I have this slight feeling that a lot of people are going to adore these lovely ladies.

[audio:https://austintownhall.com/wp-content/uploads/2012/07/01-Shut-Eye.mp3]

The Bankees – Home

Rating: ★★★★½

Occasionally you encounter a band and a record that fits perfectly into who you are or where you are; these are the sorts of albums that you’ll always find endearing, no matter who tells you otherwise.  Home by The Bankees, just might be that album, reaching beyond my expectations and finding its way straight into the core of my being.

Admittedly, I’m not in the same place as the lyrics on “Single Life” by any means, yet I’m drawn to the songs emotional appeal.  I love the way there’s some restraint in the delivery of the verses, which is only strengthened when the chorus comes through with a bit of brightness. The cascading electric guitar solo nicely ties the song together as it continues through the track.  And then you come into “Days,” one of the standout tracks from the Home.  For me, the quality of the recording is what does it; it’s not overblown with production, allowing the craftsmanship of the group to shine through.  The lyric of “I don’t have that much to say, no one listens anyways” seems perfectly fitting to my wandering mind.  This track is perfect.

The Bankees put songs together so well that you have no idea what hit you until the track is over, so you rush to play it again.  Every time I listen to “Big Fish” this is the exact sentiment I get, hitting that repeat button.  Quietly strummed guitar, stomping drum beat and male/female vocal duo all feature on this jam, warming my spirit with each play.  Mid-track the song seems to come to a halt for just a moment, then carries off again as the cymbal is used for extra bits of emphasis.  But, making songs like this surely can’t come easy, even if they sound so incredible.  “Home” creates nostalgia personally, though it’s not just in the lyrical material, but also in its likeness to Arab Strap.  Similar to the Scots, this French band seems to strip things down to such simplistic moments that you sometimes aren’t even aware of the musical quality, despite how moving it is as it comes out of your speakers.

There’s hardly a misstep on Home, which alone makes it worthy of your listening pleasure.  More importantly, it’s hard to write about one song, or even several, as each song seems to deserve some attention.  “Under the Sun” closes things out in a softer space than where the album began, relying mostly on the guitar work and the vocals.  It’s almost a personal farewell from The Bankees, although the subject matter might not lead you that way.  That’s precisely why I’ve annoyed everyone playing this record over and over again: it’s extremely personal.  Whether you relate to the lyrics or your drawn to emotional appeal of the tracks themselves, you can’t help but feel enwrapped in the whole of it all.  In my mind, that makes for a memorable record I vow not to put down anytime soon.

[audio:https://austintownhall.com/wp-content/uploads/2012/06/02-Days.mp3]

Download:The Bankees – Days [MP3]

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